Three Times Gay

Three Times Gay

Three Times Gay


In Robert A. Heinlein`s(1907-88) science fiction novel, The Number Of The Beast (1980), the hypothesis is that `mad scientist`, Jake Burroughs, constructs a `continua vehicle` capable of accessing alternate universesto the `number of the beast`, 666: `Eh? Oh! The Revelation of Saint John the Divine. But I scrawled it sloppily. You took it that I wrote this: 666. But what I intended to write was this: six raised to its sixth power, and the result in turn raised to its sixth power. That number is this: 1.03144 X 1028 - or written in full: 10, 314, 424, 798, 490, 535, 546, 171, 949, 056 - or more than ten million sextillion universes in our group.`In the Biblethe Revelation of Saint John the Divineis the book that comes after the New Testament of Jesus Christ, the Jewish Messiah, which is the four corroborative Gospels written about Jesus` life`s story by his disciples, Matthew, Mark, Luke and Johnand that follow upon the Old Testament history and law of Judaism, that is, the Talmud and Torah, which detail the earliest catastrophes visited upon the Earth by God as a punishment upon the evil; for example, the flood that God caused and ordered Noah to build a ship to preserve the remnant of Earth`s fauna and people inside it. John`s Revelation is a prophecy documenting in archaic language those apocalyptic signs and portents that will attend the end of the world, before God`s law is applied to punish the evil with perdition, that is, eternal unendurable pain, while Godrewardsthe good with a `new heaven and Earth`:`Let he that has wisdom understand that the number of the beast is the number of a man and his number is six hundred three score and six`. Men and women are 66.6% (666) of the human species, if futanarian women with their own penis` semen aren`t included as the other 33.3%, which is 100% human because all members of the species of women bear progeny. God`s explanation to Eve that her futanarian `seed` will produce enough brainpower to liberate her species from Earth is what Heinlein`s The Number Of The Beast is, because taboo against sex effectively excommunicated the recipient of the science fiction writers` Grand Master award for Time Enough For Love (1973) from his church: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) `666` is `the number of the beast` of heterosexual exclusion, because all of the alternative realities that Heinlein`s crew travel to inside their continua car, `Gay Deciever`, are heterosexualities.

Heinlein`s fictional pastor was his Church Of All Worlds` Valentine Michael Smith in Stranger In A Strange Land(1961) who proselytized Christian `Agape`, that is, the love of the human family for all, without restraint or restriction. Valentine, like Jesus, was killed because of his proselytization of sex as a panacea. Jesus` story is of a celibate teacher who couldn`t directly explain that he wanted the women to have sex with each other: `Love your neighbor as you love yourself.` (Mk: 12. 31)Without taboo against sex imposed upon Heinlein`s ability to fictionally extrapolate, the ability of Gay Decieverin The Number Of The Beastto access `all universes real and imaginary` would inevitably take his married couples, that is, Deety and Zeb, and Jake and Hilda, to futanaria, where the single human species of women have sex with each other to produce human brainpower, whereas the spreading of HIV/AIDS` `incurable killer disease` through men`s mixing of blood, shit and semen in each others` anuses to kill the brain is concomitant to that alien will known as Satan, which desires to exterminate humanity`s brainpower for liberation through technological advance. That Heinlein`s fictions aren`t serious extrapolations disparages adults. In The Number Of The Beast the adult theme is wife-swapping between Deety`s father, Jake, and Zeb, who is Deety`s husband, while Hilda is Deety`s stepmother. Although heterosexuality is considered what`s `normal` between men and women, it produces a creature with a single male brain wearing each others` clothes as a transvestite `TV`, which is watched by Earth`s billions for entertainment, while human sexual reproduction between futanarian women doesn`t need men, who can`t sexually reproduce with each other, and so `woman`s seed` is heterosexual, whereas men and women are `TV`. Consequently, the story of Jesus` birth from his mother, the Virgin Mary, is the true sexual metaphor for a human race that doesn`t want to be contaminated by men`s semen, and so Jesus` teaching is primarily aimed at women who don`t know that Eve`s `seed` is single: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)Heinlein`s Gay Deciever, which is also capable of travelling through time as well as space is, in the absence of the human host of futanarian `woman`s seed`, who is greater than the angelic, a `TV`, which Jesus didn`t want to live with, and so the tau cross of his crucifixion was where Rome`s telepaths attempted to `tee` his vision. Heinlein`s `Gay` transmits its occupants as `pictures`from inside,because that`s what a car engine`s transmission is for, but writing under the auspices of male braining`s sex taboo Heinlein couldn`t escape from `TV` conventions into futanaria. The Number Of The Beastreceived the first ever 1, 000, 000 US$ advance from the appositely named publisher, Random, for Heinlein`s conceiving of an `aircar`giving `random access` to `alternate realities` as the internet explorer, Gay Deciever, travellingthrough the hypertext of the reader`s converted consciousness, and into the hyperspace of the imagination made real. Heinlein`s `Gay` was conceived as an `arch` confession of his own homosexuality by the critics, whereas `Gay Deciever` was the arch`s `keystone`, that is, deceiving the evil to ensure the good man`s success. Heinlein worked within restrictions that rejected Jesus` Christian truth of a man`s role as a less than celibate shepherd in marriage to a single woman and proselytized on behalf of human nature`s lust for brainpower hinting through his archway at women`s futanarian mode of sexual reproduction.

