Mommy`s Little Girl Still Waiting In The Car Park
Egyptian mythology contains three basic concepts with regard to humanity. The spirit and soul depart from the body as the Ka and the Ba, which makes it difficult for Christianity to understand, because Christians are taught to think of the spirit and soul as belonging to a single individual, whereas in ancient Egypt the Ka was the spirit of humans and the Ba was the aspect of humanity desired by the spirit, while the Akh was the `magical personality` created when the Ba and Ka departed the body for the afterlife. Even in the religion of Islam, founded after Jesus Christ, the Ka Ba of Abraham, founder of both Judaism through the line of his son, Isaac, and Israel through his son, Ishmael, the temple of Abraham in Mecca is Ka Ba, because of the influence of ancient Egyptian thought:
`The Akh is the result of the Ka and Ba being reunited in the after life; once reunited the Akh is unchanged for all eternity.`1
In the Old Testament Eve is told by God, her `seed` will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Her `seed` is `futanarian` woman`s, that is, she has penis` semen and host wombs of her own, which is why Jesus is the Messiah born uncontaminated by male `seed`. The Ka of humanity is the woman`s, who is desirous of her own Ba, which means she`s trapped within the body of the man she`s taught to presuppose is her husbander. The Ka of the man is the spirit of the woman without her own penis` `seed` which desires her Ba. Consequently, the human race is analogous to a girl waiting to be picked up by her mother in the car park, that is, the Ka Ba Akh, which is what the two together represent; the `magical personality` of Egyptian religion.
Most young women are taught not to get into cars with strange men, because he`s the serpent and girls are latent `futanarian` women with their own penis` `seed` waiting for mother at the Ka Ba Akh, that is, the car park, so they can leave together and the serpent is `crushed`, as it were, in their divorcing themselves from that aspect of evil which they no longer have to accept. The incest metaphor is primarily a motif strengthening the relationship between women, but essentially humanity is a young girl waiting for the woman who`ll mother her species. In Hungarian `futanar` derives from `fut` and `tanar`, that is, `race` and `teacher`, which means Jesus Christ`s birth was the Advent of a species` educator, whose basic precept for the saving of humanity was `love your neighbour` (Mk: 12. 30-1), because Jesus was planning the Resurrection of the human species of `futanarian` women who`d been killed before by men:
`How does it feel to be taken from behind like an animal?`2
In Japan `futanari` is the word used for the pictorial depiction of women`s enslavement and torture in bondage cartoons, which in Christian iconography has its equivalent in the pictures of Jesus crucified. In Islam Jesus doesn`t have Resurrection after death, as he does in Christianity, but he has immediate Ascension to heaven after his role as a teacher reaches its tragic apotheosis. Although Moslem marriages contain four women, and it is traditional that their black one-piece coverall, the burkha, conceal women from public view, close family would know if they were `futanarian` women with their own penis` `seed` as well as host wombs. Born uncontaminated by male semen Jesus` betrayal by his disciple Judas as a dissident within the Roman Empire`s occupation of Palestine results in his being nailed upon a cross and tortured to death, before Resurrection and Ascension, to illustrate woman`s `futanarian` future as the semen of humanity`s Resurrection:
`When the dead rise, they will neither marry nor be given in marriage; they will be like the angels in heaven.` (Mk: 12. 25)
Jesus` birth uncontaminated by male semen suggests the `serpent`s seed` of men, that is, those who accepted the death of the human species of `futanarian` woman, so they could enslave her body after the original couple, Adam and Eve, were expelled from their antediluvial home of Eden for rejecting the `tree of life`, that is, immortality, for the `fruit of the tree of the knowledge of good and evil`, are the parasites that inveigled themselves into her host womb to kill her race as the `serpent`s seed` of men after the serpent`s tempting Adam and Eve to accept enslavement for humanity, which is why the `forbidden fruit` of the Earthly paradise is associated with death. History is the record of men`s wars upon the human species emergence as civilization, culture and art from woman`s host womb, because men aren`t her race and she`s experiencing a genocidal pogrom mounted against her. God warned Eve her `seed` would have `perpetual enmity` with the `serpent`s seed`, which explains men`s wars:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
