In Through The Out Door With Led Zeppelin

In Through The Out Door With Led Zeppelin
In Through The Out Door With Led Zeppelin
 
The four members of the rock group, Led Zeppelin, that is, drummer John Bonham, bassist John Paul Jones, guitarist Jimmy Page and vocalist Robert Plant, made music that was mythic ; for example, `Achilles Last Stand` from the group`s seventh studio album, Presence (1976), was about the Greek siege of the city of Troy, `It was an April morning when they told us we should go. As I turned to you, you smiled at me. How could we say no?`1 Achilles was the hero that went along with his friend, Patroclus, in the Greek ships to Troy, where he slew the Trojan Hector before the city`s walls, although ancient Greece`s institutionalized enslavement of the host wombs of women for homosexuality in pederasty to spread war`s contagion throws a huge shadow over their hero`s endeavors. The Greek poet Homer, in the Iliad (760-10 B.C.), narrates how a huge hollow wooden horse before the gates of the city of Troy was taken in by the Trojans and Greeks emerged from its insides to enslave the citizens. By the late 20th century the computer programing successors to the invaders, the `geeks`, had adopted the model of the `Greek` virus, that is, the `incurable killer disease` of HIV/AIDS transmitted by homosexuals, and were developing `bad machine code` called `Trojan viruses` to infect and kill computer brains.
 
 
 Although The Who bassist, John Entwistle, also lays claim to the remark that Led Zeppelin would `go down like a lead balloon`,2 the comment is usually attributed to a conversation between The Who drummer Keith Moon and Jimmy Page while the three were involved in recording the track `Beck`s Bolero` with guitarist Jeff Beck in May 1966. Led Zeppelin were subsequently named after the German Zeppelin passenger airship, LZ 129, which caught fire and was destroyed on Thursday, May 6, 1937, as it attempted to dock with its mooring mast at Naval Air Station Lakehurst, New Jersey, in the United States of America. It was usual for Zeppelin passengers to be led to embarkation, which was why the band was called Led Zeppelin. The LZ 129 disaster featured on the cover of the first Led Zeppelin album, Led Zeppelin I (1969), because it was the generally held belief that Germany had been led by a madman, Adolf Hitler, in the 1930s, whose pogroms against the Jewish `chosen people` of the Bible resulted in global warfare. The meaning of Led Zeppelin`s name was of leading carefully, because those who bought their music and came to their concert performances were their passengers.
 
 
 As it`s Jewish tradition that Jews are only born from women, that is, women are Jews, Adolf Hitler was a monster, and the English band Zeppelin were better led. The genuine archetypal content of the oeuvre of the English contemporary musicians remained the same until September 25, 1980, with the demise of unique drummer, John Bonham, shortly after the release of the group`s eighth and final studio album together, In Through The Out Door (1979), and the emergence of the track, `In The Evening`, an archetypal reference to Sophocles` Oedipus Rex (c. 429 B.C.) and the so-called `riddle of the Sphinx: `What goes on four legs in the morning, two in the afternoon, and three in the evening?`3 As a babe, Oedipus was exposed on a hillside, where he was abandoned by his parents, Laius king of Thebes, and Jocasta his mother, because of a prophecy that he`d kill his father. When John Bonham died, the track `In The Evening` assumed greater significance, because John was the father of Jason, who took his seat as the band`s drummer. Jason had been groomed to stand in for John in unforeseen circumstances, after he appeared aged seven behind the drums during 1973`s filming of Led Zeppelin`s July 27-9 East coast performances at New York city`s Madison Square Gardens that was included in the band`s 1976 lifestyle movie release, The Song Remains The Same, which was a conservative title derived from `The Song Remains The Same` track that appeared on Led Zeppelin`s fifth album release, Houses Of The Holy (1973), and in retrospect was seen as representing continuity, that is, Led Zeppelin`s careful replacing of John with Jason: `California sunlight; sweet Calcutta rain; Honolulu Starbright; the song remains the same.`4
 

 
 Oedipus` name means `swollen foot`, which suggests leaden footed lameness, while John Bonham`s uniqueness was his drumming behind the pace of the music that gave Led Zeppelin the crippled sound of a creature raging in mythic pain, `The hammer of the gods will drive our ships to new lands, to fight the horde, singing and crying, `Valhalla, I am coming!``5 The gods` hammer was John Bonham`s eponym, although the Vikings celebrated in `The Immigrant Song`, from the album Led Zeppelin III (1970), believed heroes died to live in Valhalla, where they fought and died again, `Walking side by side with death, The devil mocks their every step. The snow drives back the foot that's slow, the dogs of doom are howling more.`6 The lyric on the track `No Quarter`, from the album Houses Of The Holy, focuses on Satan`s mocking the doom laden leaden footed human race as it trudges on to extinction.
 