Heinlein persevered with what most science fiction critics saw as a typicallyarch but substanceless reversal of the usual `i` before `e` except after `c` grammar rule, when persistently using the ungrammatical construction Gay Deciever, rather than Gay Deceiver for the name of the flying `aircar`. The explanation is Jesus` observation to his disciple Peter that he`d deny knowing Jesus three times upon his death. In The Number Of The Beast Heinlein`s crew`s method of instruction to Gay Deciever refers to Peter`s fearful denial, `I tell you three times.` The formula is arrived at from the crew`s perceptions that careful consideration has to be given before a rule is made for the car to follow; for example, the instruction to have the car leave instantly is, `Gay bounce!` The programing of the car with the rule is preceded by the `Peter` instruction, `Gay Deciever, I tell you three times.` Heinlein`s perspective is that Peter`s denial of Jesus was important, because it could have been perceived by time-travelers from the as an instruction from the future head of the Roman church, that is, Pope Peter, that Jesus should be killed to assure Peter`s accession to the papacy. As `ie` was an abbreviation for Microsoft internet explorer`s search engine, which was designed as a tool by the US Microsoft Corporation to search at high speed through informational data bases provided by global telecommunications` companies direct to personal computers from telephone cables, Heinlein`s Gay Deciever car is an `ie` for improving the `TV`. Jesus` death didn`t improve the `TV` picture because human futanarian `woman`s seed` remained excluded from the scene, which Christianity could have revised if the meaning of Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, hadn`t been rejected by the church. Consequently, Peter`s denying of Jesus three times because he was afraid he`d be killed too is construed by Heinlein as a rule for a search engine`s rejecting of an instruction, that is, Jesus appears to the disciples on the road to Emmaus after his death, because he`s head of the Christian church, rather than Peter, who could have been construed as wanting Jesus never to have lived.However, Gay Decieverwould have obeyed Jesus` instruction to find and collect him, because it`s God`s car, and so in Heinlein`s `multiverse` of alternative realities Jesus was picked up by Gay Deciever and put on the road to Emmaus, where he met the disciples and exhorted them to found his church, which was the inspiration for Valentine Michael Smith`s Church Of All Worlds in Stranger In A Strange Land and Valentine`s proselytizing of `Agape`, that is, the love of the human family, as the basis of the Resurrection and Ascension to heaven of `woman`s seed`.



 Valentine`s Christ-like execution was seen live on `TV` because Satanists celebrate male braining in parasitoid devourment of `woman`s seed` in war against her through the media of the single male brained creature they`ve created as a transvestite `TV` wearing each others` clothes for the alien to torture with spurious promises to humans of heaven together with the parasitoid devourer:``Lynch him! Give the bastard a nigger necktie!` A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.`1Because Jesus was a Jew, born in the Middle Eastern town of Bethlehem, Palestine, where his mother, the Virgin Mary, was travelling with her partner, Joseph, to fulfil a census requirement by the local officials of the Empire of Rome (although they actually came from the town of Nazareth), racists view Jesus as `black`, that is, he represents resistance to `TV` in Satanism. Women who know that human futanarian humanity needs to sexually reproduce their own brains` powers for liberation through technology from slavery without men` semen don`t want to be discolored in rape for the manufacture of a single male brained `TV` transvestite wearing each others` clothes for the parasitoid devourer to watch exterminating itself in war. Consequently, black women are as active in the resistance movement as white, or indeed Japan`s supposedly `yellow` women, who had to endure foot-binding for millennia from misogynists, who didn`t want futanarian humanity to run and escape. Women who want to retain their color are in emulation of the `black` redeemer Jesus, whose birth uncontaminated by male semen resisted the `TV` manufacturer, while the Christ-like figure of Valentine Michael Smith, whose martyrdom is transmitted `live` via communications` satellite broadcast `TV` in Stranger In A Strange Land, performs a similar act of resistance: `Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. `Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God.` Valentine `discorporates` live through the medium of `picture transmission` manufactured in Satanism, that is, `TV`, and afterwards his remains are drunk by his adherents as a broth from a bowl analogous to the vessel used by Jesus to eat and drink from at what was known as his `Last Supper` before his crucifixion. Thereafter the `Last Supper` bowl was called the `Holy Grail`, because it represented Jesus` encouraging the disciples to take in food as sustenance in friendship, rather than to devour women`s futanarian humanity which, as a parasitoid devouring nature, unredeemed mankind consumes in its wars against `woman`s seed`.