The host womb of `a woman`, Babylon, is an allegorical depiction of the fate of the `futanarian` human species of woman with her own penis` semen and host womb killed and enslaved by the `serpent`s seed` to wage its wars against her. In ancient Greece homosexuality was institutionalized in order to maintain pederasty and the enslavement of women`s host wombs for war because that`s how the `serpent`s seed` of parasitism spreads its contagion. By the 21st century men had rejected women`s host wombs to wage biological warfare against her after mixing blood, shit and semen in their anuses to produce the incurable `killer disease`, HIV/AIDS, which the Bible calls the `blood plague` (Rev: 11. 6):
`Men cursed the God of heaven because of their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
By the late 20th century the Greek model had been replaced with the geek model of the software programer creating `bad machine code` in emulation of the virus to contaminate computer brains and prevent human technological progress. The paradigm was the `Trojan horse` which the ancient Greeks used before the walls of the city of Troy. The huge hollow wooden structure was taken into the Trojan city as a `friendship gift` by the Trojans and the Greeks emerged from within the horse to enslave the host wombs of the Trojan women for pederasty and war and so spread the virus` contagion further. The viruses of the `geeks` killed the brains of the 20th century `Computer Age` as quickly as the HIV/AIDS virus killed the human brain after it gained access to the body through the sterile anal masturbations of homosexuals. The virus even behaved as Greek and `geek` homosexuality does. Feigning friendship for the white defender cells of the human body, it killed the brain after fooling the body into accepting the paradigm of homosexuality. The paradigm was deployed by the Al Qaeda terrorist group on 11 September, 2001, when the terrorists feigned friendship as visitors to Boston, Massachusetts and hijacked `civil` aircraft to crash them into the Twin Towers of New York`s World Trade Centre to precipitate global warfare, that is, `rough trade`, which is that `brutality and violence` in which homosexual men pay boys to entertain. The subsequent Gulf war to depose Saddam Hussein, the Iraqi dictator, who`d offered bases to Al Qaeda, `the base`, reestablished pederasty as the enslaving paradigm of the `serpent`s seed` and, in the Middle Eastern home of the fourfold marriage of the `futanarian` burkha women of Islam, began the battle for women`s liberation.
The eagle upon the Great Seal of the United States of America represented the defence of the species` hymen throughout the war that began in March 2003 and Navy Seal Team Six`s killing of Al Qaeda leader, Osama Ben Laden, on 2 May, 2011, effectively represented the birth of the possibility of `woman`s seed` and her continuance as a race. The terrorist bombing of the Boston Marathon footrace on 15 April, 2013, re-echoed the movie paradigm of Logan`s Run (1976), which had obviously influenced the Al Qaeda hijackers at Boston, Logan airport, on 9/11, 2001. In Logan`s Run noone lives beyond 21 years of age and are killed by sandmen. Although the `runners` in the Marathon wore sandshoes, the `sandmen` analogy is clear. Al Qaeda`s terror was designed to prevent the Arabian `futanarian` race of `woman`s seed` from running by diverting technology and resources away from the `futanarian` footrace of human women and into war worship. It was Logan`s Run and the `serpent`s seed` of men didn`t want the race to go beyond the 21st century and win:
`I've never heard of a Sandman running, ever.`3
The temple of Abraham`s Ka Ba remained at the heart of Islam`s Moslems in support of the United States during the first Gulf war (1990-1) to oust Saddam Hussein`s invading army from Kuwait, because it represents the Ka Ba Akh, that is, the car park, where the daughters of the `futanarian` women wait for mom to take them to heaven after Resurrection. In science fiction the `mother ship` is a familiar concept, but the idea that the Earth`s woman is the daughter`s Ka, that is, the `futanarian` woman with her own penis` `seed` and host womb, who desires her own species` Ba, explains a TV movie like Taken (2002) in which Dakota Fanning is the young girl taken to heaven after waiting in the car park for her mom. She`s the Ka and her mom is the Ba but the `magical personality`, the Akh, is missing from the movie because Hollywood`s production code (1934-67) forbade women from raising their foot from the floor in bedroom scenes, that is, the `futanarian` penis` `seed` of the human race of woman wasn`t to be raised so that she`d be with her daughters in the car park waiting for the ship to take them all to heaven. The role of the man is an obfuscation. He has the spirit or Ka of the woman within, which means he represents the `serpent`s seed` of men as the enslavers of women`s host wombs for devouring war, and so Jesus` teachings of Redemption stress acceptance of `woman`s seed`, while `acceptance` is what Islam means. Jesus` mother is the Virgin Mary, but a Ka who is also desirous of the Ba, that is, of her sexual counterpart who isn`t male, which means she`s also waiting for the Resurrection of `futanarian` woman with her own penis` `seed` while unredeemed men have impounded her Ka so she can`t leave by means of the Ka Ba Akh, that is, the car park, because the `magical personality` of the mother who is the `futanarian` race of woman isn`t there to rescue her:
`I didn't ask for any of this. I want to be a little girl. I just want to be a little girl.`4
In Christianity Eve emerges from the side of Adam who was created by God as the first man. Jesus emerged from the Virgin Mary uncontaminated by male semen as the perfect man. Christ promised the Holy Spirit would come after him as the teacher of humanity and, when Jesus` side was pierced by the spear of the Roman centurion, Longinus, upon the death of the `Second Adam` upon the cross of his crucifixion, the logic of Christ`s promise was that the Holy Spirit would emerge from his side as the `Second Eve`. Because `futanarian` woman has her own penis` semen and host womb, the Holy Spirit was the `futanar`, which in Hungarian is `fut`, or `race` in English, and `tanar` or `teacher`. Consequently, `futanar` means species` educator. The spirit or Ka of the woman`s desire for her own soul`s body or Ba, produced Jesus Christ, the Messiah, from the womb of the Virgin Mary, because `woman`s seed` is a repressed species seeking Resurrection as `futanarian` woman with her own penis` semen.
The Virgin Mary is a species` heroine, because she gave birth to the perfect man uncontaminated by men, which is what Jesus` teaching is. At the `Last Supper` before his crucifixion, Jesus gave his disciples `bread and wine` as symbols of his `body and blood`. Judas Iscariot betrayed the host for `thirty pieces of silver` and he was crucified by the Roman occupation. Judas was a species` betrayer, because Jesus represented the host of humanity, which can`t emerge from the `body and blood` of humans, save through the Resurrection of woman`s seed`, and men`s acceptance of her having her own `futanarian` penis` semen and own host womb, which was Jesus` offer of Redemption spurned by Judas as the traitor of the race at the `Last Supper`. As the Greek `Logos` or `Word`, Jesus represents God`s plan for technological advancement needed for species` progress, but `futanarian` woman can`t produce her own human brains without her own penis` semen and so she is imprisoned upon Earth with the minds of her enslavers and devourers to coerce her to make war against her own self`s humanity:
`It is a law of nature we overlook, that intellectual versatility is the compensation for change, danger, and trouble. An animal perfectly in harmony with its environment is a perfect mechanism. Nature never appeals to intelligence until habit and instinct are useless. There is no intelligence where there is no change and no need of change.`5
The Ka Ba Akh theme exists in science fiction since The Time Machine (1895) by seminal scifi writer, H. G. Wells, and The Number Of The Beast (1980) by Robert A. Heinlein, which details the adventures of a `continua car` that can access any number of alternative universes real or imaginary. The Wells` story is prototypical time-travel in which the Time Traveller journeys through time backwards and forwards as Marty McFly would do later in the Hollywood movie Back To The Future (1985). Events are permanent in Wells` `The Time Machine` because animals lives are unchanging. McFly`s life is made a nightmare as he discovers the future can be changed by what happens in the past. The most notable scene is McFly watching in horror as he disappears from a photograph and realizes his existence in the past has ceased somehow:
`Now, remember. According to my theory, you interfered with your parents' first meeting. If they don't meet, they won't fall in love, they won't get married and they won't have kids. That's why your older brother's disappearing from that photograph. Your sister will follow, and unless you repair the damage, you'll be next.`6
United States` science fiction writer Heinlein`s Gay Deciever car contains four passengers as many four wived Moslem families do, but `Gay` is the sentient on board `driver`, while the passengers are Deety and Zeb, and Jake and Hilda who, married and variously related, quarrel incessantly, as if they weren`t the same species, which of course they aren`t. The figure of the `black beast` appears ubiquitously throughout The Number Of The Beast as a hermaphroditic reminder of the problem that faces humanity, that is, the `futanarian` race of humans with her own penis` semen and host wombs. Because `Gay` is a common euphemism for homosexuality, Heinlein`s Gay Deciever is meant to figure deception, that is, the skill in evasiveness `woman`s seed` employs to avoid the alien who has invaded her space and time and doesn`t want it to change so she can`t escape from her imprisonment. The Number Of The Beast takes place in several fictional alternative universes; for example, Frank L. Baum`s (1856-1919) `little girl` stories of Oz, Lewis Carroll`s `little girl` stories of Alice In Wonderland (1865) and the alternative Mars where Edgar Rice Burroughs` Barsoom stories of Martian Princesses happen. Heinlein`s Deety (DT) is actually named for Dejah Thoris who is the heroine of A Princess Of Mars (1917) in Burroughs` alternative universe, because she`s Jake`s `little girl` in the story:
`He`s a Mad Scientist and I`m his Beautiful Daughter.`7
Robert A. Heinlein`s premise is the Ka Ba Akh, that is, DT is the `little girl` waiting in the car park for her mom who isn`t going to come, because she`s the `bugbear` for men and women who don`t want the woman to grow up and leave. As the spirit of the `futanarian` human with her own penis` semen and host womb, women are the Ka of their own desirable Ba and men are the Ba`s Ka also. Only if the woman can leave with her `futanarian` self are the Ka Ba pairing of spirit and soul conjoined by the `magical personality` of the Akh represented by Gay Deceiver as the `continua vehicle` waiting to collect the `little girl` and her mom in the car park:
`… arguing over who drives the car.`8
The `black beast` is the semi-comic character that represents the collective shadow of men and women who can`t accept `woman`s seed` because `futanarian` humanity is for the future of their `little girl` and isn`t theirs. The `black hats` attempt to kill Jake early in The Number Of The Beast and another is discovered posing as a `forest ranger` before being killed and proclaimed `nonhuman` by Jake`s wife Hilda. The `forest ranger` relates to the four wives of Islam, who`re four strangers, and cross references Heinlein`s novel Stranger In A Strange Land (1961) where Michael Valentine Smith is the `stranger` born on an alternative Mars who founds a love church on Earth, which is what `acceptance` in Islam means for the four strangers who`re wived in a `futanarian` women`s heaven on Earth:
`Love is that condition in which the happiness of another person is essential to your own.`9
Be nice to us, or we`ll hurt you, is a mafia enforcer`s reinterpretation of the Christian Messiah Jesus` maxim, `love your neighbor`, which Heinlein adapts for church leader Valentine Michael Smith`s exhortative rather than coercive remark in Stranger In A Strange Land in which love is generally presented as idealistically unconditional. As Moslem women traditionally wear the one piece coverall of the burkha, they correspond to the `black hat` of Heinlein`s The Number Of The Beast because of the suicide bombs strapped beneath their clothing to kill during Iraq`s fight for freedom against Saddam Hussein`s forces in the Gulf war. If men as the `serpent`s seed` have `perpetual enmity` for the `futanarian` seed of woman with her own penis and host womb, she`s also the hated `black beast` of their imagination and the black burkha women of the rest of the Middle East are what men`s projected collective shadow of hate grows upon while the women absorb it like a bomber`s race hatred being consistently detected and defused by herselves as experts in love who are coercive if their exhortations aren`t heeded:
`Baghdad is determined to force the Mongols of our age to commit suicide at our gates.`10
Saddam Hussein`s name means `small, handsome man` and `crusher`, which accords with his interperetation of Hollywood, Babylon, as representing Mongols. The word Mogul was adopted by Hollywood, Babylon, to describe its movie studio heads, but the term derived from the first ruler of the Mongol Empire (1206-1638), Genghis Khan, while Mogul is the Arabic for Mongul and the Mogul Empire of the Indian Subcontinent (1526-1857) famous for its storied riches; as was the Persian Empire founded in the 6th century by Cyrus the Great. Saddam Hussein`s perception was that the modern Moguls of the Empire of Babylon, Hollywood, were looking for leading men to suicide the human race of `futanarian` with her own penis` semen and host womb hidden beneath the burkhas of Islam. Babylon was the ancient seat of the Persian Empire in Iraq, while Hollywood was called the Babylon of the West, because it was the seat of woman`s enslaving:
`The complete emancipation of women from the ties which held them back in the past, during the ages of despotism and ignorance, is a basic aim of the Party and the Revolution. Women make up one half of society. Our society will remain backward and in chains unless its women are liberated, enlightened and educated.`11
God`s biblical exhortation to Eve was that she shouldn`t despair, because her `seed` would `crush the head of the serpent with her foot as she leaves,` (Gen: 3. 15) that is, the `little girl` of the Earth would instead crush the `handsome man` who wants to make of her a Babylonian whore. The man keeps trying to get her into his car and leave with her mom, who she`s been waiting for in the car park, because the girl`s Ka is the woman that wants her mom`s Ba Akh, which in Egyptian mythology is the omnipresent desire of the spirit of the woman of the Earth in everyone for her `futanarian` self with her own penis` semen and host womb for her species` growth and development.
