Calling All Girls

Calling All Girls


Calling All Girls


Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus wasn`t maled, so he was the daughter of the Virgin Mary and not of the `serpent`s seed` of Eden, which is what God explained to Eve, the first woman. She would, `crush the head of the serpent with her foot as she leaves` Eden after the serpent had tempted her with the `fruit of the tree of the knowledge of good and evil` that it is `death to taste`. The serpent persuaded Eve to give some of the fruit to Adam, the first man created by God, so the pair were expelled from paradise for rejecting the `fruit of the tree of life`, that is, immortality, given to Adam and Eve by God who tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` and so Jesus born uncontaminated by male semen is the first redeemed man after the fall of Adam and Eve from `heaven on Earth`, which was paradise in Eden. After the fall Adam and Eve were told he`d earn his living by the sweat of his brow and she`d have labour pains in childbirth, because `futanarian` woman with her own penis` semen and host womb would be born after Eden but the `serpent`s seed` of men would enslave the host wombs of Eve and her daughters in war and death, which is the `original sin` of mankind that Jesus` birth redeemed humanity from because he was born uncontaminated by the `serpent`s seed` and was `woman`s seed` that God told Eve would rise from the Earth and crush the head of the serpent with her `futanarian` foot as she left for heaven above.

 Jesus represented Redemption because he was `woman`s seed` who was nailed to a cross and left until he died when accused of being a `dissident` preaching against the Roman occupation of Jewish Palestine, but Jesus had Resurrection from death and Ascension to heaven as `futanarian` woman with her own penis` semen will rise to heaven and crush the head of her oppressor with her foot. Humans on Earth are male brained because `futanarian` woman can`t breed her own species of woman with her own penis` semen and host womb for the sexual reproduction of her own brains` power to lift her foot from the Earth to the stars and planets of God`s heaven. Because Jesus was uncontaminated by male `seed`, he corresponds to `dick girl` who has her own penis` semen but doesn`t have a vagina, which is what `futanarian` woman with their own penis` semen and host womb has. In biological terms, dick girl is physically superior to Jesus, because her breasts lactate, but she isn`t mentally or spiritually superior, because Jesus` brain isn`t a product of male semen, whereas dick girls are uncontaminated by the `serpent`s seed` only if they have a fatherer who is a `futanarian` woman with her own penis` `seed` and host womb.

 Christ`s `Passion` is what is supposed to be his feelings upon being crucified. Catholicism particularly describes Jesus as being compassionate towards mankind upon the cross of his crucifixion, which is his `Passion` to redeem others from their sins. On the cover of her CD single for `Piece Of Me` from the album Blackout (2007), Britney Spears appears on the cross of Jesus naked but for a sarong, because she has compassion for dick girl too.  The idea that it is necessary to imagine oneself in the place of the other person in order to empathize and understand their problems is central to Christian thinking, because Jesus was born uncontaminated by male semen and so prefigures the Nativity and Advent of dick girl, who is woman with her own penis` semen as the daughter of her `futanarian` fatherers who are women with their own penis` semen as well as host wombs. Because of censorship and taboo Britney Spears can`t appear on the cross of Jesus displaying an erect penis, whether she has her own penis or not. Jesus` `Passion` is for his `futanarian` nature born uncontaminated by male semen and so he prefigures the Resurrection of `woman`s seed`, that is, dick girl and `futanarian` woman with her own host wombs and penis` semen, where dick girl more properly corresponds to Jesus because she has penis` semen but is without a host womb of her own. Jesus` compassion is for `woman`s seed`, which is oppressed, `he shall crush your head and you shall bruise his heel` . (Gen: 3. 5) The `serpent`s seed` of men will imprison the `seed` of woman upon the Earth until she is strong enough mentally to escape:


`I'm Mrs most likely to get on the TV for strippin' on the streets

when gettin' the groceries,

no, for real are you kiddin' me?` 


 Britney Spears` song, `Piece Of Me`, refers to the `thirty pieces of silver` accepted by Judas Iscariot after the `Last Supper` at which Jesus was the host to his disciples offering `bread and wine` as symbols of his `body and blood`, which is why Catholicism describes the wafer and wine of the Communion service designed to transubstantiate or transform the body of the parishioner as the host, because unredeemed men are parasites upon the host wombs of women who have their own penis` semen and so are potentially socio-economically and spiritually independent of men, that is, they`re heaven, whereas men aren`t unless they experience what Jesus calls metanoia (Mk: 1. 4) or `conversion` from their male braining of women in host womb slavery to war and death, which is what they practice upon the Earth. Britney Spears` mass produced silver CD singles of `Piece Of Me` constitute the `pieces of silver` Judas has sold her for. Because of male braining humans are  transvestite wearing each others` clothes, that is, it`s a `TV` watched by the male brainers for entertainment. It`s an old problem deriving from the ancient Greeks in Western Europe who institutionalized homosexuality in pederasty and war to enslave women`s host wombs and spread their contagion further. In Rome amphitheatres called `circus` were constructed so that the public could watch `TV` killing itself in their arenas. On September 11, 2001, `live on CNN` and other television networks viewers watched `TV` preparing to kill itself again in `TV war` in the Gulf as Al Qaeda`s terrorists provoked the United States into a war against Iraq`s Saddam Hussein by crashing hijacked planes into the Twin Towers of New York`s World Trade Centre to reestablish `rough trade`, that is, the `brutality and violence` associated with homosexuality and pederasty in warfare which has been the `TV` staple of the world since transvestism was invented:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)


 Babylon is a woman in the Bible and so is Britney Spears, who`s sold for CD silver pieces as a woman who`s male brained by her milieu and so is as blameless as the enslaved Babylon, which is the `mystery`. Babylon`s a mother enslaved by evil, but she isn`t necessarily blameworthy, which is what the Assumption of the Virgin Mary that was made Catholic dogma by in 1950 by papal decree recognizes. The body of the woman belongs in heaven, because she doesn`t have a sexual partner from her own species upon the Earth, where she`s male brained by the `serpent`s seed` of men for war in slavery and death to her human race. Just as Blackout represents occlusion through censorship of the woman`s penis from the cover of the CD single, `Piece Of Me`, where Britney Spears appears naked in a sarong in the place of `Jesus Compassionate`, so Britney`s album Circus (2008) represents `TV`, because transvestism in male brained war is what television is watched for:


`All eyes on me in the center of the ring. Just like a circus.`



 Although Britney Spears` `Circus` seems an innocuous track from the album Circus, it`s crucial for a woman`s understanding, which in psychological terms demands some knowledge of Jungian developmental psychology and the archetypes of the collective unconscious which Carl Gustav Jung (1875-1961) viewed as emerging from within the unconscious dreams art and imagination of humanity to impel the race forward with imagery and figures that pushed the individual mind to achieve self-actualization. According to Jung the anima of a man was the feminine soul projected as sexual desire for a woman, whereas a woman had an animus which corresponded to her spirit and she perceived it was a collective of male gazers desirous of her. Jungians have conjectured the absence of a woman`s soul as misogyny on Jung`s part, but the truth is male braining means women have a male spirit, which functions as a `TV murder ` show, that is, transvestitism is the male brained human species wearing each others` clothes and killing itself in the serpent`s seed`s `perpetual enmity` for humanity. From a Jungian perspective, women don`t have a soul, because they should have an anima, or its equivalent to make them sexually desirous of each other as `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own human race of `woman`s seed`. Humanity is a `TV` snuff film, that is, killing as entertainment, and it`s the eyes of men upon her as their target that male brained men and women trick themselves into believing is sexual desirousness. In her song, `Circus`, Britney Spears depicts herself as an animal trainer, because she`s the `ringmistress`, who must prevent men from turning on her. Because she depicts herself as Jesus upon the cross naked, but for a sarong for the cover of the CD single, `Piece Of Me`, she`s `dick girl` and so has a strong anima, which allows her to describe herself to the media as `bisexual`, and allows her to defend her role within the `circus`, because she knows it`s necessary to train men out of their animal nature as much as it`s needed for women to appreciate that Jesus is Mary`s `little girl` archetype who is to reappear on centre stage in the future of humankind.