 At the `Last Supper` at which Jesus as the host gave `bread and wine` as symbols of his `body and blood` to the disciples, Judas betrayed the human host to the Jewish religious police, the Pharisees, for `thirty pieces of silver`, that is, as `woman`s seed` born of his mother, the Virgin Mary, uncontaminated by male semen, Jesus represented the possibility of human brainpower produced through human futanarian sexual intercourse between women, which Judas betrayed. Just as Satan had betrayed Eve`s `seed` in Eden when tricking her into accepting ephemerality for her race in exchange for the power Satan offered as her host womb slaver in brain parasitism. Jesus, who represented God`s reiterated plan that the human host was to be greater than the angelic, was similarly betrayed. Agents of the Roman Empire then occupying Palestine took Jesus to the hill of Calvary outside Jerusalem and nailed him to a cross of wood where he was left until he died. Although Jesus had Resurrection and Ascension to heaven in prefiguration of `woman`s seed`, when asked if he was a disciple of Jesus, Peter was afraid, and denied knowing Jesus three times. From a time-travel tale`s point of view, Peter would be head of the Roman church as its first Pope. Consequently, Peter`s denial that he knew Jesus could be construed as Peter`s not wanting to have known him, and so Jesus was assassinated by the church because Rome wanted the male brained Empire of war and conquest that `woman`s seed` could replace with balanced harmony.

Before the day of his crucifixion, Jesus had his feet anointed by a woman, and Judas, who was known for stealing from the collection plate after a sermon, suggested the expensive perfume be sold to raise money; to which Jesus replied: `Leave her alone.` (Mk: 14. 6) Jesus was killed because Judas didn`t want `woman`s seed` to sexually reproduce. In humanity`s original home, the garden of the paradise of Eden, the serpent was the angel, Satan, who`d been turned into a serpent by God and placed there for rejecting God`s plan that the human host would be greater than the angelic. Satan tempted Eve to eat from the `fruit of the tree of the knowledge of good and evil`, that is, death, whereas God had provided the `fruit of the tree of life`, which was immortality, and God expelled Eve and the first man, Adam, from Eden for accepting power through host womb slavery to the parasite, Satan: `You shall be as gods.` (Gen: 3. 5) Telling Adam he must labor while Eve would experience labor pain, God promised Redemption, and so Christian iconography depicts Jesus` mother, the Virgin Mary, crushing the head of the serpent with her foot, because `woman`s seed` can produce the brainpower needed to defeat Satanism. With brains from `woman`s seed`, labor saving technologies can be developed and medical science to confer the immortal memory needed to maintain and operate at that level of technological development, whereas Satanism`s host womb slaving of the human species in brain parasitism wants ephemerals in blind unconscious ignorance of the truth so that its parasitoid nature can devour humanity in conquest and war against women`s futanarian race.

 Jesus` New Testament of `love` as God`s `law` for Christians supplants the Old Testamentof prohibition against the taking of life from others in all its evil variety of forms.The apocalyptic Revelation of Saint John the Divine is characterized by the appearance of two figures described as `beasts`: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) Because Jesus is `woman`s seed`, that is, futanarian human women`s, the `first beast` is interpretable as male brained women, and the `second beast` as men, that is, the idolized bodies of male brained women are the reason for conflict between men possessed of their beauty, and who then seek to be the exclusive possessors of women`s brains through the profligate dispersal of their male semen. Because men fight for more host wombs and brains to dispose for themselves in parasitism, wars between nation states occur. As supposed heterosexuality produces a single male brained transvestite creature wearing each others` clothes as a `TV` entertainment medium for its parasitoid devourer in wars against `woman`s seed`, men and women are the `first and second beast` of Revelation, whereas human futanarian `woman`s seed` harmoniously productive of a balanced single species with brainpower to develop the technology to escape from the `beast` in starships of its own devising to colonize the planets amongst the stars of heaven above the Earth constitute God`s plan for a human host greater than the angelic. Otherwise women prefer each other, because it`s the human futanarian nature of `woman`s seed`, while men who`re engaged in male braining the human race of women prefer each other also, because their nature is that of a parasitical parasitoid devourer of species. Bereft of human futanarian `woman`s seed`, women`s fate is to be animalistically raped and male brained into blind ignorant ephemeral unconsciousness in successive eons by an alien killer that breeds her to slay.



