Giacomo Casanova (1725-1798) was a famous lover of women written about by biographers, historians, novelists, and playwrights. Dramatized in the modern edutainment mass media of cinema and television, etc., actual video recordings of Casanova`s exploits are missed. Although Casanova`s love affairs seem a matter of farce, he was a genuine hero in the Christian mold. The reason for this is the animus of a woman which, according to developmental psychologist Carl Gustav Jung (1875-1961), is an archetype of what he termed the `archetypes of the collective unconscious`, which emerged in dreams, art and the imagination to assist human development. Jung argued that the animus was characterized as a `throng of male admirers` surrounding a woman in her imagination. Casanova`s role as a lover exposed the fallacy of `everybody loves a lover`. Pursued by enraged brothers, fathers, and would-be suitors, etc., Casanova`s life was a genuine picture of the role of the woman`s animus in the mind of the collective. To understand is to know a little more about Jung`s theory of individuation, which involved the concept of exogamous and endogamous marriage, that is, marriage within the extended family characterized loosely as incest, and marriage outside the tribe characterized loosely as estrangement. Jung`s mentor was the `father of psychoanalysis`, Sigmund Freud (1856-1939), whose theory of the `Oedipal complex` was central to his psychoanalytical method. Oedipus was a character in the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.) who, meeting his father, Laius, upon the road, killed him after an argument without knowing who he was. Subsequently, Oedipus married his mother, Jocasta, and became king of Thebes without knowing who she was. Upon discovering his `crime` of incest, Oedipus blinded himself. The name Oedipus means` swollen foot` because his parents, aware of a prophesy that he`d kill his father, left him lame after exposing him on a hillside to die when he was an infant. Although it`s clear that fear of the prophesy is a lame excuse for abandonment, Oedipus` lameness is biblical. In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because the Jewish Messiah born uncontaminated by male semen is `woman`s seed`: `Love your neighbor as you love yourself.` (Mk: 12. 31) In Eden God told the first woman, Eve, `You shall crush the head of the serpent with your foot, but he shall bruise your heel. `(Gen: 3. 15) The serpent was the angel, Satan, who was expelled from heaven above and left in the paradise of heaven on Earth after being transformed into a serpent by God for rejecting the plan that the human host would be greater than the angelic. Consequently, `woman`s seed` is for producing stronger brainpower to defeat the brains of the `serpent` seed` who tempted Eve with the `fruit of the tree of the knowledge of good and evil`, that is, death, whereas God had provided the `fruit of the tree of life`, which is immortality. Advising Eve and the first man, Adam, that he must labor while she`d experience labor pain before the `enmity` of the `serpent`s seed` was overcome in Redemption, God prefigured Jesus` birth as the futanarian `seed` of woman able to sexually reproduce with women independently of men, which would produce brainpower strong enough to defeat the brains of Satanists. Oedipus is an instance of lame braining, that is, he symbolizes imbalance. After his self-blinding because of his society`s taboo against incest, his daughter Antigone agrees to lead his steps onward, whereas she`s the species of `woman`s seed` who should be looking for a partner with whom to sexually reproduce. In other words, Laius and Oedipus represent men who stand in the way of women`s sexually reproducing with each other. As a single species women`s sexual reproduction isn`t characterized by ownership, which is why Jesus` teaching is important: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) Because they aren`t lame brained.