 The seminal girls` movie of the 21st century was Mean Girls (2004) with the slogan `Watch your back!` Lindsay Lohan was the actress star of a story featuring the `Burn Book`, which detailed the histories of girls who`d left themselves open to reproof if its contents became public. The  film derives some of its thematic concerns from a short science fiction story, Robert A. Heinlein`s (1907-88)`The Bulletin Board` (1951) written for US teenage magazine, Calling All Girls (1932-2004), in which Gabrielle is ostracized because she writes notes to herself to make it appear that she`s popular. When Georgia finds out she meanly invites Gabrielle to a birthday party on her own birthday for another girl, Bun, at a venue where the actual party isn`t going to happen. The heroine of Heinlein`s tale, Maureen, invites Gabrielle to a genuine get together arranged by herself and her boyfriend, Cliff, who `mortgages` his class pin with the caterer, Helen Hunt. The denouement is that Georgia, who`d invited Gabrielle to spend an hour or two waiting for a party that wouldn`t occur, is sent the bill and Cliff gets his pin returned. The story is based on the Heinleinian principle of `paying it forward`, that is, someone does something for you and you do something for someone else, which was the idea behind the movie, Pay It Forward (2000), synchronously starring actress Helen Hunt, which was the name of the caterer in `The Bulletin Board`. Helen has the role of Arlene, the mother of a boy, Trevor, who implements the `paying it forward` plan where he lives in Nevada, Los Angeles. Paying it forward may be understood as Jesus` Christianity, while Mel Gibson in the movie Payback (1999) represents the vendetta aspect of male psychology, where vengeance replaces Redemption as the aim. In `The Bulletin Board` Cliff redeems his pin by arranging a party for a girl, that is, he`s `paying it forward`, whereas in Payback the Gibson character has 70,000 US$ taken from him, which he`d stolen with a treacherous partner and is shot in the back for it. The film details the atrocities Porter commits and faces as he recovers the stolen cash. Although Porter is depicted as escaping to Canada, life isn`t a movie that`s likely to conclude without avengers in pursuit because men engage in vendetta rather than Heinlein`s redemptive policy of `paying it forward`, which is how Cliff and Maureen in `The Bulletin Board` attain Redemption from meanness for themselves and Gabrielle. Even Georgia is redeemed from meanness in `The Bulletin Board`, because she pays the bill for Gabrielle`s party at Helen Hunt`s. Although `The Bulletin Board` seems at first reading inconsequential, `Bob` Heinlein, the first Grand Master of Science Fiction, had brought Christian forgiveness to the attention of readers of Calling All Girls in a way that was comprehensible.  The Science Fiction Writers Association (SFWA) named their journal, The Bulletin, after Heinlein`s 1950s story, which by the early 21st century contained letters like this:


 `My kindergartner has crayons. Must she draw Hollywood`s movie experts a biologically accurate picture of a woman? Science fiction depicts `alternative societies`. If `futanarian` woman with her own penis` semen is able to sexually reproduce, can `scifi` explain her absence from the scene? God tells Eve (Gen: 3, 15) her `seed` will have `perpetual enmity` with the serpent`s. Obviously she has some, so who`s going to make the movie if SF Bulletin is only concerned to put the bullet in the woman further by not highlighting her species` plight? Last Spring`s `sexist` Bulletin is just the iceberg`s tip.`1



 Writers are heroes if they`re `paying it forward` for future heroines, because the age of the hero is dead. In Mean Girls Lindsay Lohan, in her first screen role, was stepping into the shoes of Heinlein`s Gabrielle from `The Bulletin Board`, because actresses - like writers – are criticized. Lindsay had a `lesbian` relationship with singer song-writer and dee-jay, Samantha Ronson, for which she was meanly harassed by hidebound media paparazzi falsely conditioned to view `normal` sexual relations between `futanarian` women as `homosexual`. In his novel The Number Of The Beast (1980) Heinlein calls his car `Gay Deciever` in a series of adventures feauring two married couples who`re effectively endeavouring to escape from homosexuality, that is, the `gay` scene, which is why the car is named for its ability to evade rather than invade. Although homosexuality is all but promoted in Western culture, socio-history reveals that invasive Greek civilization was based on the institutionalized enslavement of women`s host wombs to spread men`s pederasty and war further.