 In Heinlein`s The Number Of The Beast the `black beast` is a ubiquitous hermaphroditic figure revealed to have alien articulation with a knee bending inwardly after a laboratory examination upon a dead specimen performed by Jake and the crew of Gay Deciever. According to the developmental psychologist Carl Gustav Jung (1875-1961) the shadow is a component of the human mind representing the subconscious and is the cause of conflict between individuals unconscious of their inferior consciousness. In Jungian psychology individuals come to consciousness through the recognition and introjection of projections, that is, in the course of their growing awareness they learn to recognize that others have superior knowledge, whereas shadow-projections induce the belief that the inferiority possessed by the inferior consciousness belongs to the superior individual. In The Number Of The Beast the `black beast` has the role of the subconscious or shadow, that is, an aspect of the collective unconscious, which contains material seeking to emerge into consciousness corresponding to human futanarian women`s need to sexually reproduce brainpower to escape from men and women`s beastliness towards a hermaphroditic human species. In their several encounters with the ubiquitous `black beast` the character endeavors to thwart the crew of Gay Deciever as Jake, Zeb, Deety and Hilda travel through the multiverse of alternative realities that contains all of fiction too; for example, the conversational white rabbit from Lewis Carroll`s phantasmagoric children`s tale, Alice In Wonderland (1865), with its waistcoat pocket watch, `I`m late.` Heinlein`s alternative has the hole in the hillside that the unwary Alice fell through into Wonderland, and Edgar Rice Burroughs` exotic `scifi` tale,A Princess Of Mars (1917), with its hero John Carter on the planet of Barsoomalongside his Martian Princess, Dejah Thoris,is accessible to the `continua car` that`s `capable of travelling through space as well as time`: `... E.R.B.'s universe is no harder to reach than any other and Mars is in its usual orbit. But that does not mean that you will find Jolly Green Giants and gorgeous red princesses dressed only in jewels. Unless invited, you are likely to find a Potemkin Village illusion tailored to your subconscious ...`Although Dejah Thoris Burroughs, whose nickname is Deety (D.T.),and her husband, Zeb Carter, are able to visit the planet of their fictional correlatives, Heinlein`s crew must look to escape pursuit by the `black beast` of the shadow of hermaphroditic futanaria, which arises as a nightmare from their subconscious minds that are `tailored` only to receive `TV` pictures. `Potemkin` villages, which were named for their deviser, were built by Russia to hide secret installations from view. As humans aren`t visible upon the Earth, because human futanarian women are concealed by the mass media and entertainment industry from knowledge of their existence, human brainpower sexually reproduced in the world of futanaria is the hidden secret, which the brainless illusion is `tailored` for the simian slaves to accept.

 In the tale, `Jerry Is A Man` (1947), which was a part of those works Heinlein wrote as a `Future History` of humanity, society uses brain enhanced `superchimps` for heavy labor, and the plot is of a group of emancipators similar to those who sought to free Africans brought to work as slaves in the cotton industry in the United States of America that resulted in Civil war (1861-5) between the Union and the rebel Southern States before the predominantly black slaves` manumission. Later Heinlein`s tale was retitled, `Jerry Was A Man`, to indicate that the ruling by a court of law asseverating Jerry`s humanity applied to the superchimp`s past too, that is, he was always a man. The tearful judgement is based on Jerry`s being asked to give a rendering of a `negro spiritual` by his lawyer because it was sung by slaves desirous of liberty on the South`s cotton plantations:`Way down upon de swannee ribber, far, far, away …`2Southern women with their voluminously concealing ante-bellum skirts perhaps preferred to own slaves, because they wanted to be able to sexually reproduce with their own human futanarian species, and they`d be slaves if they couldn`t, which suggests the `remnant` of women live in slavery to men, and because of the modern satellite telecommunications` networks` `SATVN`  education, they don`t understand that they wouldn`t want to: `… the dragon was wroth with the woman, and went to make war with the remnant of her seed.` (Rev: 12. 17) With the knowledge that women sexually reproduce with each other humanity`s brainpower, it`s possible to see that married women are ring slaves, so what passes for human society is a `Potemkin` village illusion generated by an alien slave ring developed since Satan`s days as a serpent growing in size to the dragon of men`s parasitoid nature waging war against what remains of `woman`s seed`. As marriageable women in ring slavery are taught they prefer men, whereas their futanarian species prefers itself, women`s education is provided by those who want male braining for humanity as a single `TV` creature wearing each others` clothes, so their slaver can watch the `snuff movie` of human extinction `live`, or as `recorded highlights`, and as fictionalizations devised by Hollywood Babylon`s `Nightmare` factory, which was formerly labeled the `Dream` factory before choosing war as a basic food staple for its audience`s growing parasitoid devouring nature.

