Kids, War And Adult TV

Kids, War And Adult TV

 

Kids, War And Adult TV

 

Children`s movies are noteworthy for the ways in which adults behave in them and the absence of what are euphemistically described as `adult` themes relating to sexuality. The absence of sexual themes is usually attributed to the aim of presenting material suitable for youngsters, whereas the greater truth is that the dearth of sexual activity in supposedly kids` shows is because they`re for adults. No longer interested in sex per se adults construct films without sexual content, which are labelled as children`s media because movies devoid of sexual explicitness are perceived as vehicles for developing awarenesses to be arrested:

 

`Mr and Mrs Little, we try to discourage couples from adopting outside of their own ... species. It rarely works out.`1

 

 

 Acting adult roles without demonstrating adult behavior is how children are conditioned to remain infantile without true understanding of what it is to be grown up. The basic unit of English theatre is Shakespearean drama in which women never appeared originally upon the stage during the Elizabethan period when William Shakespeare (1564-1616) was writing plays to be performed at the Globe in London. The absence of women from the stage was translated into Hollywood where the `one foot on the floor` rule was the mainstay of the production code between 1937 and 1968 when audiences were conditioned not to see the female form engaged in what then passed for sex scenes, that is, togetherness upon the bed in the bedroom. George and Eleanor Little are adopting Stuart, a white mouse, in the movie, Stuart Little (1999), and the species` taboo is topical.

 

 

 In the Bible God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` before she will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Her `futanarian` foot`s leaving of the Earth is what God promises to her. The prohibition against women`s `foot` being raised from the floor in movies from 1937 to 1968 reinforced Shakespearean dramas bar against women being seen:

 

`At least my problems can be solved in one bedroom. You couldn't solve yours in a thousand!`2

 

 

 Although television situation comedies and children`s television and films like Pillow Talk (1959) with supposedly `lesbian` Doris Day and `gay` leading man, Rock Hudson, showed women acting, they weren`t perceived as human because antiseptic and asexual. Women with their own penis` `seed` and host wombs constitute 100% of humanity, while men who can`t sexually reproduce without her constitute 0% and more properly correspond to what God calls the `serpent`s seed` in the Bible that doesn`t want her. In Arabia women cover themselves in the burkha so that they can`t be seen in public apart from their eyes, which means that if they do have penis` `seed` of their own it`s impossible for the casual observer to know, and it`s traditional that men don`t look directly into the eyes of women because it isn`t permitted by her mother.

 

 

 Since Shakespearean drama it`s been symptomatic that women don`t appear. Hollywood`s `foot on the floor` rule gave way to movies that heavily featured nudity, for example, mainstream films like 9 ½ Weeks (1986) with Kim Bassinger, but the woman`s penis wasn`t ever visible because the production code of 1937-68 had so hampered the appearance of women in the movies that it wasn`t even thinkable to suggest that it could be seen. Instead the absence of the penis per se was reinforced so that women`s capacity for sexually reproducing her own brains` power for human development and progress could be mocked by men refusing to reveal:

 

`Just no. I should have said no. No, no, no. I should have said no. And I would have if I could have, but I couldn't, so I didn't.`3

 


 

 Kim Bassinger`s 9 ½ Weeks is sex education. In Hungarian `nő` means `woman`, while `tanar` means `teacher` and `fut` is `race`, so `futanar` means species` sex education, because `futanarian` women with their own penis` semen and host womb are the humans. The penis of Kim Bassinger`s Hungarian `nő` isn`t visible in 9 ½ Weeks but neither is her co-star`s, Mickey Rourke. According to statistics the average size of the male penis in the United States of America is less than six inches, whereas the size of a `futanarian` woman`s penis is much greater. `Penis envy` is what Sigmund Freud accused men of at the beginnings of the science of depth psychology, but he argued men envied each other,4 whereas they`d envied women. Unable to sexually reproduce without women the direct consequence of men`s accepting of themselves as the `serpent`s seed` was their mixing of blood, shit and semen in each others` anuses to create the HIV/AIDS` `killer disease` described in the Bible as the `blood plague` (Rev: 11. 6) sent by God to convert men from their sin:

 

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 


 

 

 In ancient Greece women`s host wombs were enslaved for homosexual pederasty and war, which was a spreading of their viral contagion. At the siege of Troy they deployed the huge hollow wooden horse that afterwards became a byword in the computer technology industry for the `bad machine code` written by `geeks` to destroy data bases and computers, that is, `Trojan horse`. When the Trojans took the horse inside the city the Greeks emerged to enslave the host wombs of the women and spread their contagion of war in homosexual pederasty further, which is what computer viruses and HIV/AIDS` killer disease` represent, biologically and technologicaly, in terms of the degeneration of humanity`s future:

 

`Beware Greeks bearing gifts.`5

 

 