The barque of the Pharaoh in Egypt was the ship to take the spirit to the afterworld and so was the Ba Akh of the Ka, that is, the car and the ship in modern technological terms, which is translatable into the Gay Deciever and the starship Enterprise of the science fiction TV series and movie franchise, Star Trek (1965-), that is, the Earth`s car (Ka) and the starship Ba Akh (barque), which accords with the concept of the antediluvial Ark built by Noah, because God had decided to drown the Earth and a ship was needed that contained the remaining humans and their husbanded animals. Women aren`t husbanded animals, but they have husbands, which is their equivalent of husbanding the human species as its animal. Jesus` teachings have been perceived as humanism, because his precepts represent humanity towards the husbanded. His mother has a husband, but he is born uncontaminated by male semen, which means he was killed by the Roman Empire as an animal, because he represented escape from their husbandry.
Because `futanarian` women have their own penis` `seed` they wouldn`t be husbanded by anything other than what wanted their human species as its livestock. It`s unfortunate from the point of view of the enslaver that the woman has brains, so the parasite dilutes the possibility of independent thought in the woman by killing her so she no longer has her own penis` semen and host womb for her own brains` reproduction through sexual intercourse. Diverting her humanity for species` survival into war and the creation of weapons of mass destruction the `serpent`s seed` of men kill the humans by explaining that they`re animals, which is why humanism and animal husbandry are closely related. Scenes of aliens helping humanity aboard starships in TV series like Star Trek depict the problem attending portrayals of women as husbanded animals. If alien intelligence isn`t perceived as human, it`s because women are viewed as aliens by the men who husband. Alien women are portrayed in Star Trek as sexually human, because they`re portrayed by husbanded actresses, who are perceived by men as husbanded aliens. From the perspective of the `serpent`s seed`, Jesus was an animal trying to escape from the jealous husbanders. Being born uncontaminated by male semen was the first step in liberation for the `futanarian` human species of woman with her own penis` semen and host womb for the production of brainpower to develop starships.
Alien intelligence is whatever would help women to escape from men`s point of view. For men it`s all about alien sex, because the `serpent`s seed` wouldn`t want the woman to escape from womb enslavement to its war against her. Miscegenation is sex between men and different forms of human women, which is the basis of racism and xenophobia, that is, hatred of other intelligences. Jolene Blalock who portrays an alien woman in the TV series, Star Trek: Enterprise (2001-5), is intelligent but `other` as T`Pol, the Vulcan. The argument on behalf of xenophobic racist miscegenation is that Jolene is a human actress and not an alien. Men don`t want intelligence, but they do want host wombs, because they`re the human species of `futanarian` woman with her own penis` semen`s parasites as the alien virus aiming to destroy her Earth`s humanity. Consequently, although Jolene is an attractive alien intelligence, from the point of view of the `serpent`s seed` she`s just another slave host womb; as all other intelligences are from men`s perspective. The concept of woman as alien is applied throughout the film industry, but she always has a husband or husbander; though her own species doesn`t:
`In many ways, the film seemed quite prophetic. The reaction of the villagers, for example; it was similar to the reception Vulcans received after landing on Earth.`12
T`Pol`s assessing Frankenstein (1931), the movie, from the novel by feminist science fiction writer, Mary Wolstencraft, which T`Pol has watched aboard the starship Enterprise. T`Pol`s analysis is that the man constructed by Dr Frankenstein out of body parts is treated as an alien to be exterminated because it`s perceived as non-human, which is how `futanarian` woman with her own penis` semen and host womb has been lost to view, because men perceive her as a `Frankenstein monster` to be exterminated:
`...once I falsely hoped to meet the beings who, pardoning my outward form, would love me for the excellent qualities which I was capable of unfolding.`13
The closest analogy to the dilemma of Dr Frankenstein`s creature is found in Australian history where an alternative mammalian evolution developed. `Australians` had pouches in which their infants grew until ready to leave the host female. Although marsupial evolution isn`t any longer perceived as human, neither is `futanarian` woman with her own penis` semen and host womb, because men perceive women as alien and have culled or killed her.