 Before the walls of Troy the Greeks left a huge hollow wooden horse inside which they hid before emerging to invade and enslave the host wombs of the women inside the city when the Trojans took the horse within the city walls. The men as virus metaphor is the paradigm of the 21st century, where the homosexual biblical `blood plague` (Rev: 11. 6) of HIV/AIDS transmitted by `gay` men mixing blood, shit and semen in each others` anuses  in mockeries of human sexual reproduction is translated into the modern day Greeks, that is, the geeks, programing computers with `bad machine code` called `Trojan` viruses to destroy the machines` brains and prevent women and `little girls` from discovering the truth about human sexuality through internet research. Because women are defined as `abnormal` but acceptable if they have lesbian feelings, they live in schizophrenia. Looking at themselves in the mirror isn`t perceived by girls as a species` event in which they`re looking to see if they can attract other girls for sexual relations as parts of a `futanarian` race in which women have their own penis` semen as well as their own host womb. Taught that their sexual counterpart is a man, girls are systematically misinformed by society to make a schizophrenic world in which lesbians are homosexuals, whereas `gay` men are women`s contagious `killer disease`  emerging from the host womb of the human species of woman as its killer unless redeemed. Jesus` teaching spells it out for men who`ve hijacked the race`s womb:


`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)


 Because `futanarian` women are a species and not the `serpent`s seed` of men`s slave ring. Britney Spears` appearing on the cross of Jesus crucified for the promotional cover of the CD single `Piece Of Me` is indicative of the absence of the human race`s `little girl`. Uncontaminated by male semen Jesus archetypally conceals the form of the `futanarian` girl child who is unable to be visualized by means other than symbolic art because of men`s censorship and occlusion of women`s true nature. Women born uncontaminated by male semen are `futanarian` because she has penis` `seed` of her own. Consequently, Jesus prefigures the birth of the `little girl` uncontaminated by the `serpent`s seed` of men and the Resurrection of `woman`s seed` before her Ascension to heaven. In Islam, which means `acceptance`, Jesus doesn`t die but has bodily Ascension without Resurrection because the lesson of the crucifixion is deemed superfluous to acceptance of the principle of Resurrection for `woman`s seed`. In public Moslem women wear the burkha so only their eyes can be seen, which means that, in the four wives` marriages permitted by the Koran (610-30 C. E.), that is, the holy book of the Moslems dictated by the angels to the Prophet Mohammed six hundred years after Jesus, `futanarian` sexual reproduction is likely because Jesus` teachings are accepted. Moslems expect `heaven on Earth`, that is, paradise or what they call `Jenna`, without death, which suggests men who live in Satanism teach children they must die before they can go to heaven.

 Jesus is `dick girl`, because it`s a developmental archetype easier to understand from a girl`s or a boy`s perspective. If a boy had breasts, he`d be `dick girl`, and a girl in the place of Jesus would see herself as having penis` semen of her own, which would open her mind to the possibility of `futanarian` women as her own species` socio-economical independence from ownership by a male father, husband, or even a brother who won`t let go of the incest relation, which is the essence of slavery for women`s host wombs in pederasty, war and death. Jesus` archetype represents freedom from ownership because, if `dick girl` is a boy with breasts, she represents the possibility of nurturing the human child from the womb as its species rather than its owner.  If all humans share the same spirit, because they`re `woman`s seed`, they`re a collective of individuality, rather than a division of owner and owned. Because men can`t sexually reproduce with each other and women can, `woman`s seed` constitutes 100% of the race of humanity and the entirety of the enfranchised vote, which explains why women aren`t taught their own sexual nature. If men without women constitute 0% of the voting population, because women are the sexually reproducing human species, the absence of `woman`s seed` upon the Earth suggests she`s been murdered and Resurrection of her `seed` is what Jesus` teachings are concerned with. If Christianity doesn`t preach God`s `seed` then it isn`t teaching `woman`s seed` but is preaching on behalf of the enslaving `serpent`s seed` who constitute 0% of humanity without women as men`s host wombs for the production of their parasitism and what God warns Eve is the `perpetual enmity` of the `serpent`s seed` for hers in slavery to warfare, which is the socio-economic history of the world with men at the helm of the Earth`s ship.