 
 Oedipus, who crawls on all fours as a child, and loses a foot, in the evening, to go on three legs, is a pagan figure, but his Christ-like fate corresponds to Led Zeppelin`s archetype of a seemingly leaden progress that`s compellingly strong and powerful; like the Viking invaders` persistent but mistaken belief in aggression. The coroner`s report on John Bonham`s demise was `accidental death` caused by alcohol inducing asphyxiation, but Led Zeppelin`s preoccupations with the Oedipal myth on In Through The Out Door and elsewhere correlate with John`s fateful aggression. The group were banned from touring the US after John was arrested for assault after a July 23 concert at the Oakland Coliseum in California in 1977. The leaden track, `I`m Gonna Crawl`, from In Through The Out Door is an allusion to crippled Oedipus` learning to walk upright, and so when Oedipus encounters Laius in an angry meeting on the road, he`s a man who won`t give way, that is, the conflict over who has right of way is about whose way is rightful, and John Bonham`s abrupt confrontational way was deemed unrighteous, unlike the collectively leaden but more upright stance of Led Zeppelin`s brand of thoughtful heavy metal.
 
 
 Just as Led Zeppelin`s ban meant that John Bonham may be said to have unwittingly killed his US `father` when he assaulted a man he believed had attacked band manager Peter Grant`s eleven year old son, Warren, Oedipus` unknowing killing of his father, Laius, in unconscious rage, because Laius won`t accept that Oedipus has the right to progress without deferring to Laius` role as a father, leads Oedipus to a `bizarre` encounter with the archetypal figure of the mother. Encountering the Sphinx, who is represented as a monster eating the people of Egypt`s city of Thebes, Oedipus is told he`ll be king there if he answers her `riddle`, and when Oedipus answers, `Man,` the Sphinx doesn`t devour him, but accepts that he`s correctly answered, that is,  Oedipus might be what she wants the human race to be, and so she allows him entry into Thebes. There Oedipus meets, and unknowingly marries his mother, Jocasta, who is unrecognizably `Man` to Oedipus, because Oedipus hasn`t understood that he, Oedipus, killed his father, Laius, because he, Oedipus, wasn`t a man. Just as John Bonham didn`t understand that he wasn`t being a man when he attacked a man. His opinion was that the man had assaulted Peter Grant`s son, Warren, and so John was the personification of men`s demons, rather than himself, when he was angry like Oedipus, because he didn`t recognize that `Man` was Jocasta`s Sphinx, whose devouring illustrates the wrongness wrought in nature by men`s rejection of `woman`s seed`.
 
 
 In Jungian psychology the shadow is developmental libidic instinct normally idenitifable with the sex drive, whereas in Freudian psychology the corresponding concept is the `id`, which is the unconscious as whatever has been repressed because of its taboo nature. According to Sigmund Freud (1856-1939), `the father of psychoanalysis`, the `id` contains what society has taught the individual to remain unconscious of. Consequently, the shadow  of Carl Gustav Jung (1875-1961) is a developmental but ambivalent archetype. Jung argued that the unconscious contains images and figures that emerged in dreams, art and the imagination, and which guide developing human consciousness. Rather than Freud`s repressed imagery and figures in the unconscious `id`, Jung posited the existence within the psyche of a facultas praeformandi as the archetype of the `Self`, which took many forms to make the individual conscious. Jung defined the central archetype as the `Self`, which was actualized when the ego was able to accept the guidance of the imagery and figures representing the `Self`. However, the subconscious shadow is so-called, because it obfuscates the role of the soul as the mediatrix between the unconscious `Self` and the actualizing ego-consciousness.
 
 
 In Jungian psychology the soul is the anima figure, which is the central guide in dreams, art and the imagination for the individual seeking to develop. If the human consciousness can`t see how the anima is guiding the ego to develop, the anima is contaminated by the shadow, which results in conflict, anger and violence, because the meaning of the archetype arising from the unconscious `Self` isn`t comprehended correctly. Although sexuality seems passé and understandable, the absence of women`s futanarian humanity`s mode of sexual reproduction between women with penis` semen of their own from the mass media `edutainment` industry indicates that gender confusion is the source of psychological conflict. It`s difficult for a man to become aware that the man he is angered by, and kills, could be his mother, because the idea of a futanarian man being a mother is laden with abhorrence for humans who`re badly educated. When Led Zeppelin were banned from touring the United States of America, after John Bonham assaulted a man, who he believed had struck Peter Grant`s son, Warren, the man he attacked could have been a mother. Such archetypal communications from the anima figure through dreams, art and the imagination could have changed John Bonham`s belief system.
 
 
 If the human mind wasn`t represessed and censored, and the contents made taboo, men would be able to see each other as mothers, so that wars wouldn`t occur in which the human species received further extinction as a part of the slavers` design that the host womb of the race be given over to ephemerality and blind unconscious ignorance, so that slavery would be self-perpetuating: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Babylon is `a woman` in the Bible, although the Middle Eastern city of Babylon (c. 4000 B.C.) was the capital city of the Persian Empire, which grew through war and conquest. In the West ancient Greece`s homosexuality in pederasty for the host womb enslavement of women was institutionalized in order to spread the abomination of war and its contagions, and by the late 20th century war`s plagueful contagiousness had developed into homosexuality`s `biological weapon`, HIV/AIDS, which was spread by men`s mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction, and in rejection of the human host wombs of women: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was prefer homosexuality in pederasty for war, and host womb enslavement for women, rather than that futanarian women`s humanity sexually reproduce their own brains` powers with each other, which would be liberating, because then the mass media `edutainment` industry would have to educate men in the understanding that they could be mothers too.
 