The European settlers arrived in Australia after it was discovered by Dutch explorers in 1606 and began to hunt and kill the aboriginal population as animals, because the Australian women might breed and were perceived as aliens by the Europeans. Whether the aboriginal women of Australia were marsupial is irrelevant, men`s socio-history is of extinguishing women`s independent capacity for sexual reproduction if they don`t perceive it`s a feasible host for their parasitism. Racism and xenophobia is a metaphor for the enslavement of the human host womb by her parasites, which means the picture of men with women, or any intelligent life form that looks like women, is of a parasite with its host. Genuine alien intelligence that doesn`t look like women is what men are preparing for, because God isn`t human and might assist the `futanarian` human women with their own penis` semen and host womb to escape if the `little girl` can get her Ka into position to be picked up by her mom in the car park, that is, where the car is waiting for the barque or `mother ship` to take her to heaven.
In Egyptian mythology the Ka Ba Akh is described as what happens in the afterlife, that is, the Ka or spirit, and the Ba or soul, become the Akh or `magical personality`, which journeys to heaven, but the Ka is physical. The desire of the woman for herself is what`s depicted, that is, the `futanarian` woman with her own penis` semen and host womb is the `magical personality` (Akh) represented by the Ka, or desiring spirit of the Earth`s women for her own Ba body, which is a physical relation and not ethereal. Religions teach spiritualism, which is death for the human species of `futanarian` woman with her own penis` `seed` and host womb, because Ka, Ba and `magical personality` or Akh is physically real, that is, the woman physically waiting with her car (Ka) at the park (Ba Akh), desirous of the `little girl` who is trying to avoid the man with an evil car (Ka) not hers, so the pair of human women (Ka Ba) can leave from the car park (Ka Ba Akh) physically in the `mother ship` (Ba Akh or barque) of their own `futanarian` species.
In Islam Jesus has Ascension to heaven without death while Christianity`s depiction of Jesus` death and Ascension after crucifixion is illustrative, that is, `futanarian` woman with her own penis` `seed` is dead and must have Resurrection if humanity`s `little girl` is going to escape from the men and their evil cars who don`t want her to develop and grow beyond being picked up and raped by the parasites. If Christianity teaches only spiritualism, it becomes an evil system slave driving the human host womb to produce humanity as a `little girl`, who`ll accept rape and brain enslavement by her attacker, rather than enable herself physically through `futanarian` sexual reproduction with her own penis` semen and host womb to produce her own brains` power for technological liberation, because modern women, whether Moslem or Christian, are as physical as ancient Egypt`s and want to escape from slavery.
Perhaps the simplest science fiction Ka is the Gerry and Sylvia Anderson TV 21 Supermarionation British Independent Television puppet series` car, Supercar. The show featured an all male cast of characters; the inventors, Professor Popkiss and Doctor Beaker, and square jawed hero type, Mike Mercury, who rescue Jimmy Gibson and his pet monkey, Mitch, in the first episode. Jimmy and Mitch become part of the Supercar team, but the absence of a female Ba from Supercar reveals the problem. If the spirit of the Earth is the Ka of the woman`s desire for her own `Ba`, that is, `futanarian` woman`s own penis` `seed` for her own host wombs to produce her own brains` powers for the development of real supercars, her absence from Supercar (1961-62) means she can`t escape from low tech men in their cars.