The ancient Greeks institutionalized host womb enslavement for homosexuality and pederasty for war. In parasitological terms, men correspond to the irredeemable parasite emerging from the enslaved host womb. In the case of some parasitical life forms, the last stage is the parasitoid devouring of the host. Consequently, HIV/AIDS, the `incurable killer disease` of the late 20th century, which was spread by men`s mixing of blood, shit and semen in each others` anuses in mockery of women`s mode of sexual reproduction, and corresponds to the biblical `blood plague` (Rev: 11.6) written of by Jesus` disciple, John, in Revelation, was prepared by ancient Greece, which was held to be the model of Western democracy: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was lame brain the human race for the sake of maintaining slavery through ephemerality, whereas the mode of sexual reproduction between women could produce stronger brainpower for immortality through medical science and the permanent memory needed to maintain developed labor saving technologies that ultimately would take `woman`s seed` to the planets amongst the stars in colonizing starships. HIV/AIDS was the `biological weapon` keeping women in fearful faithfulness to their ring slavers in marriage, which is what the `Oedipal complex` of Freudian psychoanalysis is actually about. Although Freud observed `penis envy` in women, he didn`t correlate the absence of `woman`s seed` with women`s anger. The taboo against incest is designed to prevent the subjugated species of `woman`s seed` from sexually reproducing as a single species, rather than a married race, which signifies slavery in ephemerality, rather than freedom and immortality. By preventing women from sexually reproducing, while using the incest taboo as a device to promote marriage with their `alien`, men ensure that human brainpower can`t be produced sufficient to crush the head of Satan. In promoting the human race as a single male brained creature wearing each others` clothes in transvestism, the Greeks were inventing the `TV`. Although the television machine wasn`t invented until 1926 by John Logie Baird, the Empires of the Earth had already been developing the concept for millennia so that the evil aliens could watch humans killing each other in the huge amphitheaters and stadia that were built for that purpose, and which preceded the theaters of the cinema movie industry, where actors performed the same entertainment through film recording: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 President Will Hays of the Motion Picture Producers And Distributors of America`s (MPPDA) establishment of the `Hays code` in 1930 effectively prevented women from receiving sex education about their own species` capacity for sexually reproducing brainpower enough to defeat Satanism and prepared the way for the video age in which recorded killing could be watched as home entertainment using the newly developing medium of the television machine. In other words, the `TV` charnel house of the human species` `snuff movie`, prepared by the alien parasitoid devourer for its entertainment, now had channels to choose from.
Pornography was another taboo preventing women from receiving sex education about their own species` independence from men`s slaving of their host wombs for warfare against her human race. If women didn`t know they were the futanarian species of `woman`s seed`, they wouldn`t know what to look for in the world`s mirror, and taught that they would want a man they wouldn`t be able to see the vampire in the mirror of their dreams, which is what women`s animus is for. Although Jung defined the animus as an archetype of the collective unconscious of the human race, it`s alien. Approximating to a chase sequence in a movie, the behavior of the alien is first to inveigle itself into the host womb in order to replicate before emerging to devour her. The figure of the lover, Casanova, represents the genuine desire of the human soul for love and replication, which is Christ-like, whereas the alien seeks to enslave the host womb of the species in order to wage war upon her. What has puzzled many amongst Jung`s adherents is his declaration that women have no soul, whereas the animus is their spirit. Admitting of the existence of a soul in man characterized by what he calls the anima, an archetype arising from the repressed endogamous instinct for incest relations with desirable women within the extended family, Jung fails to perceive that the endogamous instinct is women`s desire not to marry an alien, that is, the soul of humanity is women`s, whereas the animus is men`s spirit designing to kill her.
Jesus` teaching of Redemption through men`s acceptance of `woman`s seed` and conversion through repentance of their sinful nature is, in psychological terms, the perception that the anima is a projection of the soul of the species of woman desirous of maintaining her species` connection with herself. When Jesus` disciple, Judas, spied a woman anointing Jesus` feet with the expensive perfume, spikenard, known for stealing from the collection plate after a sermon by the Jewish Messiah, Judas suggested that the perfume be sold to raise money, but Jesus demurred: `Leave her alone.` (Mk: 14. 6) Judas didn`t want `woman`s seed` to sexually reproduce brainpower to escape from slavery in parasitism to the male braining Empire of Rome then occupying Jewish Palestine and so he gave Jesus over to the Jewish religious police, the Pharisees, for `thirty pieces of silver`, as a `dissident` against Rome. The Pharisees handed Jesus over to the Romans who took him to the hill of Calvary outside Jerusalem and nailed him to a cross of wood and left him to die, but he had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. Although Christianity uses the crucifix as a symbol of Redemption, Jesus` crucifixion is what the alien parasitoid nature does to humans, that is, it attempts to kill `woman`s seed`. Consequently, Christianity is in grave danger of Satanism, because Jesus` death is perceived as a human sacrifice by God for men, whereas Jesus` Resurrection and Ascension is a promise from God to `woman`s seed` that she`ll have a new heaven and Earth, while the evil parasitoid nature will have perdition, that is, eternal unendurable pain as a punishment from God; if it remains irredeemably sinful. With the woman anointing his feet, Jesus is in the position of Casanova, and because he`s `woman`s seed` it`s a metaphor for sexual intercourse between women with `seed` of their own. Consequently, Casanova`s path is what mankind`s path would have been if men would have converted from their sinful nature as parasitoid devourers of `woman`s seed`, because women`s is a single species without prohibitions against their human nature`s sexual expression of its singularity. In other words, `woman`s seed` doesn`t have a predator lurking in the bushes of the garden waiting to pounce, because as an independent race women only have eyes for each other.