 
 Although the mass media `edutainment` industry teaches that hermaphroditism is abhorrent, and corrective gender surgery is mandatory for infants born futanarian in the United States of America, hermaphrodites are human, whereas war is an `abomination` in homosexuality and pederasty for host womb enslavement in parasitism. If women sexually reproduced with each other as futanarian women`s humanity, men`s `edutainment` industry says men can`t sexually reproduce with each other. Consequently, host womb enslavement in homosexuality and pederasty for war is men`s methodology for ensuring that women can`t outvote men, which is anti-democratic. In short, what men have done is prefer war against women. Ring slavery in the monogamous Western democracies, where women are kept in fearful faithfulness by men`s `biological weapon`, HIV/AIDS, finds its nemesis in the four wife marriages of Moslems in Islam, because they provide the basis for women`s futanarian sexual reproduction within the human family.
 
 
 In the Bible Abraham`s wife, Sara, gave birth to Isaac, who was the founder of Judaism, and Sara, barren after the birth of Isaac, gave Hajer, her maid, to Abraham, who bore Ishmael, and who was the founder of Islam, which is why the Moslems adopt the principle of more than one wife, because Sara and Hajer produced Isaac and Ishmael. As Islam`s dictatorships and religious dictatorships dilute the democratic possibilities inherent in the 80% to 20% ratio of women to household head, for example, the Shah of Iran`s dictatorial kingship was replaced by the religious dictatorship of Ayatollah Khomeini in 1979, it`s important to remember that futanarian humans could themselves be household heads, although the socio-historical evidence supports the observation that `parasitoid` nature, represented in 1979 as the devouring of the Shah`s totalitarian regime by the Ayatollah`s Islamic extremism, is male.
 
 
 The wheel of karma is the cycle of birth, death and rebirth, that is, reincarnation, according to the religious leader of Northeastern India, Guatama Buddha, whose pre-Christian teaching philosophy, sometime between the 4th and 6th centuries, was that the perceived world was samsara or illusion from which the awakened individual might be said to have escaped. The lyrics of the Led Zeppelin track, `South Bound Suarez`, allude to Oedipus` undisturbed infancy before his awakening: `Baby, when you walk that sweet walk; oh, you walk it good, yes you walk it good. Baby, when you talk that sweet talk; oh, it sounds so good, oh so good.`7 The ensuing lyrics are of a rapt audience clapping their hands at the writer`s audacity. Oedipus becomes raving mad upon discovering he`s married his mother and blinds himself in horror at having broken the societal taboo against incest:  `With a little bit of concentration and a little bit of helpin' hands, yeah, and a little bit of raving madness; you know it makes me feel, baby, both my feet are back on the ground.` Greek drama`s concept of catharsis is of the audience members` empathizing with the leading character in the drama before emerging healed from vicarious participation in the meaning of the action.
 
 
 Having `both feet on the ground` is English idiom for a balanced psychology, which is what Oedipus isn`t, because he`s `lame`: With a little bit of ... fly right down, and a little bit of sweet con-carne, it makes me feel, makes me feel I got my feet on the ground.` Because Suárez is a region in Canelones, Uruguay, and sounds-like soirée in French, that is, a meal at a party in the evening, the idea of a fly being unzipped in the lyric to `South Bound Suarez`, and `con-carne`, which is `with beef` in Spanish, that is, with chili peppers usually, gives the South American flavor of `Spanish fly`, which is an aphrodisiac. Oedipus` story is of the breaking of the taboo against incest, which is the source of the feelings of catharsis in the audience members: `I'm feeling good child! Down on the ground.` The man that walks with three legs, in the evening, is an animal that`s lost a foot, that is, his sex drive, which is missing if he no longer desires a woman and, through censorship and taboo against `woman`s seed`, human host womb slavers for blind ignorance and unconsciousness in homosexuality and pederasty for war have removed it.
 
 
 The loss of life force in the deterioration of a man`s physical body before death reduces libido, and is labeled `menopause` by human biologists. Ageing is blamed for the absence of sexual libido in old men, but the actual cause is degeneration before death, which is imposed upon the human by the slaver. In Christian iconography Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent with her foot, because God told Eve in the paradisical Eden that her `seed` would have `enmity` with the serpent`s. If Adam labored and Eve experienced labor pain, there`d be Redemption for humanity after the pair were expelled from Eden by God for rejecting the fruit of the tree of life, that is, immortality, for the `fruit of the tree of the knowledge of good and evil`, that is, death, from the serpent, who`d been the angel, Satan. He`d rejected God`s plan that the human host would be greater than the angelic, before God turned him into the serpent in Eden, where it tempted Eve with power through host womb slavery for the human species in ephemerality, rather than the knowledge of labor saving technologies, and immortality conferring medical science, that God had planned for through humanity`s developing brainpower.
 