Without being racist, white women logically don`t want to be black, because rape is the issue. As a single male brained creature wearing each others clothes as a `TV`, humanity is a raped slave, so white women`s resistance to their children being blackened in miscegenation is a protest against being made to manufacture a large scale reality `TV` show as a slave rape victim of the `snuff movie` industry. Consequently, women who don`t want their children to be blackened aren`t racist, but resistant to rape.However, that`s largely an unconscious perception arising from blind unconscious ignorance without human futanarian sex education, that is, amongst a single species of women, a white woman`s preference for her own color would be unremarkable outside of rape by futanarian women, which would be an acceptable taboo within that genuine democracy.Both white and black women represent resistance to the manufacturing of `TV` as rape victims, and original 30s black and white (B&W) `TV`, before late 60s color, hid the truth. Women didn`t want to be `discolored`, because it signified rape by a `TV` manufacturer that wanted a single male brained creature wearing each others` clothes in transvestite `TV`, rather than human futanarian women`s brainpower for the development of labor saving technologies, and medical science conferring immortality and permanent knowledge of the maintenance and operation of those technologies to liberate women from host womb slavery in parasitism to their parasitoid devourer in its wars against `woman`s seed`. For women who knew their human species was futanarian, refusing to countenance miscegenation was technological progress, because it represented the rejection of `TV` in male braining for a futanarian future colonizing the planets and stars in the race of women`s own starships from their own brainpower`s devising.

Because human futanarian `woman`s seed` is repressed by men and women in male brained `TV` transvestism, the consequence is homosexuality in pederasty for the spread of wars contagions; for example, in ancient Greece women`s host wombs were institutionally enslaved in homosexuality and pederasty for warfare against nearby city states like Troy where the Greeks deployed the device of a huge hollow wooden horse to effect entrance to the city and emerge from within to enslave the host wombs of the women for homosexuality in pederasty and spread their contagion of war further: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) A `woman` in the Bible, Babylon (c. 4000 B.C.) was the capital city of the Persian Empire at war with the Greeks, that is, host womb enslavement of women`s host wombs in parasitism for parasitoid devourment in war by homosexuality in pederasty was what men were for. Consequently, the shadow of repressed human futanarian `woman`s seed` lies heavy on humanity. In the late 20th century the `incurable killer disease`, HIV/AIDS, began to spread through men`s mixing of blood, shit and semen in each others` anuses in rejection of women and as men`s `biological weapon` against the possibility of sexually reproducing human brainpower through human futanarian `woman`s seed` by ensuring fearful faithfulness to ring slavery in a `TV` marriage engineered by Hollywood, `Babylon`.

 The capital of the world`s media industry in Hollywood, Los Angeles, USA, called itself `Babylon`, because in 1930 it banned human sex between women through President of the Motion Picture Producers and Distributors of America (MPDA), Will H. Hays` `Hays code` (1930-67): `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`3 When John Logie Baird invented television in 1926, Hollywood Babylon saw it as the vehicle for promoting its creation of a single male brained creature wearing each others` clothes in `TV` transvestism to perpetuate its alien war against `woman`s seed` in what amounted to a `snuff movie` documentary of the real extinction of the human race through the media industry`s promotion of conflict and violence to feed its created audience`s male brained taste for parasitoid devouring of the human host of women. When the `geek` successors to the Greeks began devising `bad machine code` to infect and kill computer brainpower it was symptomatic of homosexuality in pederasty`s war against human futanarian women`s humanity`s desire to find a means to escape from its killer, which had already deployed its HIV/AIDS virus to enter the anus and kill the brain. Parasitology suggested that what humans thought of as men were in fact a viral form that had somehow inveigled itself into the human host womb millennia ago to steal the penis of the species and devour it as a parasitoid brain slaver. Consequently, Heinlein`s `black beast` represented the shadow of futanarian humanity, which wanted to emerge from non-existence into reality, and the internet explorer Gay Deciever, handicapped by sex taboo, wasn`t able to show that a cure was possible, because men prefer slavery for the human race in ephemeral extinction to liberation through immortal brainpower.



 If futanarian `woman`s seed` is humanity 100%, then democracy is a sham because women`s sexual reproduction is between those who have host wombs as well as penis` semen, whereas men don`t have wombs and so constitute 0%. Consequently, women`s democracy is nature`s whereas men`s is imposed upon the species as a cover for the truth, which is that the race is being summarily executed in an alien pogrom lasting as long as it provides entertainment for the parasitoid devourer, which the Bible identifies as Satan and the modern age calls Satanism, that is, 66.6% (666) of 0%, because its practitioners devour as enthusiastic parasitoids in male brained parasitism upon the enslaved species` host womb. Although Islam is vilified by the Western democracies for religious and secular dictatorships, the Moslem Koran (610-30 C.E.) was dictated to the Prophet Mohamed by God`s angels, according to tradition, because God`s plan was for the human host to be greater than the angelic. Consequently, Mohamed was the descendant of Ishmael who was born from Hajer, Abraham`s concubine. Hajer was given to Abraham by his wife Sara after she gave birth to Isaac, who was the founder of Judaism, and Sara became barren. In Islam four wives are permissible in marriage because Sara`s giving of Hajer to Abraham is perceived as permission. The four wives of Islam afford the possibility of human futanarian sexual reproduction between `woman`s seed` within the Moslem family and so God`s plan for a human host greater than the angelic is fulfillable.

