Horror Of Religion

Horror Of Religion
Horror of Religion
 
What I Like About You (2002-6) was one of the most entertaining of the television situation comedies of the early 21st century produced by a nation most famous for their scope and wit, the United States of America, and starring actress Jenny Garth of TV`s Beverley Hills 90210 (1990-2000) fame, as older sister Valerie Tyler, `butt crack is the new cleavage,` and comedienne Amanda Bynes, fresh from her own universe, The Amanda Show (1999-2002), as her teenaged sibling, Holly, who shared an apartment together in New York city: `Yeah, but you can't keep your money in there.`1 The premise of the show is archetypally Oedipal insofar as Jenny and Amanda aren`t actually related, which means that it`s a penetrable fiction based on a social convention.
 
 
 In the play Oedipus Rex (c. 429 B.C.) by Greek dramatist, Sophocles, Jocasta is the mother, and Antigone is her daughter, which is another archetypal configuration familiar to those who`ve been influenced by the developmental psychology of Carl Gustav Jung (1875-1961), who observed images and figures emerged from the unconscious of humans in dreams, art and the imagination impelling individual progress, which he called archetypes. Antigone is the daughter of Oedipus, who killed his father unbeknownst to him, and married his mother, Jocasta, similarly unconsciously. After discovering his `sin` of incest, and that he`d broken the societal taboo, he blinded himself, and thereafter Antigone showed him where to put his `foot`.
 
 
 Oedipus` name means `lame` because Oedipus` self-blinding is a lame excuse for his having produced with his mother, Jocasta, a daughter, Antigone, who he then enslaves by means of her daughterly sympathy. In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot`, because Oedipus is the serpent, Satan. Satan was the angel turned into a serpent by God for rejecting the plan that the human host should be greater than the angelic host, and Satan tempted Eve, the first woman, and Adam, the first man, with death, saying, `You shall be as gods.` (Gen: 3. 5) Slavery in ephemeral host womb parasitism is what Satan proffered and God expelled Eve and Adam from heaven on Earth, Eden, with the promise of Redemption; if Adam labored, while Eve would experience labor pain: `You shall crush the head of the serpent with your foot but he shall bruise your heel.` (Gen: 3. 15)
 
 
 God told Eve her `seed` would have `enmity` with the `serpent`s seed` until Redemption while Jesus born uncontaminated by male semen is depicted in Christianity as the `foot` of God` crushing the head of the serpent, Satan, because he`s `woman`s seed`, which is called `futanarian`. Because women can sexually reproduce with each other as the futanarian human species, men`s incest taboo is their way of coming between women, rather than preventing their sons from having sex with their female relations, which doesn`t interfere with parasitism. Consequently, Oedipus Rex depicts how men enslave, which suggests that they are a parasite, and parasitoid natures devour the host, so when Jesus was the host at the `Last Supper` with his disciples, that`s what he represented, the human futanarian host of women: `Love your neighbor as you love yourself.` (Mk: 12. 31)
 
 
 Before the `Last Supper`, Jesus was seen by Judas, his disciple, who was known for stealing from the collection plate after a sermon, with a woman who was anointing his feet with expensive perfume, and Judas suggested that the perfume be sold to raise money, so after the `Last Supper` Judas sold Jesus to agents of the Roman Empire then occupying Jewish Palestine for `thirty pieces of silver` and he was taken to the hill of Calvary outside Jerusalem`s city walls where he was nailed to a cross of wood and left there to die because Judas didn`t want `woman`s seed` to sexually reproduce the brainpower needed to see through men like Judas` male brained slaving. Jesus` subsequent Resurrection and Ascension to heaven prefigured that of `woman`s seed` to the planets and stars of heaven through the labor saving devices of technology and immortality conferring medical science affording permanent knowledge of how to construct, operate and maintain technologies such as those starships which would be needed to colonize the cosmos.
 
 
 As Mary`s `foot` Jesus was futanarian `woman`s seed` to crush the head of the male braining serpent, Satan, who`d devour the civilization, culture and art women perforce produced from their host womb as her parasitoid devourer in unredeemed parasitism unless women were free to sexually reproduce their own brains` powers for liberation together. Consequently, Jenny Garth and Amanda Byne`s `sitcom` about sisters` Valerie and Holly`s adventures from their New York city apartment is a tragedy, rather than a comedy, whereas Oedipus Rex is thought of as a tragedy in the modern age, but it`s couched as a comedy by an ancient society that despised women. Greece institutionalized host womb slavery for homosexuality in pederasty and war for the spread of the contagion of the male brained Empire, as did the Persians: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Hollywood is called `Babylon`, a `woman` in the Bible who gave her name to the capital city of the Persian Empire, Babylon (c. 4000 B.C), because host womb slavery in parasitism for parasitoid devourment in war is what the parasite is for.
 