 
 Without development humans remain in ephemerality and slavery until death, that is, it`s in the interests of the socio-economic system that people die, because longer memories would confer freedom from slavery as humans learned to live independently, so the slavers` system is for killing the humans, which is why they die. Consequently, humans are murdered, which is why they age because, if they don`t die in ephemerality, they`d have memories enough to live independently of host womb enslavement in parasitism to `parasitoid` devourment by the `serpent`s seed` in its wars against `woman`s seed`: `And the dragon was wroth with the woman, and went to make war with the remnant of her seed, which keep the commandments of God, and have the testimony of Jesus Christ.` (Rev: 12. 17) The Bible contains the story of Eve and Adam`s descendants, but what`s missing from the socio-history is Eve`s futanarian heritage, which is women`s capacity for sexually reproducing with each other through their own penis` semen as futanarian women, while the almost palpable embarassment caused by the absence of women`s penis from mass media `edutainment` suggests men secretly murder her. Because of the censor, the lyrics of the Led Zeppelin track, `Carouselambra`, can only implicate the murderer, whose dragon smokes the human species, like cigarettes: `How keen the storied hunter's eye prevails upon the land; to seek the unsuspecting and the weak.`8
 
 
 Jesus` teaching was `Love your neighbor as you love yourself.` (Mk: 12. 31) Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus` death, Resurrection and Ascension to heaven prefigured that of `woman`s seed`. As the human host at what was called the `Last Supper` before his cruxifixion, Jesus gave `bread and wine` as symbols of his `body and blood` to his disciples. When Jesus` disciple, Judas, betrayed Jesus as a `dissident` to the representatives of the Empire of Rome then occupying Jewish Palestine, it was a betrayal of the human species` host womb, because Jesus represented futanarian `woman`s seed`, which in male braining for conquest through war wouldn`t have Resurrection. Taken to the hill of Calvary outside Jerusalem, where he was nailed upon a cross of wood, and left hanging there until he died, Jesus had Resurrection and Ascension to heaven, because futanarian `woman`s seed`, uncontaminated by male semen, was destined to leave Earth for the planets and stars through the brainpower produced from women`s sexual reproduction with each other: `In the evening, when the day is done, I'm looking for a woman, but the girl don't come.`9 Led Zeppelin`s solution to `the riddle of the Sphinx` is that a man walks in the evening with three legs, as he`s lost a foot, which is true if women`s futanarian nature is lost, and if the band loses a member, like John Bonham, whose drumming was the sound of a lame man who couldn`t keep pace, it`s symptomatic of the human malaise, which is that of a race psychologically unbalanced, because it`s lost its futanarian capacity to sexually reproduce as `woman`s seed` and heal the species` damaged brain that causes it to make war against itself and extinguish itself as cigarettes` smoked.
 
 
 The drumming of John Bonham made Led Zeppelin sound like blind Oedipus dragging his foot, which Freudian psychology associates with a psychological disorder in boys, the `Oedipal complex`, which argued that boys attempted to replace their father in their mother`s affections, that is, Sophocles` Oeipus Rex described a psychological mechanism whereby the son`s killing of the father and marriage with the mother is representative of what occurs when the anima figure is contaminated by the shadow. In simple terms, Oedipus is in the role of Jocasta`s futanarian daughter, who wants her own species` sexual reproduction, and men have invented the incest taboo to prevent daughters from reproducing with their mothers, that is, the father`s always in the way, which is why the `Oedipal complex` exists. Led Zeppelin`s movie, The Song Remains The Same, featured a cameo appearance on drums by John`s son, Jason, whose own band was named Bonham (1989), while his playing of drums on `Stairway To Heaven` (1971) when the remains of the group were in Washington, D.C., honored by The John F. Kennedy Center for the Performing Arts on December 2, 2012, with Nancy and Ann Wilson of the band Heart, suggested Jason`s emergence from his father`s shadow and that men`s lame brained refusal to convert from host womb slavery for homosexuality in pederasty and war could give way to repentance and acceptance of `woman`s seed`.
 
 
The Song Remains The Same movie featured John Bonham`s epic drum solo, `Moby Dick`, which first appeared on Led Zeppelin IV (1971), and takes its title from a 19th century Herman Melville novel of a hunt for a mysterious white whale, which begins, `Call me Ishmael.` In Jungian psychology the sea represents the unconscious from which psychological contents emerge to be made conscious. Consequently, the white sperm whale, Moby Dick, is symbolic of women`s penis, and the nececessity for humanity to see its Resurrection, which is why Ishmael is invoked at the beginning of Melville`s novel, Moby Dick (1851), because Moslem Islam affords the possibility of women`s futanarian humanity`s sexual reproduction in the four wife marriage. Although much of the imagery of penetration by harpoon in Melville`s Moby Dick indicates a misogynist hatred for women`s sperm, the four wife marriages of Moslem Islam is a framework for that sexual reproduction between women established by Ishmael`s descendant, the Prophet Mohamed, who received the Koran (610-30 C.E.), according to tradition, from the angels. Consequently, Melville`s Moby Dick is an attempt by a North American writer to present Moslem Islam as misogynist, whereas Jason Bonham`s performing with Heart at the Kennedy Center Honors for Led Zeppelin and his late father, whose epic drum solo was `Moby Dick`, was an attempt to reject misogyny.
 
 
 Father to son continuity for men remains lame brained in male braining, that is, slavery in Satanism. Jesus` importance as a teacher resided in his simplicity, `Love your neighbor as you love yourself.` (Mk: 12. 31) However, in the sleeve notes to the June 25, L.A. Forum, and June 27, Long Beach Arena, West coast `live` 1972 recording, released as How The West Was Won (2003), Led Zeppelin described themselves as Satanists, that is, espousing death and extinction for the human race if it didn`t accept brainlessness in ephemerality.: `Jesus, gonna make up my dyin' bed. Meet me, Jesus, meet me. Meet me in the middle of the air. If my wings should fail me, Lord. Please meet me with another pair.`10 The `rapture` is the Christian belief that they`ll be met in the air by Jesus at the `Last Judgement`, when God gives a new heaven and Earth to the good, and eternal perdition, that is, unendurable eternal pain, to the evil, as a punishment for their host womb slavery of the human race. In Revelation Jesus is depicted coming a second time to `rule the nations with a scepter of iron` during God`s judgement, and Led Zeppelin`s track, `In My Time Of Dying`, from the band`s sixth studio album Physical Graffiti (1975), laments the absence of a second chance for the erring, based on the band`s understanding that humans are murdered so that the slavers can maintain brainlessness in unconscious ephemerality.
 
