Jew Look Cassette

Jew Look Cassette

Jew Look Cassette


The English poet, William Blake, wrote his poem, Jerusalem (1804), which contained a reference to `dark satanic mills`. Blake was well known for having constructed his own mythology though his poetical output. The term `satanic mill` was thought to be an indirect allusion to the onset of the Industrial Revolution, which began in England and was most criticized for reducing humans to physical labour amounting to slavery in factories where they performed repetitive arduous tasks that were purposeless in terms of the individual`s growth processes, that is, the development of intelligence. The factory system for mass production of consumer durables like automobiles in Henry Ford`s early twentieth century car plants producing the Model-T car (1908-) confirmed the relationship between slaver and human.

 The `Luddite` syndrome confirmed men`s inability to accept labor saving devices liberating the human from slavery. During the early days of the Industrial Revolution (1760-1840), Ned Ludd, was infamous for breaking cotton manufacturing machinery at Anstey, near Liecester, Nottinghamshire, in 1799. The ideology of the period was that machines replaced men. By the late 20th century computer` geeks` were writing `bad machine code` to destroy the brains of computer machines that saved vast amounts of data and made people`s lives more interesting and entertaining. The `geeks` were the new `Luddites` who didn`t want humans to be saved. William Blake`s prophetic observation with his poem, Jerusalem, the city of God in the Bible, was that enslavers didn`t want humanity to be free. Consequently, there was not only a link between the church and slaver, but the desire to save and be saved, and the enslaver who wants `Ludditism`, rather than that the humans be free.

 Those who don`t want humanity to be free, don`t want humanity to be saved, and so they do want humanity to be extinct, which is what Blake prophetically observed with his concept of `satanic mill`. By the late 20th century the `geeks` who were programing computers with `bad machine code` so they wouldn`t save, were the equivalent of the ancient Greeks who`d institutionalized homosexuality to spread their contagion of pederasty and war, which by the 21st century had resulted in homosexuality`s undeclared `biological warfare` of HIV/AIDS` incurable `killer disease` that was endeavouring to infect the human race through the woman`s host womb. Perceived as a biblical `blood plague` (Rev: 11. 6), the HIV/AIDS` virus was the `geeks` paradigm for their `bad machine code` which they called `Trojan horse` because the ancient Greeks constructed a huge hollow wooden horse and left it before the walls of the city of Troy. When the Trojans took the horse into the city the Greeks emerged to enslave the host wombs of the women and further pederasty and war.



 The HIV/AIDS` virus functions in the same way as the Trojans` perception of the horse as a `friendship gift`, that is, the virus of homosexuality feigns friendship for the defensive white cells of the human body before killing the brain as `geeks` do with the `bad machine code` they construct as a `Trojan horse`to kill the brains of the computers that save. Because the host wombs of the women are the target of the virus, saving is what women represent. Because they`re the host wombs for the intelligences of the human species, which will die if it`s not intelligent enough to escape from the `Luddites`. Consequently, `Ludditism` is what the late 20th century called `snuff movies` because the woman can`t escape from being killed by the killer for the entertainment of the homosexual. The 20th century medium is the video cassette for the recording of `snuff movies` in which humans are murdered for the entertainment of those who can afford to waste money and other people`s lives on making such abominations:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)


 Babylon is a mother, according to the Bible, and usually people anathematize her in the same way they abominate Eve for giving the `fruit of the tree of the knowledge of good and evil` to Adam, the first man created by God in Eden, before the pair were expelled for preferring knowledge to immortality, which was the `fruit of the tree of life` they forefeited. God tells Eve her `seed` will `crush the head of the serpent with her foot as she leaves` (Gen: 3. 15) Because after paradise she`ll give birth to her own `futanarian` species of woman with her own penis` semen and host womb, who is her `foot` that will leave when she`s developed sufficient intelligence of her own to escape from the enslaver through the sexual reproduction of her own brains` power. Babylon is anathematized because her host womb is enslaved for homosexual pederasty and war by the `serpent`s seed` of men which were born after `the fall` of Adam, but she was a slave of men:


`I rose up at the dawn of day, - “Get thee away! get thee away! Pray’st thou for riches? Away, away! This is the throne of Mammon grey.”` (l. 1-4) 1