 The small size of the male penis in comparison to the female suggests men don`t want women and that the anus is more their territory because it`s the container they prefer. Jesus Christ was born uncontaminated by male semen from his mother, the Virgin Mary, as the first man ever after Adam was created by God ex nihilo. Before his torture and murder, Jesus appeared at the `Last Supper` where he gave `bread and wine` as symbols of his `body and blood` to the disciples. Judas Iscariot betrayed the host to the authorities of the Roman Empire occupying Palestine for `thirty pieces of silver` and effectively betrayed the host womb of the human species to extinction because Jesus` message was simple. He preached Resurrection for `woman`s seed`, that is, `futanarian` woman with her own penis` semen, before his crucifixion, and after he had Resurrection and Ascension to heaven:

 

`When the dead rise, they will neither marry nor be given in marriage; they will be like the angels in heaven.` (Mk: 12. 25)

 

 

 The `bread and the wine` is given in the Catholic Communion service of Christianity to the parishioners as that mixture which is holy and symbolic of trustworthiness. Judas Iscariot`s treacherous betrayal of Jesus after publically kissing him on the lips is stereotypical homosexual behavior. On the day before Jesus` torture to death after being nailed upon a wooden cross, Judas had criticized Jesus for allowing a woman to wash his feet with expensive perfume because it was a waste of good money. The man born uncontaminated by male semen was too close to the woman, which is what 20th century children`s television and movies reiterated. The woman with the penis` semen and host womb uncontaminated by men would have been too close to the enslaved human species of woman if she`d been able to be seen.

 


 

 Supposedly mainstream adult movies such as Princess Of Mars (2009) featuring penisless sex scenes in which men simulated intercourse with actresses like Traci Lords were supplemented by pornography where women could be seen definitely without their penis` semen in scenes from movies like What Gets Me Hot! (1984) also featuring Traci Lords and that were designed to reinforce the false belief system about human sexual reproduction. Because women with their own penis` `seed` and host wombs are 100% human, the concept of homosexuality has to be stretched to include what has previously been thought of as normal heterosexuality, because normal women who`re kept ignorant that their sexual desire for their own penis` `seed` isn`t lesbian, but a device employed by their oppressors to schizophrenically accept what isn`t their species, are humans opposed to the alien `serpent`s seed` of their enslavers and devourers in war and pederasty. Heterosexuality is simply a variant of homosexuality constructed by the `serpent`s seed` of men to subjugate the human species of `woman`s seed` within their slave ring.

 

 

 The `gay society` of planet Earth has suppressed the 100% human host wombs of `futanarian` women with her own  penis` `seed` in order to enslave her to produce civilization, culture and art for it to destroy in Hollywood, Babylon, epics of devastation. The terrorist group, Al Qaeda, hijacking of `civil` planes at Boston to crash into the World Trade Centre of New York reminded many women of the Salem witch trials (1692-93) in Massachusetts. In the Bible it is written, `Thou shalt not suffer a witch to live,` (Ex: 22. 18) where `witch` is translated as `poisoner`, while the `bread and wine` of the Communion service is starkly contrasted with the contaminated `body and blood` of the `serpent`s seed` of men in homosexual pederasty. Because Al Qaeda were invited guests of the host they properly correspond to Judas Iscariot, that is, the betrayer of the human host womb, which explains the choice of the World Trade Centre, as `rough trade` is a euphemism for the `brutality and violence`6 associated with `gay` men who pay the less advantaged for sex.

 

 

 War is `rough trade` in which men pay others and the Al Qaeda attack on the World Trade Centre was designed to reinforce the `gay` system. Just as the ancient Greeks deployed camouflage to secretly gain access to the city of Troy by constructing the huge hollow wooden horse as a `friendship gift` from which they emerged to enslave the host wombs of the Trojan women for the further spread of pederasty and war, so the Al Qaeda terrorists posing as visitors to the United States of America to hijack planes at Boston airport constituted the `gay` plague of viral contagion.

 

 

 Mixing blood, shit and semen in each others` anuses is a Satanical `black mass` antithetical to the `body and blood` of Jesus uncontaminated by male semen. The Al Qaeda attack engineered from Massachusetts, home of the Salem witches, was a Satanical mocking of the `body and blood` of Jesus. Christian fellowship was offered by the United States to its treacherous visitors, symbolically represented by `Liberty` in New York harbor bearing aloft freedom`s torch. Just as Christ`s offer of `bread and wine` to his disciples preceded Judas` treachery towards the human host womb, so the infamous `witch trials` at Salem, Massachusetts, in which many women were tortured and murdered by Christians, was a betrayal of the human host womb by those men of the `serpent`s seed` who were accusing human host wombs of being poisonous.