 
 When Will Hays, President of the Motion Picture Producer Distributors of America (MPPDA), devised the `Hays code` in 1930 banned futanarian `woman`s seed` from being seen in movies: `… women, in love scenes, at all times … [ had ] `at least one foot on the floor` (in other words, no love scenes in bed).`2 When the Hays code (1930-67) finally lost its force during the 1960s counterculture revolution with its popular music lyrics and underground literature subverting the paradigm of sexual repression, female nudity was possible in movies like the symbolically titled comedy, Barefoot In The Park (1967), with newlyweds Jane Fonda as Corie, and Robert Redford as Paul, sharing a New York city apartment near Central Park, although women were now perceived as penisless: `Paul, I think I'm gonna be a lousy wife. But don't be angry with me. I love you very much - and I'm very sexy!`3 Neil Armstrong`s moon landing declaration on 21 July, (UTC: 2. 56), 1969, was that women`s futanarian `foot` would remain forever Earthbound and enslaved as Hollywood, Babylon, intended: `One small step for a man, one giant leap for mankind.`
 
 
 The comparable sitcom to What I Like About You in the late 20th century was Friends (1994-2004), which featured three men, Matt LeBlanc, Matthew Perry, and David Schwimmer, as Joey Tribbiani, Chandler Bing, and Ross Geller, and three women, Lisa Kudrow, Courtney Cox and Jennifer Aniston as Phoebe Buffay, Monica Geller, Ross`s sister, and Rachel Green who, sharing apartment space in New York`s Manhattan, represent the heterosexual paradigm of penisless women after the effects of the `Hays code` and the rise of television as home entertainment replaced cinemas as the favored venue for filmed enjoyment: `You know what blows my mind? Women can see breasts anytime they want, you just look down and there they are! How you get any work done is beyond me.`4 Because heterosexuality produces a male brained creature wearing each others` clothes, it`s a transvestite, or `TV`, which is what Hollywood, Babylon, had produced as mass entertainment by the end of the 20th century. Although sexual exclusivity isn`t a moral issue when it comes to human futanarian women, because it`s a single species, paleontologist Ross marries and divorces three women in the course of the series; Rachel, Emily, and Carol, a `lesbian` he has a son with: `Wow, you guys sure have a lot of books about being a lesbian.`5 Men promote monogamy as a `moral issue`, whereas the `issue` is slavery, which is evil. Ross and Rachel have a daughter, Emma, by the end of series eight and, though divorced, confess they still love each other in the final tenth series` last episode, `The Last One`, that is, they`re exclusive `TV` producers, while `lesbian` Carol is the heterosexually normal human futanarian woman, who can`t be depicted in enlightened democratically feminist `politically correct` America as marrying a woman with a penis and so remains sterilized by a system that legally enforces interventionist surgical correction upon newborn futanarian humans to prevent women`s sexual reproduction.
 
 
 Irrespective of perceptions that `gay` marriage is sterile, that is, issueless, the moral issue isn`t monogamous faithfulness, but species` exclusivity, which is human futanarian women`s sexual reproduction free of their aliens` parasitoid devouring nature. In simple terms, human sexuality is taboo, and in fact forbidden, because it interferes with the aliens` `snuff film`. So-called `pornography` is a slavers` instruction manual for parasites, whereas human women`s futanarian sexual reproduction depicts species` exclusivity, so pornography is labeled `immoral`, because that label`s a way of occluding humans from sexual reproduction by the alien parasitoid devourers` defining human futanarian women `evil` even before the human mode of sexual reproduction has been depicted correctly for humans.
 