 Modern Palestine is bordered by Moslem Arab countries where women wear the one-piece coverall of the burka from which only their eyes can be seen. The burka is generally a uniform black color, which suggests Heinlein`s hermaphroditic `black beast` is what he fictionally extrapolates as lying beneath the burkas of the women. During the Gulf war to depose Iraq`s dictator Saddam Hussein, whose name means `small handsome man` and `crusher`, because the head of Satan is depicted as being crushed by `woman`s seed` in Christianity, had his summer palace at Hillah overlooking the ruins of the capital city of the ancient Persian Empire, Babylon, in accordance with his role as a Hollywood Babylon leading man created by male braining for homosexuality in pederasty and war. The US invasion of March 2003 followed upon the Saudi Arabian head of the Ben Laden family, Osama, leading a terrorist group under the auspices of the notoriously misogynist Taliban regime in Afghanistan to hijack civil airliners and crash them into the Twin Towers of the World Trade Centre in New York city. The target was chosen because it symbolized `rough trade`,4 that is, the `brutality and violence` associated with homosexuality in pederasty for war against `woman`s seed`, and although Saddam Hussein`s offer of bases to Al Qaeda in Iraq seemed to belie his role as `crusher` of the head of Satan, the Gulf war resulted in a more pronounced role and profile for Moslem women, which they wouldn`t otherwise have realized.

Although Hollywood Babylon created Saddam Hussein as its leading man in male braining for homosexuality in pederasty and war against `woman`s seed`, which produced the movies Jarhead (2005), and World Trade Centre (2006), to boost gross profits in the world`s cinemas, he was the `crusher` of the head of Satan and Satanism, because Hollywood`s film moguls were at last perceived as evil:`... from the sky there comes a great king of terror,to bring back the great king of the moguls,Mars rules triumphantly, before and after.`5 The movie moguls` plot has been decipherable at least since the French seer Michel Nostradamus wrote his 16th century prophecy about the rule of the Roman god of war, Mars, following upon 9/11`s mogul terror from the sky above New York city, which was relayed `live on CNN` and other `TV` networked news channels worldwide as a precursor to the `TV war` in the Gulf watched by billions of Mars, god of war, devotees. In the first Gulf war (1990-1) labeled `TV war` by Western media, the US army`s televised long distance removal of Saddam Hussein`s invading Iraqi army from Kuwait focused on air power and cockpit camera footage of the US` A10 jet aircraft tank busters` omnipotent safety above the Iraqi armor they destroyed at will, which gave impetus toStreetfighter II (1991), Mortal Kombat (1992)and a whole plethora of other violent `action` and `shoot-em-up` personal computer games encouraging teenagers to view life, civilization, culture and art as disposable ephemera after the teachings of their parasitoid idol, Mars, and brain parasite,Satan. Called `the great worm` because of its role as the serpent in Eden, before it grows to the size of a `dragon` in Revelation waiting to devour the child born to the woman who will `rule the nations with an iron scepter` on behalf of `woman`s seed`, men`s semen in Satanism approximates to that of a worm virus inveigling itself into the woman`s body and emerging through her species` heads as humanity`s possessing demon. HIV/AIDS is its virulence writ large in the Bible as `blood plague` (Rev: 11. 6), which is spread by men`s mixing of blood, shit and semen in each others` anuses as the virus travels up the spinal column to kill the brain: `Men cursed the God of heaven because of their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was kill the brains of the species to keep it as an ephemeral womb slave to its devouring parasitoid nature in wars against humanity.



 Although Heinlein`s `black beast` is a hermaphrodite, it’s a shadow extrapolation of human futanarian women`s `seed`, that is, parasitoid male, and so men and women for Heinlein are in accordance with the pre-programing instruction that precedes the making of a rule for the `continua craft` to follow: `Gay, I tell you three times.` Because male braining produces parasitoid futanaria, men and women`s is a homosexual `rule` of the `first and second beast` of Revelation: `... no one could buy or sell unless he had the mark, which is the name of the beast or the number of his name.` (Rev: 13. 17)The `mark of the beast` is the absence of the woman`s penis surgically removed from the human scene in what`s effectively a species` lobotomy to prevent the race from using its brainpower to escape. The knees of Heinlein`s `black beasts` bend backwards so they can more readily present their anus to spread the contagion of HIV/AIDS` `blood plague`, which is why they`re depicted as `the beast of Revelation` that the married couples in Gay Deciever, that is, Jake and Hilda, and Zeb and Deety,are seeking to escape from. Heinlein`s space-time `continua vehicle` could deceive the `gay` Earth, where automobiles mass produced since Henry Ford`s factory in Detroit, Michigan, began the manufacture of the Model T Ford in 1908, have been snaking about the planet`s roads behind the ass of the demon driver ahead ever since,like Pinocchio in Carlo Collodi`s The Adventures Of Pinocchio (1883), whose nose grew longer when he lied: `Lies, my boy, are known in a moment. There are two kinds of lies, lies with short legs and lies with long noses. Yours, just now, happen to have long noses.`6However, the automobile behind the automobile ahead is a symptom of a homosexual orientation imposed by an alien mind`s hatred for humanity, which is the alternative reality preferred by men. Consequently, sex taboo precludes Heinlein`s being able to deceive the `gay` Earth and promulgate the escapees truth through fiction. Heinlein`s The Number Of The Beast can`t depict sexual intercourse between women, leading to the production of human brainpower to help humanity escape from its pursuing killer. Instead, preparing to charge across the plain of Megiddo, where the final battle between good and evil is to take place near the coastal city of Haifa in Israel, according to Revelation, the liar Pinocchio will fill his tank and direct the long nose of the gun barrel grown from its turret to charge headlong at the Pinocchio coming towards him in denial of his homosexuality in pederasty for war`s parasitoid devouring nature.

