Parasitoid Criticism
The methodological literary approach developed in the 1930s by the surrealist artist, Salvador Dali, to describe his art, which involved optical illusions and other multiple images, is `paranoid criticism`. The technique is to invoke a paranoid state (fear of the self being manipulated, targeted or controlled by others) in order to examine what causes the personal identity to fear deconstruction, while subjectivity remains the primary aspect of the artwork. In a work like Autumn Cannibalism (1936), for example, paranoid criticism examines why the individual fears being devoured. Painted just after the outbreak of the Spanish Civil war against fascist General Franco`s dictatorship, Autumn Cannibalism shows a male and female couple locked in a cannibal embrace. Although war is symbolized, Dali`s `paranoid criticism` isn`t enough. The step he was looking to make was `parasitoid criticism` whereby the human host of women`s womb is discerned in parasitological terms, that is, she produces a parasite which becomes parasitoid, which is a term employed in parasitology to describe a parasite that emerges from the host to devour it.
Franco`s Spain was a Christian nation like Italy where fascism arose and Benito Mussolini became fascist dictator in Rome after the 1922 election. Mussolini`s fascist symbol was the fasces of the Empire of ancient Rome, a bundle of wood with an axe in the center, which represented how the opponents of fascism were blinded. When the German National Socialist (Nazi) Party adopted the fasces as its symbol, after dictator Adolf Hitler was elected in 1933, the Nazis began constructing camps ringed with barbed wire behind which the Jewish people and other ethnic minority groups were exterminated where the local people couldn`t see, which is why the fasces symbol was the Roman planners` blind made from cut wood. The Romans didn`t want the people to see what they planned to do either, which was to recreate the human species as a single male brained creature wearing each others` clothes as a `TV` transvestite killing itself for the entertainment of the Empire in huge amphitheaters built for that purpose.
Although the television `TV` machine wasn`t invented until 1926 by John Logie Baird, the Romans had already manufactured the human species on a grand scale as a `TV` for the alien parasitoid devourer to watch on Baird`s `TV` machine. Fascism arose because Christians didn`t understand Jesus` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her foot, because futanarian `woman`s seed`, who`re represented by the birth of Jesus uncontaminated by male semen, are women who can sexually reproduce their own brains` powers from their own penis` semen, so that humans can run their own race from the host womb, rather than the alien parasite that, somehow millennia ago inveigled itself into the women`s host womb of humanity, stole women`s penis` semen and became her species` parasitoid devourer.
All of art, civilization and culture is parasitoid criticism, because the alien sets the conditions for the criticism. In literature `meta-criticism` has been used as a term to describe an objective standpoint adopted by the literary critic to comment on a work of fiction, which itself was devised by the novelist as a comment on a fiction. The parasitoid critic identifies the world as the fiction being commented upon, that is, warfare against `woman`s seed` is the condition within which the novelist and the critic function, which is what Salvador Dali`s paranoid criticism discovers. A work like Autumn Cannibalism depicts the `TV` transvestite eating itself, because that`s what male brained single creature`s wearing each others` clothes manufactured for the `TV` television machine of the alien parasitoid devourer do to entertain the killer of their human race, which are its armies. An ideological propaganda image of the German army was of a jackboot stamping on a Jew`s face forever, because that`s what armies are for. To get more juice out of the Jews so that the armies and its commanders have more `choose`. When Jesus met a man near the town of Gadarene, he was possessed by demons and said: `My name is Legion.` Because the Roman legions were them occupying Jewish Palestine as the armies of Rome. Jesus ordered the demons to leave the man and they entered a herd of pigs and ran off a cliff and drowned in the sea, because that`s what demons do with men. The man Jesus met didn`t want to belong to the legions of Rome.