 
 Those who`re born in Satanism might deserve `another pair` of wings at the `rapture` because, born into blind ignorance, as Led Zeppelin`s lyric to `Fool In The Rain` suggests, they`re blindly ignorant, as they`re made to be, and their raging unconsciously in anger, for reasons they don`t understand, requires education to provide a solution, which is missing in Satanism: `Well there's a light in your eye that keeps shining; like a star that can't wait for the night. I hate to think I've been blinded baby.`11 Led Zeppelin`s suggestion as Satanists in `In My Time Of Dying` that another pair of wings could be made available to those who`ve lost theirs is Satanical, because those who`re caught up in the `rapture` don`t fall, whereas ordinary people who believe in Led Zeppelin`s lyrics think that they can fall and receive new wings, that is, Led Zepplein exhort their audience to err irredeemably through a combination of sanctimoniounsess and hypocrisy,  Why can't I see you tonight?` Although the lyric from `Fool In The Rain` seems romantic, the blinding is real, that is, men occlude so that the truth about `woman`s seed` isn`t revealed, and the human race remains a brain damaged infant embracing sexual taboo and censorship, which prevents the human species of futanarian women from sexually reproducing the brainpower of liberation from slavery to men`s `parasitoid` alien nature.
 
 
 A man is `a beast` if he walks on three legs, because he`s lost a foot, as his stature is decreased proportionately amongst the intelligent species: `... no one could buy or sell unless he had the mark, which is the name of the beast or the number of his name. This calls for wisdom. If anyone has insight, let him calculate the number of the beast, for it is man's number. His number is 666.` (Rev: 13. 17-8) The people of the Earth are 66.6%, if futanarian women are included as 33.3%, but they`re not, because men don`t sexually reproduce with each other, according to their control of the mass media `edutainment` system, and so that futanarian 33.3% of humanity represents a threat to men`s political hegemony through the voting power of the democratic majority, that is, because women are 100% human, men who can`t reproduce as a species are `the beast` worshipped in undemocratic wage and ring slavery. Sophocles` Oedipus Rex depicts the lame braining that male braining produces, which is why Oedipus is `swollen foot`, that is, men`s egocentricism is unblanced psychologically and results in brain damaged psychopathic behavior towards women`s futanarian humanity. In simple terms, the brain damaged fool limps on to death in ephemerality because he doesn`t want to relinquish despotic power from human species` host womb slavery in blind unconscious ignorance, which is that samsara of the world of illusion in Buddhist philosophy that those who aren`t awoken are trapped within as the reincarnating karmic wheel of death and rebirth.
 

 
 
 On the track `Fool In The Rain` the world of karmic illusion is depicted as being for the fool, who is the soul journeying through the world, represented by the Major Arcana of the Tarot deck of divination, according to those who believe that the Tarot was originally a portable Torah of Judaism, and the only book to survive the conflagration at the library of Alexandria when the Romans invaded the Egyptian city that was formerly built by the region`s Greek conqueror, Alexander the Macedonian: `The thoughts of a fool's kind of careless. I'm just a fool waiting on the wrong block. Oh yeah, light of the love that I found ...` Although city blocks are the brownstone apartment buildings of New York city, it`s synonymous with the block where beheadings occur, and the more famous is that of the wife of the Indian Mogul, Mumtaz Mahal, who was beheaded by her husband for alleged unfaithfulness with his brother, and which afterwards was proven false. Anne Boleyn (d. 1536), the second of King Henry VIII of England`s six wives, was similarly beheaded at the axeman`s block, and Henry VIII had to separate England`s Protestant church from the Roman Catholic church to marry his new wife, Jane Seymour, a separation of the temporal state from the spiritual body of the church represented by Anne Boleyn`s separation of her head from her body. Although the tales seem different, the Mogul Shah Jehan`s beheading of his wife preceded his taking a wife each day and beheading her each evening in the framing device for the tales of Scheherezade in the 8th century One Thousand And One Nights, whereby Shah Jehan spares the other women in order to listen and ultimately marry her. The meaning is that, in male braining, women`s futanarian human head is decapitated. Often called `Led Zep` by their fans, separating Boleyn`s head from her body is what the name of the band suggests should occur, that is, Led Zeppelin, if the Satanist accusations levelled at the four members, John Bonham, John Paul Jones, Jimmy Page, and Robert Plant, extend to their tacit approval for species` genocide against `woman`s seed`.
 