 In William Blake`s mythology she corresponds to Mammon, industry and manufacture, while `satanic mill` corresponds to the `snuff movie` industry of the 20th century, which is in accordance with the death of the human species for the enslavers` entertainment as the humans die without developing the brains to escape from their pederasts in homosexual war against the host womb of the woman endeavouring to produce civilization, culture and art. If Mammon only produces war, it`s a homosexual and socio-history indicates war is on its mind, whereas the war against woman`s host womb with her own penis` semen is believed by the `serpent`s seed` to have already been won although Jesus Christ`s description of the Resurrection of `woman`s seed` suggests otherwise:


`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)


 Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus was `woman`s seed` and the Resurrection he spoke of before his death by crucifixion for dissidency against the Roman occupation of Palestine was of `futanarian` woman with her own penis` semen and host womb, because Christ was `woman`s seed` and Judas Iscariot betrayed him to the Romans for `thirty pieces of silver` when Jesus was performing the role of host at the `Last Supper` in his mother`s stead. Because Christ was `woman`s seed`, Jesus was `futanarian` by proxy and so was the host celebrated in the Catholic Communion service as the `bread and wine` Christ gave to the disciples as symbols of his `body and blood` prior to his crucifixion, death and Resurrection as `woman`s seed`. Jesus` Resurrection prefigured that of `woman` seed`, who is `futanarian` with her own penis` semen and host womb and so uncontaminated by male semen, as Jesus Christ was from birth, so the `bread and wine` he gave to his disciples at the `Last Supper`  represented the Resurrection of `woman`s seed`, that is, `futanarian` woman with her own penis` semen and host womb that would come after Jesus` own Resurrection.

 Unfortunately, the 20th century has been taught the path of the devourer in which the `woman`s seed` is `snuffed` in the movies, and so `snuff movies` are perceived as an extension of `normal` cinema. Just as the Japanese use the word `futanaria` in their manga cartoons in which `woman`s seed` is tortured to death, so `fut` and `tanar` are Hungarian words meaning `race` and `teacher`, that is, species` education. In Hungarian `gyulakazet` is `church`, which fits Blake`s perception that the refusal to save, and the desire to `snuff`, that is, portray or enact the killing of humans for entertainment, is why churches were `satanic mills`. The persecution of the Jews during the period of National Socialism (Nazi) in Germany, which resulted in the Second World War II (1939-45) to prevent the Jews from being exterminated in `Nazi` death camps was a `snuff movie`, which the persecutors would have filmed to show the Jews on video cassette, that is, look Jew cassette or `gyulakazet`. In fact there are many movies and television dramas and documentaries that detail the persecution; lest we forget to repeat:


`Those who fail to learn from the mistakes of their predecessors are destined to repeat them.`2



 The mafia are notorious for filming murders of family members and then sending the video cassette in the post or simply showing it to the victim. The British movie, Get Carter (1971), which was remade into a Hollywood, Babylon movie starring Sylvester Stallone in 2000 set the theme for the 21st century, but the `gyulakazet` concept aligned with the `futanarian` target explains `snuff` as Eastern Europe`s `new religion` after the fall of Communism in 1989 and the new order, Capitalism, which is the consumer society. Consuming humans in `snuff movies` or `reality shows` is what the `serpent`s seed` of men have been doing on a larger scale since World War I (1914-18) and the threat of species` extinction loomed much larger after the United States` ending of Japanese support for Nazism by dropping the atomic bombs on Nagasaki and Hiroshima. The resultant `Cold War` (1947-91) with the Russians who`d helped the allies to end the persecution of the Jews throughout Eastern Europe and then refused to return home, meant an increase of tension between `superpowers` threatening global extinction for the human race, but the lesson of repetition hasn`t been learned, that is, if you make movies celebrating reality as a show, for example, the World Trade Centre (2005), starring Nicholas Cage as a fireman, the audience will perceive that crashing planes into the World Trade Centre, as terrorists did on September 11, 2001, is a part of the `snuff movie` Hollywood, Babylon, is constantly making and remaking, because it`s what men are for: species extinction. The heroism is just a pose.



1 Blake, William Mammon, Miscellaneous Versus, 1807-9.

2 Santayana, George The Life of Reason, Vol. 1, Reason In Common Sense, 1905-06.