Judaism is important because of the tradition of the Jews as the `chosen people` of the Bible descended from the first woman, Eve, and the first man, Adam, who were expelled by God from the paradise of heaven on Earth, Eden, for rejecting God`s `fruit of the tree of life`, that is, immortality, for the `fruit of the tree of the knowledge of good and evil`, which was death, because the angel Satan, who`d been turned into a serpent for rejecting God`s plan that the human host would be greater than the angelic, told Eve: `You shall be as gods.` (Gen: 3. 5) God told Adam he must labor, and Eve must experience labor pain before Redemption: `You shall crush the head of the serpent, but he shall bruise your heel.` (Gen: 3. 15) Jesus` birth uncontaminated by male semen as the futanarian foot of his mother, the Virgin Mary, was Redemption for `woman`s seed` and his subsequent nailing to a cross of wood atop the hill of Calvary outside the city of Jerusalem by the Romans as a `dissident` where he died before having Resurrection and Ascension prefigured that of `woman`s seed` through her species` own brains` powers for the developing of permanent memory through immortality conferring medical science, and so the permanent maintaining of starship technology to facilitate woman`s escape from the Nazi jackboot seeking to crush some more choose out of the `chosen` forever enslaved in ephemerality`s blind ignorant unconsciousness while the pogromer secretly extinguishes her `seed`:
`Every woman adores a Fascist,
The boot in the face, the brute.`1
Although US` poet Sylvia Plath`s depiction of a Jew as a shoe seems whimsical, and the boot stamping on the face of herself as a Jew, surreal, she committed suicide shortly after writing the poem, `Daddy`, on October 12, 1962. If women are perceived as Jews, which is in accordance with the futanarian traditions of Judaism, where a Jew can only be born from a woman, like Jesus` mother, the Virgin Mary, that is, because women are Jews, then the Nazi perspective is that the piles of shoes outside the ovens at Belsen death camp and others, while the corpses of the women were burned, is what `woman`s seed` was for, because `Jew` needed to make shoes to walk in. Consequently, as applied to surrealist works like Sylvia`s poem `Daddy`, parasitoid criticism is a useful meta-critical tool, because it perceives that the alien parasitoid devour has constructed the conditions for its activity and can criticize the work on the basis of the fact that the devouring parasitoid has been exposed. Although paranoid criticism allows the critic to perceive that the individual is being attacked, parasitoid criticism perceives the nature of the attacker:
`You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe ...`
Sylvia`s species of women is a futanarian `foot`, which can`t live with a Nazi jackboot stamping on their face forever. The sexual reproduction of children is an illusion maintained by fascism as a propaganda instrument of faith in a future that can`t be, because the fascist system depresses the socio-economy through warfare against `woman`s seed` to prevent a cure for the `incurable killer disease`, like HIV/AIDS, for example, which cure would take immortality conferring medical science further towards maintaining young women in permanently developed brainpower and bodies of their futanarian species of `woman`s seed`. Consequently, ephemeral women is what the fascists want, that is, extinguishing young women until they`re senile demented is what fascism is. When the old die, the new generation is a `visual feast`, but that`s all. The aim of the fascist is to produce `choose` from the womb of a blind ignorant unconscious host, which is why the paradigm of the late 20th century was the HIVAIDS virus. In ancient Greece women`s host wombs were enslaved for homosexuality in pederasty to spread its contagion of conquest through warfare against `woman`s seed`, which gave rise in the late 20th century to HIV/AIDS transmitted through men`s mixing of blood, shit and semen in each others` anuses in rejection of `woman`s seed`: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) In modern society the Greek contagion was succeeded by the `geek` contagion, which was the computer virus transmitted as `bad machine code` to the brains of data processing equipment to destroy the memory function by programers calling themselves computer `geeks`. In short, the geeks were the latest version of the virus that was spread by the ancient Greeks as a `biological weapon` to kill the brain of the human species. Women who look physically old are victims of the fascist system, which wants them to die, or they`d have permanent memories and young bodies. The generations of new bodied women arise in blind ignorant unconsciousness as ephemerals doomed to be extinguished like the previous generations before them, because men don`t want `woman`s seed` to produce the permanent brainpower they need in order to escape from the Nazi jackboot crushing their faces to produce more shoes. In simple terms, the older generation are exterminated in fascism so that the younger generation will buy more shoes, and of course the manufacturer and retailer benefit.
The notion that shoes are Jews seems evil, but cigarettes are secrets centered around the notion that ground tobacco is `snuff`, which is the generic term for movies made of real life killings for the entertainment of the alien parasitoid devourer`s modern cinema theater or home entertainment `TV` on Earth. Because `smoking` is a euphemism for murder with a bullet, which leaves a gun smoking, and `smoking` is also a euphemism for fellatio, cigarette smoking is the `secret smoking` of the `snuff movie`, that is, the penis` semen of `woman`s seed` is being `smoked`. Or, in other words, the human species` brainpower is being extinguished to ensure enslavement in blind unconscious ignorance`s permanent ephemerality, so there`ll never be memory for the operation and maintenance of developed technology for eternal liberty through escape from the alien parasitoid`s devouring of her. Although the idea of reality as a `snuff movie` seems a nightmarish delirium to the simple person, homosexuality for pederasty in warfare against `woman`s seed` creates the conditions for men to believe that they aren`t homosexual, so that they can be persuaded to act on behalf of the parasitoid devourer, which is. In short, there are two types of men, the parasitoid devourer in Satanism, and the man who believes that he`s acting in accordance with principles that aren`t created by the Satanists` conditioning, whereas it`s the conditions that ensure that men act as homosexuals want them to, that is, as parasitoid devourers of `woman`s seed`.