 
 Although the tale of Shah Jehan is Indian the majority of Scheherezade`s tales are centred upon Baghdad in Arabia, where Judaism`s offshoot, Islam, originated with the Prophet Mohamed. Islam differs from the Judeo-Christian tradition after Abraham whose wife, Sara, bore Isaac, founder of Judaism. Sara became barren and gave Hajer, her Egyptian maid, to Abraham, and Hajer bore Ishmael, who was the founder of Islam through his descendant Mohamed. As a consequence Moslem marriages can have four wives, which affords the possibility of futanarian sexual reproduction between women. Ishmael and Hajer built the temple of Abraham at Mecca, Saudi Arabia, which was called the `Ka` Ba`, because `Ka` is `spirit` in Egyptian, and `Ba` is soul. Consequently, the `Haj` pilgrimage, which is named for Hajer, is a journey of faith for those women who believe in women`s species` unity. Led Zeppelin indirectly allude to Hajer`s theme of sexual reproduction between futanarian women with penis` semen (Ka) and those without (Ba) in the title of the album, In Through The Out Door, which alludes to women`s Resurrection at the point of extinction and that`s implicit in the lyrics to the `Hot Dog` track: `I thought I had it all sewn up;  our love, a plot, a pick-up truck: but folks said she was after something more.`12 In Islam it`s traditional for women to conceal themselves in public beneath the one-piece coverall of their burkas, and their four wife families like burgers, but they don`t want to advertise the pork sausage, because in Judeo-Islam it`s `haraam`, that is, forbidden, as unclean pig`s meat.
 
 
 Led Zeppelin`s `Hot Dog` doesn`t specify the sausage`s gender, although the lyric is suggestive: `She left angels hangin` round for more .` Mohamed`s Koran was dictated by the angels, while Jesus` birth was attended by angels, but the angels waiting for Hajer`s `Ka` Ba` were filled with wonder: `I'm gonna move the car, baby, She give me good lovin`. Yes I love her, I guess I love her, I wanna crawl.`13 The track `I`m Gonna Crawl` is a penitent`s lyric about Hajer, the Egyptian woman`s `Ka` Ba`, that is, the spirit of futanarian women`s (Kau) love for women`s penisless `Bau` soul figures, which men have almost eclipsed. The lyric promises that the women`s `Kau` spirit will move the Earth; if it`s in the power of Led Zeppelin: `Yours is the cloth, mine is the hand that sews time. His is the force that lies within. Ours is the fire, all the warmth we can find: he is a feather in the wind.`13 The track `All My Love` is about the symbol chosen by Robert Plant for his own on the album, Led Zeppelin IV, that is, the feather of Ma`at in Egyptian mythology, whereby the heart was weighed against the feather. If the heart was heavier it meant damnation: `There's a lady who's sure all that glitters is gold and she's buying a stairway to heaven. When she gets there she knows, if the stores are all closed, with a word she can get what she came for.`15 When Jason Bonham played the drums for the band Heart at the Kennedy Center in 2012, the  feather was weightier, and If the feather outweighs the `fool`s gold` of `Stairway To Heaven`, Led Zeppelin`s lady will be going to heaven too.
 
 
 In Egyptian mythology the feather belongs to Isis, who weighs the heart before its owner journeys on to the house of Horus, the `sky god`, which is in the house of Hathor, the mother goddess. Because the Ka` is spirit in ancient Egyptian and `Ba` is soul, the `Ka` Ba` of Islam in Mecca is a symbol of the house of Horus, the `sky god`, where those who convert from the sin of host womb slavery in Satanism will live. However, the goddess named in `All My Love` is Greek. Arianne died in childbirth, which was commemorated by a young man lying on the ground simulating labor pain. As God told Eve her labor pain would mean Redemption for `woman`s seed`, so the lyric about Arianne in `All My Love` emphasizes the distinction between men`s sanctimoniously hypocritical empathy with labor pain, and women`s actual labor: `I get a little bit lonely, Just a little, just a little, just a little bit lonely. Just a little bit lonely.` It`s women`s futanarian daughters who`ll remain stilllborn; unless men repent, and convert form their sin of host womb slavery in `parasitoid` warfare against women`s humanity: `The cup is raised, the toast is made yet again. One voice is clear above the din. Proud Arianne one word, my will to sustain; for me, the cloth once more to spin.` Jesus` bowl at the `Last Supper` became the iconic Holy Grail of Christian fellowship, so a respun `All My Love` signifies the need to accept the symbolic meaning of Jesus` bowl of `bread and wine` taken from Led Zeppelin`s shared `platter` with  the `remnant of woman`s seed` (Rev: 12. 17). Because `cloth` is spun as well as old phonograph recordings, and Led Zeppelin`s In Through The Out Door was amongst the last of the discs to be released that span at a rotational speed of 33⅓ revolutions per minute (rpm), the lyric to `All My Love` implies Jesus` bowl on the spun cloth of the table, but also `spinning a platter`16 for 60s disc jockeys (DJs), where a record was a disc spun on turntables, which was the available technology when Led Zeppelin I was released on Atlantic records. Describing the modern silver compact disk (CD) as a `cross dresser`,17 modern MCs spin the `salver` disk at parties.
 