Although Heinlein`s Gay Deciever is conceived as a car of the future, it represents the simple perception that sex taboo will reduce the race to homosexuality in pederasty for extinguishment in warfare against `woman`s seed` if sex education isn`t provided. Anathematized for prurience because he chose to examine the theme of incest in the wife swapping that takes place between Jake Burroughs, his wife Hilda Sharp, his daughter D.T, and her husband Zeb Carter, Heinlein`s perspective is that women are a single species in which sex between women is depicted as incestuous to deter the human host womb from rejecting its parasitoid devourer. In dramatist Sophocles` ancient Greek drama, Oedipus Rex (c. 429 B.C.), the central protagonist kills his father, Laius, unbeknownst to him and marries his mother, Jocasta, before the taboo against incest causes him to blind himself. The irony is that Oedipus always lived in blind ignorant unconsciousness and, when Antigone his daughter agrees to lead his blind steps onward, Oedipus has come between women on their path of sexual reproduction with each other as a species, which is labeled `incest` by men, so that they can stand between mothers and daughters to prevent their race from succeeding to the throne of the Earth and the planets and stars above: `Coupling with us might be masturbation, but it can't be incest because we aren't your sisters.`7Laz and Lor`s explanation for Heinlein`s long-lived character, Lazarus Long, is a part of Heinlein`s examination of thetheme of humanity being futanarian in his novel of immortality through gene selection and rejuvenation treatments, Time Enough For Love (1973),where Lazarus Long travels through time and space to have sex with his birth mother, Maureen. Her incest relations with her father are related in To Sail Beyond The Sunset (1987),and Maureen encourages her daughter, Nancy, to have incestwith Maureen`s husband, Brian: ` … [Nancy] closed her eyes and opened her thighs and for the first time received her father ..`.8The basis of species` slavery is men`s incest taboo, because the desire for single species` sex relations amongst the women of futanarian humanity is presented as incest, whereas the absence of sexual reproduction between women is what`s wrong with the human condition: `... anything two - or more - people want to do is all right as long as it does no physical harm. He fe[lt ... ] the words 'moral' and 'immoral' ridiculous when applied to sexual relations. Right and wrong the correct words, used exactly as they would be used in any other human relation.`9 The desire for incest and its attendant taboo conceals the truth, which is that human women`s futanarian humanity is a single species sexually repressed into the mistaken belief that reproducing its own brainpower to escape from slavery is forbidden as an incestuous desire.

 Heinlein`s time-travel tale ` - All You Zombies - ` (1959) describes how a character called `the unmarried mother` undergoes a sex change operation before fertilizing herself and giving birth to herself: `It's a shock to have it proved to you that you can't resist seducing yourself.`10 However, the surgery is typical of the United States of America, where interventionist surgery upon human futanarian women is sanctioned by the government in all cases to ensure that men and women are the only genders. Vilified for prurience in his treatment of sexual themes, Heinlein labored with the handicap of sex taboo preventing his remarkable mind from escaping publishing restrictions to help humans live beyond unreason. In his novel, The Puppet Masters (1951), Heinlein extrapolated from male braining for homosexuality in pederasty for war to alien `slugs` taking over the bodies of humans. Heinlein`s novel concludes: 'Puppet masters - the free men are coming to kill you! Death and destruction!'11 What Heinlein couldn`t write was that men themselves are the `puppet masters`, because publishing conventions dictate that men aren`t criticizableas alien to the Earth. Parasitological analysis of the symptoms suggests human nature is being devoured by their parasitoid nature, and that women`s nature is terrestrial, while men`s is an alien viral life form seeking human extinction as an aspect of its brain slaving parasitism upon the host womb of the species of futanarian `woman`s seed`, and as an entertainment medium equivalent to a `snuff film` made in reality by Satanists worshipping the brain death of the human race as it tries to think itself well enough to run and escape.