 
 Christian moralists would argue Ross`s immorality has ruined the lives of three women, whereas the women`s lives are already ruined, because `TV` doesn`t afford them access to the sex education about their own human futanarian women`s species that they need. Rachel lives with Monica and works in the Central Perk café, which is a reference to the `Hays code` movie, Barefoot In The Park, for the cognoscenti, because Rachel`s `foot` will remain firmly on the floor of Monica`s bedroom, so far as `TV` audiences are concerned. After a `special` London night, Monica and Chandler, who for years shared a room with Joey, the `womanizer`, marry and adopt twins, because it`s `TV` so childbirth isn`t `real` anyway, that is, heterosexual reproduction is for television, because `TV` is a single male brained creature wearing each others` clothes, while the news reports it as a `snuff film`, which Hollywood, Babylon, `action` dramas promote as being in the interests of national defense and international security.
 
 
With its diet of `action` programs, Hollywood, Babylon, was a promoter of parasitoid devourment for `woman`s seed` in its making of war movies, which was the joke promulgated in situation comedies, like Friends and What I Like About You, that is, the futanarian human race was eating its own `foot` and, now having a `stand up` routine, was laughing with Satan at its being `stood up` by the futanarian species it had eaten. In short, Hollywood, Babylon, was producing and documenting a `snuff film` of the human race, that is, a filmed record of a murder for entertainment.
 
 
 New generations of girls were born believing that women, such as those found in `TV` shows like Charmed (1998-2006), were saintly role models. Actresses Shannen Doherty, Holly Marie Combs, Alyssa Milano, Rose McGowan, and Kaley Cuoco had the roles of professional witch-like characters, Prue Halliwell and her sisters, Piper and Phoebe, and their half-sister, Paige Matthews, who replaces killed Prue as a lead character, and together with college student, Billie Jenkins, they `fight against the forces of darkness`, as the girls in the `TV` audience`s surrogate mothers, while the boys perceive the same women as `lesbians`, who aren`t sexually available, because that`s the new Hollywood, Babylon, educational paradigm forbidding the species of human women`s futanarian mode of sexual reproduction.
 
 
 The new paradigm was that the women of Charmed, and other `TV` dramas, were Jesus to girls, because self-sacrificing homebodies fighting against forces that would interfere with their daughters` development, whereas the schizophrenia inherent in girls` admiring beautiful women without admitting to sexual desire for them was psychologically debilitating and abnormal insofar as so-called `lesbian` feelings are the norm for women`s human futanarian species desirous of sexual reproduction with each other as an independent race: `I'll play the bitch, you play the witch, ok?`6 However, without the mirror revealing a woman`s charms, which is what cinema and `TV` should have been for, that is, to provide girls with the sex education their species needs, mirrors represent a schizophrenic denial of their own bodies in favor of a viral form that inveigled itself into women`s host wombs millennia ago to steal her species` penis and practice slavery and parasitoid devourment upon her race.
 
 
 Shows like Charmed where women fight the forces of darkness are debilitating because eyes are the forces of illumination, and girls who can`t see behind the mummery of `TV` transvestism remain psychotically divided from their own species` `seed` by men`s psychopathological virality; for example, in Friends Phoebe`s mother commits suicide, which is a `mortal sin`, according to Christianity, for which the unconsciousness of the occluded perpetrator goes to perdition, that is, eternal unendurable pain. The Bible is a good book if people accept `woman`s seed` as the proselytizing word, but those who preach male supremacy through the Bible are espousing ignorance. While dramas such as Charmed are biblical in their espousal of righteous acting against evil, the absence of women`s penis from the dramatizations encourages girls` acceptance of host womb parasitism in that evil ring of marriage slavery which is misogyny.
 
 
 In Friends Chandler Bing`s father is a `gay` cross-dresser, that is, a transvestite `TV`, which is logical if Matthew Perry, who has the role of Chandler, is a television `TV` actor, while it`s part of the plotline that the Joey Trabbiani character played by actor Matt LeBlanc, who Chandler shares a room with for several years, has a job in the `TV` soap, `Days Of Our Lives`, as Dr Drake, where `doctored` is a euphemism for `castrated` in animals, and `rake` is idiom for `womanizer`, which Joey is, as `Dr Drake`, because filmed coitus is taboo in mainstream mass media as `animalistic`. Chandler`s father is the `gay` norm, rather than the exception, because everyone`s a `TV`; as that`s what heterosexuals make.
 