 
 Britney Spears` appearance on the cross, as Jesus crucified, on the cover of the CD single for `Piece Of Me` from the Blackout (2007) album, is `cross dressing`, `They're still gonna put pictures of my derrière in the magazine.`18 Music Television (MTV) was the TV station that first employed video jockeys (VJs) to spin video compact disks (VCDs), because humans who live in male braining constitute a single male brain wearing each others clothes as transvestite `TVs` or `cross dressers` (CDs) in `drag`, whereas women`s futanarian humanity is a single generic species derived from `woman`s seed` and so is represented in Christian iconography by Jesus` mother, the Virgin Mary, crushing the head of the serpent, Satan, with her `foot`. Women`s humanity doesn`t want a `drag`; as human brains won`t be produced through sex, if women`s futanarian penis has been dragon `smoked` in the lame brained wars of `drag` TV`s Satan. Given bodily sustaining vinegar to drink by the Roman guards, Jesus` torment on the cross upon the hill of Calvary outside the walls of the city of Jerusalem was prolonged, although he wasn`t a piece of dressed chicken for a TV `drac`, that is, the parasite `parasitoid` draco that`s eating the eyes of women`s futanarian human race `live` on CNN and other networked television news channels reporting global warfare as mass media `edutainment`, which Britney Spears` `cross dressed` Jesus` figure advertising the  Blackout CD track, `Piece Of Me`, signifies to those who see themselves as beings by the `foot` of the cross, rather than the humans sacrificed for a `drac` on the altar of species` slavery in blind, ignorant, unconscious ephemerality.
 
 
  Although Christian believers live by what they hear of Jesus` teaching, for those who criticize the music industry`s lyrics espousing Satanism, consumers were listening to the `serpent`s seed`, that is, the voice of the `serpent`, Satan, grown in size to a devouring `red dragon` in Revelation, who isn`t a `track`, but a `drac`. The creature celebrated as a horror in the Bram Stoker novel, Dracula (1897), was a vampire that lived from drinking blood, and was based on the historical figure of Prince Vlad (d. 1447) of Wallachia, who impaled his captives on wooden stakes, rather than crucified his victims like the Romans before Christianity, and whose family was `Dracul`, that is, `dragon`, which name was conferred by the Holy Roman Emperor, Sigismund of Hungary, a nation associated with vampires. Vampirism is a common criticism of wage slavery, where the `parasitoid` draco emerges from the host wombs of women to devour in expensive warfare, civilization, culture and art, which the human species perforce produces despite the depredations of the `dragon`, because Satanists need raw material for their `snuff film` of humanity`s socio-history.
 
 
 As the 2012 Kennedy Center honorees, Led Zeppelin`s `remnant` were the three remaining original members of the group, John Paul Jones, Jimmy Page, Robert Plant, and John`s son, Jason, whose `platter` contribution with Heart there meant a respun tablecloth renewing fellowship: `To chase a feather in the wind? Within the glow that weaves a cloak of delight, there moves a thread that has no end.` For the heart that is outweighed by the feather of Ma`at life is eternal. Arianne died in childbirth, which the track `All My Love` alludes to, and so Heart`s sisters, Nancy and Ann, represent the Greek Kore, that is, the mother-daughter relationship, where either of two women could be the other`s fatherer in futanarian humanity`s eternity. Legend and myth is a thread that time weaves into a memory of human space. The bowl Jesus ate and drank from was the Holy Grail that appeared in a vision before king Arthur and his knights, while they were seated at their `round table` of equality in Britain. Afterwards the king and his knights sought the Holy Grail, because they believed it represented Jesus` continued teaching, which was a new weaving of the thread in human space.
 
 
 In the modern age, the British `Rotary Club` gave suppers by invitation, which continued the idea of fellowship through each newly spun tablecloth. To understand that Jesus` `bread and wine` is symbolic of the human host`s `body and blood` is to know that futanarian `woman`s seed` is consubstantial with God`s. If men are to convert and experience that metanoia (Mk: 1. 15) of brain transformation Christianity calls `transubstantiation`, it`s intitiated by acceptance of the host, that is, a wafer of bread and a sip from a goblet of wine from the church officiate as a sign of repentance from the sin of seeking power through the enslaving of the womb of the human species in ephemerality and blind, unconscious ignorance. Otherwise, it`s worship of `the beast` as a `parasitoid` worm emerging from the human host womb to grow and be a blood-drinking draco in Satanism, because breaking bread together, and drinking their coffee sanctimoniously made from `moral grounds`, won`t be enough to save the irredeemable hypocrites from toastings over the fires of perdition.
 
 
Robert Plant achieved what the group never could, which was a notable single success in the charts. Despite `Stairway To Heaven` usually being voted by contemporary music fans as the best song ever, `Big Log` from the album, Principle Of Moments (1983), which reached 6 on the US Billboard Top Tracks chart, was the first successful single release recording by any member of the band pursuing  a solo career. The lyrics give illumination to Plant`s espousal of Satanism with Led Zeppelin. `Big Log` is a sexual allusion to penis size, while `logging` is a term used by tree fellers, that is, the cutting down of trees to make logs. In the `death camps` run by the National Socialist `Nazi` Party , which was elected to govern Germany in 1933, the `chosen people` of the Jews were exterminated and stacked like logs before being consumed in flames. Because it`s Judaic tradition that Jews can only be born from women, that is, Jews are the `remnants` of women`s futanarian humanity, the aim of the Nazis was to log the human race to prevent it from running, which required its decapitation. Because women`s penis` semen was capable of sexually reproducing human brainpower to liberate the species from slavery, the `chosen people` were logged and burned.
 