The absence of `woman`s seed` from the mass media edutainment system suggests that there aren`t any women on the planet Earth, although Jesus` teaching of a Holy Spirit that would teach after his death provides a clue as to the whereabouts of women. Upon his death the Roman guard Longinus pierced Jesus` side with his spear. Known as the `Second Adam` after the first Adam from whose side emerged Eve, the first woman, created by God from Adam`s rib, Longinus` spearing of Jesus` side was effectively a `caesarian section` in gynecological terms designed to birth a child trapped in the body. Colloquially, God`s `foot` and Jesus` futanarian spirit was crushed inside a Jew before Longinus` released her as the `Second Eve`. The logic would be that women dwell outside the shell of men and women in heaven space on Earth. According to Judaism Sheol is the `place of shards` or `broken vessels`, which is hell, that is, men and women correspond not only to `TV`, but also to Sheol as the shell women emerge from. If the single male brained creature wearing each others` clothes as a transvestite `TV` doesn`t accept futanarian `woman`s seed` they`ll remain in hell, that is, Sheol. The tragedy is that the human race is kept in such blind ignorant unconscious occlusion by the mass media edutainment system that most people don`t even know they`re in Sheol. Consequently, if the ignorant encounter heaven on Earth, that is, futanarian women, they`ll react badly, because they`ve been taught by the alien parasitoid devourer to see women`s penis as an abomination, whereas Hollywood is called `Babylon`, for she was a woman of the Bible who gave her name to the capital city of the Persian Empire, Babylon (c. 4000 B.C.), as a symbol of women`s host womb enslavement to homosexuality in pederasty for war against her own species of `woman`s seed`: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Producing the single male brained creature wearing each others` clothes as a transvestite `TV` expressing the alien parasitoid devourer`s nature in warfare against `woman`s seed` is what Hollywood Babylon was for. Consequently, the beginning of the video age was the age of the recording of the `snuff movie`, that is, the recorded real life killing of `woman`s seed` for entertainment, whereas it`d always been possible to afford women edutainment, that is, sexual knowledge of `woman`s seed`. Casanova`s role then becomes evident as a scene setter for the psychopathic killers that would come after him, whereas Jesus` Holy Spirit represents the futanarian `tutelary guidance system` that could have educated mankind into understanding what Casanova`s path meant for humanity, that is, a path of love for women that would lead to heaven.
Many people have observed the inexplicable phenomenon known by its French term de ja vu, that is, hasn`t this been seen before? In simple terms, the lover has been there and the woman is recorded for the `snuff movie` crew who`re there to pretend that they`re perdition, that is, God`s punishment of eternal unendurable pain for the woman caught in flagrante delicto, whereas `woman`s seed` is a single species uninhibited by marriage, so God`s perdition for engaging in slave ring relationships isn`t hers. In short, `woman` seed` is supposed by Satanism to be the `love of God`, which is pitched to Christianity`s moral crusaders as reprehensible, so Satanists receive tacit support from the community for murdering the protagonists in what amount to the `snuffing out` of pre-recorded affairs in a real-life `snuff movie` extravaganza, which even goes so far as to sanction warfare as a means of executing soldiers by sending them to the front line where they`re expected to die gloriously for their country`s honor, rather than enjoy the love of women at home: `Your candle burned out long before your legend ever did.`2 Although pop star Elton John`s 1973 song, `Candle In The Wind`, was about Hollywood Babylon movie star, and much publicized sex symbol, Marilyn Monroe, who was found dead in the nude in 1962, the `snuffing` out of the light from a star is what penisless women are bred for on Earth by the alien parasitoid devourer of life and light beneath the sun star, where the futanarian human species of `woman`s seed` seeks to grow and develop beyond the Earth to the planets and stars of heaven above. De ja vu is the sign of the lover`s star crossing the heavens, and its returning light is the signal for the `snuff movie` actors to appear on the stage to perform their grim business of expunging the recorded memory lest the human protagonists remember the way they were:
Light the corners of my mind
Misty water-colored memories
Of the way we were
Of the smiles we left behind
Smiles we gave to one another
For the way we were
Can it be that it was all so simple then?
Or has time re-written every line?
If we had the chance to do it all again
Tell me, would we? Could we?`3
1 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .
2 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.
3 Bergman, Alan, Marilyn Bergman (lyrics), and Marvin Hamlisch (music), Barbara Streisand, `The Way We Were`, The Way We Were, Columbia Pictures, 1973.