Steve McQueen: The Great Escape
Steve McQueen, an actor in films made in the capital of the movie industry`s mass media Empire of the United States, that is, within the Hollywood, `Babylon`, district of the city of Los Angeles on the west coast of the state of California, was regarded for his loose appearance on screen, for example, The Thomas Crown Affair (1968), an escapist movie about a rich businessman who engages in large scale theft for fun, and in which McQueen adopted his usual relaxed style of not taking any cognizance of the camera`s demands that he appear, but evinced a simple acceptance of being recorded. In the 21st century, the flat black high definition (HD) television screens give a sharper look to the received broadcast picture as well as those images from pre-recorded compact disk or video, which put a requirement upon actors to be physically more defined. The image that came to be accepted by Hollywood, and television, was that of Arnold Schwarzenegger, the Austrian body builder, who won the Mr Olympia contest in 1970, and appeared as Hercules In New York (1970), a Hollywood style movie about the demi-god of Greek mythology, and whose appearance later, as the lead character, Conan, of Robert E. Howard`s novels, in the movie Conan The Barbarian (1982), was as a body even more highly defined, because of improved film technology. That resulted in the sculptured body competing with an actor`s ability to act; for example, in Terminator (1984) Arnold is a killing machine leaving little room for dining room conversation, or indeed much room in the doorway for seating him at the average person`s table. Consequently, acting ability has become conflated with body fascism over the years, which presents deeper concerns for an industry that has devalued imagery associated with the human body at least since the edict of President Will Hays of the Motion Picture Producers and Distributors of America (MPPDA) in 1930: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 Because futanarian women have penis of their own, Hays` edict is aimed primarily at preventing women from knowing that women can sexually reproduce as a race for the stars without men, that is, men`s body fascism is directed at coercing women into accepting a `seed` that isn`t necessarily of their own human species. What that means is a media without images, or a shared collective understanding of what`s human for an audience.
Action movies invariably depict scenarios in which men are engaged in conflict, and that results in the destruction of cities, for example, in the film Independence Day (1996), the official Whitehouse residence of the President of the United States, and the city of Washington, D.C., are destroyed, ostensibly by aliens, but that`s the fiction, which supports the destruction of the city of Baghdad, after the US army`s invasion of Iraq in March, 2003, that is, the other men are aliens. However, the absence of futanarian `woman`s seed`, from the global picture transmitted by Hollywood, Babylon, suggests that men are the aliens embarked on the desolation of the planet Earth. In the Middle East, women wear the one-piece coverall of the burka in public to prevent aliens from seeing what they conceal, which is that the four wife marriages of the Moslems in Islam, sanctioned by their holy book, the Koran (610-30 C.E.), afford a vehicle for sexual reproduction between women within the family. During the Bosnian war (1992-5) in Eastern Europe, the Christian Serbian militia set up `rape camps` for upwards of 70, 0000 Moslem women so that their progeny wouldn`t be that of `woman`s seed`, that is, humans were incarcerated by aliens posing as Christians to parasitically emerge from their wombs. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which is what men do to the human race. As the disciple of Jesus `Christ`, `the chosen` Jewish Messiah, John wrote of war in his apocalyptic Revelation of the future: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Gen: 12. 17) Jesus was known for his distillation of the history and law of the Old Testament of the Christian Bible, which is the Torah and Talmud: `Love your neighbor as you love yourself.` (Mk: 12. 31) Taken as a `dissident` preacher, during the period of the Empire of Rome`s occupation of Jewish Palestine to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood and left there to die, but experienced Resurrection and Ascension to heaven, because he was the child of the Virgin Mary, his mother, and so was the prefiguration of the destiny of futanarian `woman`s seed`, which is colonization of the planets amongst the stars, through her own brains` powers to lift her from the Earth. In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot`, because futanarian `woman`s seed` produces better brainpower, and war will rule if she doesn`t:
`…. from the sky there comes a great king of terror,
to bring back the great king of the Moguls,
Mars rules triumphantly, before and after.`2
Some history commentators view French seer Michel Nostradamus` Les Prophecies (1555) as predicting the events of September 11, 2001, where civil airliners hijacked by terrorists operating out under the auspices of the notoriously misogynist Taliban regime of Afghanistan, the Al Qaeda group, led by rich Saudia Arabian business heir, Osama Ben Laden, crashed into the Twin Towers of the World Trade Center in New York city, U.S.A. to re-establish the ancient Greek practice of `rough trade`, that is, institutionalized host womb slavery of women for homosexuality in pederasty and war, which is what the ancient capital city of the Persian Empire, Babylon (c. 4000 B.C.), from which Hollywood takes its name, seems also to have been devoted to: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Although the U.S.A. would deny it`s a host womb slaver for parasitoid war against the `remnant` of `woman`s seed` upon the Earth, the absence of `woman`s seed` from mainstream media belies the truth of the assertion. In Hollywood, `media Moguls` is a term used for those who`re empowered by the industry, and it takes its authority from the Moguls of India, who`re best known in fiction from the 8th century story collection, 1001 Nights, with its framing device of Shah Jehan, a Mogul Emperor, who beheads his wife and takes another each day thereafter and beheads her each evening, a practice stopped by Scheherezade`s telling him stories until he marries her, which is a metaphor for what men do. They behead the human race until they get the story they want, which is war against the `remnant` of `woman`s seed`, who can`t reproduce if her head is separated from her body. Although the TV wasn`t invented until 1926 by Scot, John Logie Baird, the practice of beheading `woman`s seed` to produce a single male brained creature, wearing each others` clothes in TV transvestism for the transmission of its virus, war, had been going on for millennia. By the late 20th century, the `killer disease` of homosexuality in pederasty for war had developed its `biological weapon` through men`s mixing of blood, shit and semen in each others` anuses, that is, the sexually transmitted disease (STD), HIV/AIDS, which was a new TV transmission paradigmatic of the success and intentionality of the alien `seed`. In other words, the terrorist attack to re-establish `rough trade` was paradigmatic of the Hollywood Babylon`s movie Moguls for homosexuality in pederasty for war against the `remnant` of `woman`s seed` upon the Earth. Although the historical Babylon was in Iraq, where dictator Saddam Hussein was executed by the US army on 30 December, 2006, for supporting Al Qaeda, and he could see its ruins from his summer palace at Hillah, Hollywood was the `new Babylon`, because its mass media Empire promoted penisless babes as the paradigm for a beheaded race doomed to produce war`s entertainments for an alien parasitoid mind. Without any prospect of `woman`s seed` being able to sexually reproduce the brainpower humanity needed, it wouldn`t escape devourment.
Intercontinental ballistic missiles (ICBMs) launched from `rogue states`, like North Korea, which had won a war (1950-3) against the US, and Iran, which had overthrown its Shah in 1979, despite US support, were deemed the basis for Ronald `Ray Gun` Reagan`s March 23, 1982, declaration of a `Strategic Defense Initiative` (SDI), called `star wars` after the movie, Star Wars (1977), featuring a `Death Star` that orbited planets in order to kill them for an evil interstellar Empire. Ray Gun`s SDI was a `ground and space based missile system` that, effectively, proposed to keep `woman`s seed` a prisoner, that is, the `remnant` of humanity, unless the intercontinental police stick missiles of the U.S.A.