 The movie Starship Troopers (1997) was based on the 1959 novel by Robert A. Heinlein in which `bugs` attacked the Earth and were engaged by mothers who dropped their boy sons onto the bug worlds from starships. Many critics felt that the society of the novel was fascistoid because it represented citizenship as being given only to those who were members of the armed forces or served in reserve occupations. Consequently, voters were in the military. Because Heinlein`s starship troopers are dropped from their ships by pilots called `mothers`, the more logical extrapolation is that women are citizens while men are what endanger her survival. The mother`s boy sons correspond to the poisons of enslaved Babylon:


`… in her hand a gold cup full of abominations and of the unclean things of her immorality.` (Rev: 17. 4)


 Unable to avoid her enslavers, `the woman` of the Bible, Babylon, is forced to produce war in pederasty,  which the `bug war` of Heinlein`s novel extrapolates, because the homosexual `killer disease` virus is HIV/AIDS, which otherwise is known as the HIV/AIDS `bug`. Consequently, the boy sons, that is, the poisons, are being dropped onto the `bug worlds` to fight what they`ve produced, which is the HIV/AIDS virus or `bug` extrapolated into an alien menace. The women are depicted as mothers who don`t want the boy sons, that is, the poisons, because they`re `bug` producers. In other words, men make war but it`s women they`re waging warfare upon in reality. They don`t want `woman`s seed` to rise from the Earth as her `futanarian` foot crushing the head of the serpent as she leaves and so they engineer alien invasion scenarios to maintain the illusion that women are a protected species whereas they`re imprisoned by a child killer that doesn`t want the `little girl` of `futanarian` human woman`s nature to develop her own brains` power through her own penis` semen`s capacity to sexually reproduce so she can leave Earth by virtue of the technological prowess available to her in the form of starships that have no interest in `bugs`. Humans want to cross the vastnesses of space with shields adequate to that task, rather than with , which mightn`t want to continue to bear the parasitism of its alien invader but rather needs stronger shields to withstand the `serpent`s seed` of men and its efforts to penetrate her in order to contaminate her race with its teleology of war - and death to her species.



 Hollywood is often called Babylon which was the ancient seat of Iraq where Saddam Hussein, whose name means `small handsome man` and `crusher`, represented the serpent during the Gulf war to depose him for supporting Al Qaeda`s terrorism on 9/11, 2001, when hijacked planes crashed into the Twin Towers of the World Trade Centre in New York, `he will crush your head with his foot and you shall bruise his heel`, as God tells Eve. Saddam was a man of Hollywood Babylon where it was forbidden for a woman to be seen to raise her foot from the floor in bedroom scenes between 1934 and 1967 in accordance with the `Hays production code` enforced to ensure that `futanarian` woman with her own penis` semen and host womb would never be seen in mainstream Hollywood pictures and so the human race of `futanarian` would never raise its foot from the Earth to heaven because she`d remain an unknown child star. Saddam was a child of Hollywood Babylon`s program of `TV war` and so was one of their stars, that is, a `small handsome man` who was a `crusher` of `woman`s seed` in the Hollywood mould. Because male futanarians exist, God`s prophecy that Eve`s head will be crushed by the heel of the foot suggests that men are the heel of the foot of the male `futanarian` oppressor and that the `war in heaven` between the `serpent`s seed` of men and `woman`s seed` is the war prophesied in the Bible before God`s punishment of eternal unendurable pain for the evil, that is, perdition, rather than the `new heaven and Earth` promised by God to the good.

 In Moslem Islam it`s traditional to declare a `fatwah` on criminals, that is, a death sentence was placed upon Saddam Hussein, for example, before he was executed on 30 December, 2006. The concept of `futwar` between `futanarian` men and `woman`s seed` would be criminal, but there`s no evidence on Earth to suggest the heel of the `futanarian` foot of the male is planning anything else other than the continued subjection of the human race in parasitism and slavery to war and death for its `circus` entertainment after 9/11, 2001, and the heel`s reestablishing of `rough trade` in homosexuality`s `killer disease` of  `brutality and violence` for the `circus` of its `TV wars` and Hollywood Babylon`s continuing `snuff movie` of the human race`s futile efforts to avoid starring in it.



1 Usher, Dr Robin Leslie `My kindergartner has crayons`, letter to the Forum of the Science Fiction and Fantasy Writers of America (SFWA),, The Official Membership Newsletter, Fall, 2013, # 226.