 
 Hollywood, Babylon, is based on the principle that the American man defends the woman, but you can`t see the woman`s penis, which is the principle in Moslem Islam where families are permitted four wives and publically the women wear the one-piece coverall of the burka from which only their eyes can be seen. Although Judeo-Christianity is perceivable as the religion of `woman`s seed`, that is, it`s the tradition of the `chosen people` of the Jews that Jews can only be born from women, which means Jews are women, Judaism derives from Abraham`s wife, Sara, who bore Isaac, the founder of Israel. Sara gave her maid, Hajer, to Abraham after Sara became barren, and Hajer bore Ishmael, who was the founder of Islam through his descendant Mohamed, who received the Koran (610-30 C.E.), dictated by the angels, as the basis for Moslem belief in a polygamy that accords with Judeo-Christianity`s tradition of `woman`s seed`. 
 
 
 Because `woman`s seed` is banned in the Western democracies, they aren`t democracies, while religious and secular dictatorship in Moslem Islam is anti-democratic insofar as four wife families afford the possibility of futanarian sexual reproduction between women where marriages contain 80% women to begin with and so dictatorial regimes are necessary to maintain male supremacy against a system that`s undeniably democratic in terms of its own theocratic basis and human nature. In short, the women aren`t defended because the parasitoid nature that keeps them in parasitism wants to defend itself as her parasite. Because American women are penisless, American men are cloning themselves, and female nudity is American transvestite `TV`, that is, a single male brained creature wearing each others` clothes for the `snuff movie` entertainment of its alien nature. In other words, the Americans don`t have a human penis, while the Moslems in Islam keep theirs `hidden` and won`t reveal it.
 
 
 The analogy is of cheese, which is produced from milk, and women produce milk for their children after childbirth. Consequently, Jesus` mother, the Virgin Mary, produced Jesus uncontaminated by male semen, which is what human futanarian women produce, that is, shes, because shes and Jesus are `woman`s seed`, whereas the `serpent`s seed` are boy sons, that is, `poisons`, unless they repent and accept shes and Jesus` teaching: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was mix blood, shit and semen in each others` anuses to spread the contagion of the late 20th century `incurable killer disease`, HIV/AIDS, to kill human brainpower as homosexuality in pederasty for war`s `biological weapon` keeping women in fearful faithfulness to host womb slavery in parasitism for their parasites` parasitoid `red dragon` nature depicted in Revelation as lying in wait to devour he who would `rule the nations with an iron scepter` to protect `woman`s seed`.
 
 
 After the United States` exhausted WWI (1914-18) defeat of German Imperialist ambitions of slavery, John Steinbeck, wrote the novella, Of Mice And Men (1937), about poverty amongst `dirt farmers` in 1920s California state, where director D. W. Griffith had made the first Hollywood movie, Old California (1910) in the city of Los Angeles` district. Steinbeck`s Of Mice And Men is about George Milton, an intelligent but uneducated man, and Lennie Small, who likes to stroke soft fur; but strong, and mentally retarded, he kills the animals he farms. In his strength Lennie uncontrollably breaks a woman`s neck, and George shoots him in the back of the head; after promising Lennie won`t feel it. The scene is represented as tender, because Lennie`s to be lynched, but the meaning is men are mice who don`t protect cheese, that is, women, which is why Jesus` mousetrap was the cross. To Judas, and the male brained Empire of Rome, Jesus was `woman`s seed`, that is, cheeses to men`s mice. As women produce milk for their children, so Jesus` Redemption is fulfilled if women`s futanarian sexual reproduction with each other produces more milk and shes, whereas men don`t wants shes, they want strength, which is why Jesus` mousetrap is the cross. He`s murdered by the strength of the Roman Empire, and so represents perdition, that is, God`s punishment of eternal unendurable pain for those who use their strength to murder, which is why the cross is Jesus` mousetrap. There can`t be any shes in the mousetrap because men don`t make any, so it`s a mousetrap made only for men, because mice don`t protect women. As mice don`t protect shes, the mice aren`t important, only the shes, which is why it`s the mousetrap of Jesus the redeemer.
 