`s `ground and space based missile system` gave it permission to leave, or if the intercontinental bully stick missiles of the `rogue states` didn`t want it to. The emphasis on the image of the policeman, during the late 20th century, as a TV and media paradigm, presented the coercer of `woman`s seed` at center stage in a `death camp` scenario reminiscent of the days of German National Socialism (Nazism), after their democratic election of 1933, when leader, Adolf Hitler, pogromed upwards of 20, 000, 000 Jews in Europe, during the second world war (1939-45) to defeat German Imperialism after the first (1914-18). The flat black TV screens of the early 21st century bodily enhanced the sculptured image until the image of the police officer was the paradigm for Earth`s future as a `death camp` patrolled by armed guards for the rich elite who made of it a `snuff movie` heaven in which they, as parasitoid cognoscenti, watched the race being annihilated `live on TV`. Although the bombing of the Boston Marathon on April 15, 2013, seemed unrelated to the hijacking of the planes at Boston, Logan airport, to crash into the WTC on 9/11, 2001, the theme was Logan`s Run (1976), a science fiction movie about `runners` being killed by `sandmen`, before they reached the age of 21. The `runners` at the Boston Marathon, and the hijack at Boston, Logan, before the terrorist attack on the WTC, at the dawn of the 21st century, to prevent the human race from running was, as rock musician Sheryl Crow observed in the lyrics to `Steve McQueen` from the album C`mon C`mon (2002), an aspect of the general `snuff movie` being made by the Moguls for the rich cognoscenti to watch the human race`s annihilation `live`: Like Steve McQueen; underneath your radar screen.`3 Wiry, rather than muscly, men are perceived as able to get under the barbed wire of the concentration camp erected by the powerful to ensure that they get all of the juice, so genuine screen heroes, like McQueen, are disparaged as `security risks`, because they`re not built as a body for a tight end, whereas that`s what Hollywood, Babylon, wants to promote; as the human race looks outward into space to escape it.
Shah Jehan was a Mogul Emperor, and his story is the `framing device` for 1001 Nights, although the collection is often referred to as The Arabian Nights, whereas Jehan was an Indian Mogul Emperor. In Arabic, `Al-gul` means `ghoul`, and is the name given to a binary star system, translated as Algol by western astronomers, but known as the `demon`s star`. Found in the constellation of Perseus, 92.8 light years from Earth, along with the head of a `demon` Perseus has beheaded, that suggests she`s a woman, because that`s what men do. The demon was beheaded, because she had the power to paralyze, which suggests she was a beauty. Obviously, because `woman`s seed` is beautiful to itself, men would be paralyzed if her head wasn`t cut off, because otherwise she`d be the bigger producer of herself, and so male activity would rapidly reach a standstill. Shah Jehan was a Mogul for the same reason; that he beheaded women. As the Arabic term for the binary star, Beta Persei, `Al-gul`, was translated as Algol, it suggests Mo-gul means `ghoul` Emperor. Or, in other words, Hollywood Moguls make of the Earth a `snuff movie`, while feigning a police system to protect `woman`s seed`, whereas what`s actually been built is a `death camp` for the human futanarian species of `woman`s seed`, with security guards to ensure future Mogul productions. From a human perspective, the style of actor Steve McQueen, who starred in the movie, Towering Inferno (1973), as a fire fighter attempting to stop an out of control fire at the fictional Glass Tower in Chicago, which set the stage for the 2006 movie of the planes crashing into the WTC, World Trade Center, starring actor Nicholas Cage as a policeman, was more desirable than that of the 21st century`s acting paradigm; a body sculpted `death camp` security guard pretending to be defending the human race while pogroming it in its alien`s `snuff film`. McQueen`s acting career was largely defined by his role as an escaped prisoner from a Nazi `death camp`, The Great Escape (1963) , because he was paradigmatic. Acting like a policeman is what everyone is taught to do, which makes rigid socializing through fear of injudiciousness. In short, people feel judged in all of their social interactivity which causes them to be less animated. Or, in other words, those who accept the mass media encouragement to emulate the policeman paralyze social interaction, which is what the beheading of the talkative `demon` woman symbolizes, that is, the `demon` is human futanarian `woman`s seed`, and the alien parasitoid devourer of the human race, which is the genuinely demoniacal evil, doesn`t want it to talk while it`s eating.
2 Nostradamus, Michel, Les Prophecies, Century 10, Quatrain 72, 1555.