 
 As a Satanist, Robert Plant`s `Big Log` refers to Nazism: `Your love is cradled in knowing; eyes in the mirror, still expecting they'll come: sensing too well when the journey is done. There is no turning back. No. There is no turning back: on the run.`19 The metaphor of someone loved, and who gains knowledge, along with the expectation of being made captive and pogromed, is Judaism. Capture is the end of the road for the driver of the car, who perhaps has a woman to protect. Winding after the rear of the driver in front, the car is a metaphor for homosexuality in pederasty and slavery, with the feet of the `serpent`s seed` upon the `correctional treadmill` of the slaver as the lies of its Pinocchios grow the noses of its refueled tanks with their cannon extending in macho denial of pederasty`s extinguishing of women`s futanarian humanity`s penis` semen.  The Jews at Belsen, Dachau, and Auschwitz, etc., were `logged` to `smoke`, that is, kill, the penis of women, and human brainpower, which was the meaning of the burning of the human trunks. The Nazis` death camps smoked like chimneys as the Jews were burned, while the devils looked to manufacture more brainless trunks for their blood-drinking vampirism; human `cigarettes` to be `smoked` in parasitism in the Satanists` `snuff film` socio-economic history of the human race`s extinguishment.
 
 
 `Big Log` is a Satanist song celebrating the escape of a misogynist serial killer, who knows his history and runs.  Cars are the toes of Satan, because they`re all that remains of the human futanarian race refuelling its tanks for homosexuality in pederasty`s nose for war against `woman`s seed`. In `Big Log` love is become a metaphor for lust, a Satanist `track` celebrating the felling of the giant that was humanity. Burned down to its toes, and with the eyes of the devils looking out of its toenails, the race hasn`t been won by the human giant. Those who believe in a full tank are nailed, as upon the cross of wood on the hill of Calvary outside Jerusalem, God`s `foot`, Jesus, was. Car mass production began with the Model T Ford at the Henry Ford plant in Detroit, Michigan, in the United States of America in 1908. The devils continue to pedal the same model, without basic design improvement, while women`s human host wombs are Satan`s; slaves to providing more feet for the tank refilling treadmill of war, `Big Log`: `My love is a-miles in the waiting; the eyes that just stare: and the glance at the clock. And the secret that burns, and the pain that grows dark. And it's you once again, leading me on. Leading me down the road; driving beyond: driving me down the road.` To more `logging`, and the manufacture of human `cigarettes` to `smoke` in the murderous progress of the human species` serial killer; Satan, and its drunken vampire celebration of the brainless trunk.
 
1 Page, Jimmy, and Robert Plant `Achilles Last Stand`, Led Zeppelin, Presence, Swan Song, 1976.
2 `Keith Moon of The Who Gave Led Zeppelin Their Name`, Rolling Stone, http://www.rollingstone.com/music/lists/the-10-wildest-led-zeppelin-legends-fact-checked-20121121/keith-moon-of-the-who-gave-led-zeppelin-their-name-19691231 . 
3 Apollodorus, Library of Apollod, 3. 5. 8.
4 Page, Jimmy, and Robert Plant `The Song Remains The Same`, Led Zeppelin, Houses Of The Holy, Atlantic, 1973.
5 Page, Jimmy, and Robert Plant `The Immigrant Song`, Led Zeppelin, Led Zeppelin III, Atlantic, 1970.
6 Page, Jimmy, John Paul Jones, and Robert Plant `No Quarter`, Led Zeppelin, Houses Of The Holy, Atlantic, 1973.
7 Jones, John Paul, and Robert Plant `South Bound Suarez`, Led Zeppelin, In Through The Out Door, Swan Song, 1979.
8 Jones, John Paul, Jimmy Page, and Robert Plant `Carouselambra`, Led Zeppelin, In Through The Out Door, Swan Song, 1979.
9 Jones, John Paul, Jimmy Page, and Robert Plant `In The Evening`, Led Zeppelin, In Through The Out Door, Swan Song, 1979.
10 Jones, John Paul, Jimmy Page, and Robert Plant `in My Time Of Dying`, Led Zeppelin, Physical Graffiti,  Swan Song, 1975.
11 Jones, John Paul, Jimmy Page, and Robert Plant `Fool In The Rain`, Led Zeppelin, In Through The Out Door, Swan Song, 1979.
12 Page, Jimmy, and Robert Plant `Hot Dog`, Led Zeppelin, In Through The Out Door, Swan Song, 1979.
13 Jones, John Paul, Jimmy Page, and Robert Plant `I`m Gonna Crawl`, Led Zeppelin, In Through The Out Door, Swan Song, 1979.
14 Jones, John Paul, and Robert Plant `All My Love`, Led Zeppelin, In Through The Out Door, Swan Song, 1979.
15 Page, Jimmy, and Robert Plant `Stairway To Heaven`, Led Zeppelin, Led Zeppelin IV, Atlantic, 1971.
16 `A large flat dish or plate, typically oval or circular in shape, used for serving food, or something shaped like platter, especially of a circular shape, in particular,` http://www.bing.com/search?q=platter%20definition&form=MXB003&pc=MXBR .
17 `CD is cross dresser`, http://slang.org/CD-meaning-definition .
18 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears, `Piece Of Me`, Blackout, Jive, 2007.
19 Blunt, Robbie, Robert Plant, Gerald Woodruffe `Big Log`, Principle Of Moments, El Paranza, 1983.