`Don't ask me why, Mike, but every new piece of equipment I ever make, always seems to come in useful, and, umm, I have a feeling that this one will be no exception.`14
Doctor Beaker, co-inventor with Professor Popkiss of Supercar, represents the inventive genius who achieves in despite of slavery. Jimmy Gibson and Mitch, the monkey, represent the actual relationship between men, which is degeneracy, because their evil Ka or spirit doesn`t want to reach a level of technology that will allow the `seed` of woman to reach independence and escape men who`re apeing each other rather than developing. The boys are her apes, while the women are their rapes. Jimmy Gibson, who`s ten years old, apes Mike Mercury, the hero of Supercar, while Mitch, the ape, apes Jimmy. All the supposedly human characters are figuratively born from the host wombs of women, which means they owe their brainpower to her. But they`re raping and apeing the intelligent aspect of the species as she endeavours to grow and progress. Jimmy Gibson believes that he`s apeing a hero and will be like Mike Mercury, but his future is Mitch, who can only ape. If a woman doesn`t have penis` semen of her own as `futanarian` women, `acceptance` of male semen is female brain damning, which is brain rape. Jimmy Gibson is the boy who apes Mike Mercury to be a hero, but men`s brain damning of women will result in the breeding of apes alone, which is what raping a woman means; if `futanarian` woman with her own penis` `seed` and host womb isn`t able to breed her own brains to liberate the human from low tech enslavement to pederasty and the parasite`s devouring war against humanity`s invaded mother.
Although Supercar is described as a car that`s a rocket ship, that isn`t possible without a desirable Ba as a member of the crew, that is, the Ka of the human species of woman can`t develop to the ship or Egyptian barque (Ba Akh) stage, because the boy`s desire is to be like the hero, who represents an injunction that the boy ape man, because the hero doesn`t want a level of technological progress that would allow a rocket to become a starship. The boy is encouraged to ape the man, rather than assist the woman to develop a means of escape, which is why Jesus told Joseph, Mary`s husband:
`Why did you seek me? Did you not know that I must be about my father’s business?` (Luke: 2. 49)
Jesus` father is God, because he`s working for the liberation of the human species of `futanarian` woman. As the first man born uncontaminated by male semen, Mary is Jesus` mother, but Joseph represents husbandry, that is, the Messiah was expected to ape the man, Joseph, in his trade of carpentry as the husbander of mother and child, rather than that Jesus should accept God`s desire that `woman`s seed` should have Resurrection for her own brains` powers through Christ`s teachings of birth uncontaminated by male semen from `futanarian` woman with her own penis` `seed` for her own host womb. If woman`s Resurrection doesn`t occur, men will continue to ape each other and brain damn the woman until the human race is extinct and the `serpent`s seed` will have won its wars against her species.
1 https://www.pantheon.org/articles/a/akh.html .
2 https://knowyourmeme.com/photos/722175-hentai-quotes .
3 Agutter, Jenny as Jessica 6 Logan`s Run, Metro Goldwyn Mayer, 1976.
4 Fanning, Dakota as Allie Keys Taken, Dreamworks Television, 2-13 December, 2002.
5 Wells, H. G. The Time Machine, William Heinemann, 1895.
6 Lloyd, Christopher as Dr. Emmett Brown Back To The Future, 1985.
7 Heinlein, Robert A. Heinlein The Number Of The Beast, Putnam, 1980.
8 Heinlein The Number Of The Beast, Putnam, 1980.
9 Heinlein Stranger In A Strange Land, Putnam, June 1, 1961.
10 Hussein, Saddam in Joel Brinkley `White House Intensifies Criticism of Iraq Over Warheads`, New York Times, 17 January, 2003, https://www.nytimes.com/2003/01/17/international/17CND_PREX.html .
11 Hussein, Saddam `Women: One Half of Our Society`, 1981.
12 Blalock, Jolene Sub-Commander T'Pol Star Trek: Enterprise, Series #2, 20, `Horizon`, 2003.
13 Wolstencraft, Mary Frankenstein or The Modern Prometheus, 1818.
14 Doctor Beaker Supercar, ITC Entertainment, 1961-2.