Automobiles are a dragon`s painted nails, because of the four nails holding Jesus to his cross. Homosexuality in pederasty`s seeking to prevent the four-wheeled motor vehicle from being developed by human brainpower, lest starships succeed, is symbolized by the four nails. Consequently, Jesus` Resurrection and Ascension to heaven in prefiguration of `woman`s seed` represents the need for her to sexually reproduce the brainpower needed to construct starships to escape from her parasitoid devouring on Earth and colonize the planets amongst the stars. However, because men are conditioned by homosexuality to act on behalf of the parasitoid devourer against `woman`s seed`, that`s what would happen amongst the colonized planets if `TV` didn`t produce edutainment for humans, rather than the alien. Though mass production of automobiles began in Detroit, Michigan, in 1908 at the Henry Ford factory with the Model T Ford, the pedal and wheel mode of progress resembling the treadmill in which a mouse runs hadn`t changed by the beginning of a 21st century in which `mouse` was the name for the device used to search on the internet for edutainment. However, as homosexuals condition humans to search for what their fictions promote, `woman`s seed` isn`t promoted, because homosexuals don`t want it for humans.
If Christianity is `woman`s seed`, Christians would have to accept Jesus` Christianity, that is, Jesus` teaching of Redemption through conversion from the sinful nature of parasitoid devouring to acceptance of women, whereas at the beginning of the 21st century Christianity was closer to Satanism. Invasions of Moslem nations in Eastern Europe (Yugoslavia), and the Middle East (Iraq) and Africa (Libya), suggested that Christianity hadn`t understood Jesus. Judaism was founded by Isaac, son of Abraham, borne by Sara, who barren thereafter gave her maid, Hajer, to Abraham, and Hajer bore Ishmael, who founded Islam through his descendant Mohamed, who received the Koran (610-30 C.E.) from the angelic host, who`d been told that the human host would be greater than the angelic. In Islam four wives are permitted to legitimize the birth of Ishmael from Hajer, although the four wife marriage is more important as a facilitator of futanarian sexual reproduction within the Moslem family, which is in accordance with Jesus` teaching of `woman`s seed`, that is, Christianity waged war on Islam conditioned by homosexuality`s ability to persuade men they`re acting as men, whereas they were acting on behalf of the parasitoid devouring the human race, who are Eve`s and Jesus` futanarian `seed`. As a Jewish rabbi Jesus` teaching was Islamic, because he prepared the way for Christianity`s acceptance of `woman`s seed` through the four wife Moslem marriages. Otherwise the Earth`s is a surreal environment described by Salvador Dali`s `paranoid criticism` as invasive, because parasitoid devourers need a host womb. Consequently, works like 1936`s Soft Construction With Boiled Beans (Premonition Of Civil War) are paranoid criticism, whereas parasitoid criticism is the approach for describing it. The figure in the painting is at war with itself, because that`s the nature of men and women manufactured as a `TV` by a parasitoid devourer for its entertainment. As a paranoid critic Dali`s surrealist reasoning about Soft Construction With Boiled Beans was: `... one could not imagine swallowing all that unconscious meat without the presence of some mealy and melancholy vegetable.`2 At a meal with members of the UK`s Conservative government, leader Margaret Thatcher was asked: `What about the vegetables?` The apocryphal reply was: `They`ll have the same as me.` In Soft Construction With Boiled Beans men and women are the unconscious meat and vegetables, which the alien parasitoid devourer is having. Thatcher was famous for sending a fleet and an army to fight to recapture a small group of South American Islands, The Falklands, after they were invaded by Argentina in 1982, and from the perspective of the parasitoid critic the protagonists were meat and vegetables, that is, a meal for the parasitoid devourer who`d made out the dinner invitation, and who probably was but tangentally the Argentine dictator General Galtieri. In Metamorphosis Of Narcissus (1937) the figures are a man and a woman, and the man is broken while the woman is blossoming, because it represents the reemergence of `woman`s seed` as the species of the Earth, while a work like The Great Masturbator (1929), has a nude female figure who, rising from the back of the head of a masturbating figure bowed forward, has her mouth near a penis visible beneath a bathing suit suggesting fellatio. As a premonition of the Spanish Civil war in which people smoke, that`s what the parasitoid devourer`s conditions produce. The masturbator surreally masturbates the woman`s penis, which it`s stolen, while the woman`s unconscious penisless desire is to fellate a penis which isn`t attached to her, and in men that fellation results in the alien`s desire for greater submission from the species of `woman`s seed`. Taught they can`t fellate, because women don`t have a penis, men don`t know they`re the alien that`s already smoked the women`s penis in war against her `seed`, and so the conditions of homosexuality in pederasty for war against `woman`s seed` continuing to obtain, alienated men smoke the human penis in accordance with the parasitoid devourer`s intentions.
1 Plath, Sylvia, `Daddy`, October 12, 1962.
2 Wach, Kenneth, Salvador Dali, New York, Harry N. Abrams Inc., 1996.