 

 

 Traditionally witches are depicted as riding upon broomsticks, because it`s their penis. The penis` `seed` of women is necessary for the sexual reproduction of their own brains` powers for liberation through technology and so the broomstick is a prototypical space rocket. In Christianity the bowl Jesus ate and drank from at the `Last Supper` is symbolic of the woman`s host womb because of Jesus` mother, the Virgin Mary. The idea that the woman would poison her own child from the womb is described in the Bible as the woman enslaved for war and pederasty`s contagions:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

  Women`s host wombs haven`t been poisoned by her, because `futanarian` woman with her own penis` `semen is what witches are depicted as in folklore and legend. The hijacking of planes at Boston, Logan, in Massachusetts where the Salem witches were killed, represented a `Greek` attack by homosexual pederasty upon `Liberty`, that is, women`s `futanarian` freedom to sexually reproduce and leave Earth as promised by God in Genesis. The Al Qaeda `warlocks` were perpetrating a Satanical `black mass` against the human women of the Earth.

 

 

 Actress Jenny Agutter made the children`s film, The Railway Children (1970) and the movie, Logan`s Run (1976), `What's wrong? Do you prefer women?` Jessica 6 replies fearfully to the unwanted advances of Logan 5, a `sandman` who is paid to kill everyone that reaches the age of 21, `No.`7 The Al Qaeda terrorists adapted the science fiction plot to kill the hopes of 21st century women on September 11, 2001, when the hijacked planes crashed into the Twin Towers of New York`s World Trade Centre to precipitate `rough trade` based on enslavement to the male penis rather than new socio-economics devolving from women`s capacity to be independent. In Logan`s Run Jenny is a `runner` endeavouring to escape from `sandmen`, whereas in The Railway Children she`s a youngster on a train journey. Jenny`s adventure takes her from sexlessness to `snuff movie`, which is what the `serpent`s seed` of men represent. The killing of women for real as filmed entertainment is what `snuff` means, and there`s no escape for women who`re ignorant of their role and who`re born with brains poisoned and debilitated by the semen of the serpent. Bewitching Australian actress Agutter wasn`t a poisoner in The Railway Children, but Logan`s Run was a Hollywood, Babylon movie and television series that poisoned the Earth because men don`t want her:

 

`… as the smoke on the station platform clears, Bobbie sees her father who has just been released from prison. Diffidently, she runs towards him.`8

 

 

 Children`s films are constructed so that `gay society` can experience nostalgia for a time when they weren`t innocent but their kids are ignorant, `Daddy! My Daddy!` The result is Jenny Agutter`s journey from The Railway Children to Logan`s Run, that is, from innocence to `snuff`, while the boys` route is from pederasty to war, which is the third type of movie made by Hollywood, Babylon; the homosexual `snuff` film. Paradoxically, children`s movies are `adult` because they depict kids in thrall to the `gay scene`, while `adult entertainment` is women as `sex slaves` of  the `serpent`s seed` of the womb and its brain enslaving of the human species` future host mothers.

 

 

 The supposedly adult pornographic material is for children, because they want to sexually reproduce and are encouraged to, but the children`s films are actually the `adult material`, because the `gay` Earth is a `snuff` farm for the Satanical `serpent`s seed`, who`re poisoning the brains and bodies of the humans to have them die young and prevent their knowing or developing the medical science to escape ephemeral life into longevity and knowledge of the true human condition. If children are kept in an unconscious dreamlike existence where their awareness remains undeveloped, they`re prey.

 

 

 The hijacked planes crashed into the Twin Towers of New York were Logan`s Run from Boston, Massachusetts, where a bomb attack at the Boston Marathon on April 15, 2013, represented another warning to the human `futrace` not to try to run and escape from the `serpent`s seed` who breed us for `snuff` and the old men`s nostalgia for  homosexual pederasty in wars rewritten for the sake of giving credibility to their  serpent`s lies in the movies made by Hollywood, Babylon, for the generations of futurity trapped in what God warned Eve would be the `perpetual enmity` of her `seed` for the serpent`s.

 

 

1 Sweeney, Julia as Mrs Keeper in Stuart Little, Columbia Pictures, 1999.

 

2 Day, Doris as Jan Morrow in Pillow Talk, Arwin Productions, 1959.

 

3 Whitton, Margaret as Molly in 9 ½ Weeks, Metro-Goldwyn Mayer, 1986.

 

4 Freud, Sigmund  `On The Sexual Theories Of Children`, 1908.

 

5 Virgil The Aeneid Bk II, 19 B.C.

 

6 `Violent, often brutal sex acts, or a person, usually a male prostitute, who looks like they participate in such acts,` http://www.urbandictionary.com/define.php?term=rough%20trade .

 

7 Agutter, Jenny as Jessica 6 Logan`s Run, Metro-Goldwyn-Mayer, 1976.

 

8 Agutter, J. as Bobby Waterbury The Railway Children, EMI Elstree, 1970.