 
 American `TV` is `gay` humor based on the principle that the children amongst the viewers don`t know, and which is sometimes called `camp humor`, because heterosexual `TV` is Hollywood Babylon`s cloning system for a `snuff movie` of humans in a `death camp` pogromed by aliens. After the `Hays code` was implemented in 1930, fascism had existed in Roman Italy since 1922, and in 1933 the German National Socialist (Nazi) Party adopted the Roman fasces as its symbol too, that is, a bundle of wood with an axe in the center, which became a symbol of the `death camps` built to conceal the Nazis pogroming of the Jews, because heterosexuals wanted `TV`, rather than human futanarian women`s sexual reproduction for the host species, which is what God had planned. Consequently, although `camp humor` is depicted as protecting the children who don`t know, it`s preventing `woman`s seed` from knowing about her own mode of sexually reproducing her own brains` powers as a child who`ll never leave her `death camp` for the stars and planets of heaven through starships devised by her own human technological inventiveness. When the fascist Axis powers of Italy, Germany and Japan were defeated during WWII (1939-45), the United States of America`s House of Representatives still held to the fasces as its symbol, and the `Hays code` banning women`s `chosen people` remained in force until 1967 and people`s brains had been washed clean of the memory of `woman`s seed` by Hollywood, Babylon, propaganda films and `TV`.
 
 
 The joke in What I Like About You is the woman`s penis, which remains unspeakably unhuman, although that`s unfunny to futanarian women who`d like to at least hear about themselves. Men`s is a macho putative system in which the men dispute that the other men are men, while the women don`t know that they`re the men, because human futanarian women have the penis` semen that was stolen from women millennia ago by the alien viral form that somehow inveigled itself into the host womb of the human race and arrogated to itself the role of their male counterpart through Hollywood, Babylon, film propaganda; brainwashing, and the manipulation of the mass media for the purpose of the parasitoid alien nature`s devouring of the human species in often secret means of extinguishing `woman`s seed` in its war against her.
 
 
 If oil from sunflower seeds grown in the garden power an electricity generator, the companies who supply electricity lose a slave, which is why individuals aren’t wanted to become independent, because it`s a slave economy. For slavers it isn`t about assisting individuals to live, so it isn`t about economy or economics, but rather maximization of independent means preparatory to an assault by slavers who don`t want anyone to be independent of slave owners. Consequently, horror is what slavers perpetrate on those who seek to be independent, so movies like Dracula (1958), starring actor Christopher Lee, feature possessive male braining demons. In The Exorcist (1973) actress Linda Blair is possessed by demons; `Let Jesus fuck you, let Jesus fuck you. Let him fuck you.`7 Actress Nastassja Kinski stars in To The Devil A Daughter (1976) as a young woman prepared to be a human sacrifice, like Jesus, and in Rosemary`s Baby (1968) actress Mia Farrow`s womb is impregnated by a `demon lover`, while actress Sigourney Weaver, as the woman, Ripley, is pursued by the alien parasitoid devourer aboard a spaceship in Alien (1979), and Virus (1999) is a lifeform that has learned how to kill humans, like Jamie Lee Curtis` character, Kelly Foster, by manufacturing itself as her: `You are virus!`8  All feature a woman, or women, who`re resisting possession by an alien parasitoid nature, which perverts religion, for example, vampire movies like Bram Stoker`s Dracula (1992), based on the novelist`s original 1897 Dracula tale written after the historical figure of Prince Dracul (1431-76/7), `the impaler` of Wallachia, represent men`s stake in women`s future. Although the archetype of human futanarian women`s sexual reproduction of brainpower, as the basis for a religion of immortality and progress through science, remains deducible from what`s repressed in the perverted horror genre of fiction, that is, `black mass` media entertainment for men`s alien parasitoid nature, what emerges is horror from nature`s human sex program, whereas what`s needed are films that religiously embrace women`s mode of human futanarian sexual reproduction.
 
1 What I Like About You, `Girls Night Out`, Series 1, Episode 12, Warner Brothers Television Network, September 20, 2002, to March 24, 2006. 
2  http://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping .
3 Fonda, Jane as Corie Bratter, Barefoot In The Park, Paramount Pictures, 1967.
4 LeBlanc, Matt as Joey Tribbiani, Friends, `The One with the East German Laundry Detergent`, Series 1, Episode 5, Warner Brothers Television, September 22, 1994, to May 6, 2004.
5 Schwimmer, David as Ross Geller, Friends, `The One Where Underdog Gets Away`, Series 1, Episode 9, 1994.
6 Combs, Holly as Piper Halliwell, Charmed, Spelling Television Worldvision Enterprises Inc., Season 1, 1998-99, Paramount Television, Seasons 2-7, 1999-2005, and CBS Paramount Network Television, Season 8, 2006.
7 Blair, Linda as Reagan MacNeill, The Exorcist, Warner Bros., 1973. 
8 Goliath Machine Virus, Universal Pictures, 1999.