Towards the end of The Number Of The Beast Heinlein`s `black beast` is depicted having a brief Ascension to heaven: `The figure appeared to be several klicks high now, when the illusion suddenly broke. The rainbow was gone … very high up, a figure was tumbling, twisting, falling.`12 The rainbow was a symbol of God`s promise to Noah of land, after the deluge that drowned the Earth when God punished it for evil, and again when the Jews escaped from slavery in Egypt to journey to Palestine, the rainbow was the symbol of God`s promise of land there. Because Heinlein`s `beast` symbolizes the brain killer`s virus, HIV/AIDS, and the shadow of the parasitoid devourer, Satan, God`s promise isn`t for it. The place the slain heroes go to in Norse mythology, after the winged Valkyrie maidens take them to where they fight and die again each day as their reward, is Valhalla, and so Heinlein`s `rainbow bridge` dissolves as an illusion while the `black beast` falls, because childhood for humans precedes adulthood, rather than brain death in homosexuality and pederasty for extinction in war. Judas, and the Jewish religious police, the Pharisees, and the Empire of Rome, conspired to kill Jesus because he was `woman`s seed`, which is why Jesus had Resurrection and Ascension to heaven. Judas, the Pharisees, and Rome, were the `black beast` and God`s covenant, symbolized by the dissolving rainbow in Heinlein`sThe Number Of The Beast, wasn`t for them. They represented the dictatorship of the Empire of the male brain feigning belief in God`s promised land, whereas `woman`s seed` is potentially a single species shepherded by men like Jesus, whose role would depend on their capacity to convert from their sin of deferring to men who`re not accepting of God`s `seed`. Sexual reproduction of human brainpower between women of the same species and sexual orientation breaks the hegemony of the male brain and brings genuine democracy to the sham, that is, the rainbow appears after the reign.

 Jesus was killed by Judas for having his feet anointed with expensive perfume by a woman with the possibility of sex between them being a part of the scene, which threatened Judas` position as a parasitical pimp. Because Judas was a parasite with a parasitoid nature, he killed the human host at the `Last Supper` by betraying Jesus for `thirty pieces of silver` to the Pharisees, who gave Jesus to the Romans to be crucified, that is, Judas` parasitoid nature devoured Jesus as `woman`s seed`, because that`s what parasitoid nature`s do. At his `Last Supper` before the crucifixion, Jesus` `bread and wine` was a symbol of his `body and blood`, which the officiates in the Christian church would later ritualize as transubstantiation, whereby the petitioner received a wafer of bread and a sip of wine from a chalice as a sign of their repentance from sin and acceptance of `woman`s seed` in Jesus`name by means of what he termed metanoia, that is, brain transformation resulting from often instantaneous conversion arising from sudden revelation. For Judas as a pimp rather than an officiate, Jesus` `bread and wine` was a symbol of his `body and blood` for the parasitoid nature of the devourer to consume, whereas for the believer Jesus` `bread and wine` is a symbol of the `body and blood` of `woman`s seed`, which must be accepted if the human race is to have heaven. Or `war in heaven` will ensue between those who want to slave the host womb of the human species in ephemeral brain parasitism for parasitoid devouring in Satanism, and `woman`s seed`, who`re human futanarian women`s race for the colonization of the planets and stars above Earth.

Jesus is depicted as the `lamb` in Revelation with his `bride` the church, while `flock` is the term used to describe its congregation by Christianity, which believes `the meek will inherit the Earth` and that they`re as docile as `sheep`, while Jesus is their shepherd because human futanarian humanity doesn`t need rams. In short, modern Christianity`s flaw is that it believes in rams for its congregational flock who pimp `woman`s seed` like Judas as ring slavers in marriages that aren`t species` integration but race suicide. Jesus didn`t have to go to Jerusalem, where the `Last Supper` took place, but he made a decision to go there knowing he`d be crucified, because he was telepathed there by a coercive director in the same way that a television actor is made to comply with a `TV` script he doesn`t approve of. Jesus` tau cross was that of the Roman Empire`s `teevee` manufacturer. Jesus represented human futanarian `woman`s seed` born uncontaminated by male semen from his mother, the Virgin Mary, who hadn`t accepted heterosexuality`s production of a single male brained creature wearing each others` clothes as a transvestite `TV` for the violence addicts of the Roman Empire to enjoy. The single male brained creature in transvestism, that is, Roman `TV`, directed Jesus to accept crucifixion as it now telepaths the suicide of the human race as a television transvestite waging war for the entertainment of the alien parasitoid nature it serves as its pimp. Christianity`s flaw is that its acceptance of blind unconscious ignorance for its `flock`, when it comes to sex education about `woman`s seed`,that is, the meaning of Jesus` life and teaching, makes of its officiates pimps for the alien pogromer that`s making humanity extinct. As a basic principle of Christianity, humility has given pimps masquerading as officiates a license to wage war on the intelligent on the understanding that pride in intelligence isn`t for humans. From the `big screen` of cinema to the screen of the handheld mobile `phone, and with the paperback novel and the `small screen` of television as evolutionary mediabridging the gulf between those technological developments, it`s an apocalyptic sign of Revelation that the Earth is being devoured all around the `phone user by its parasitoid enemy, while humans roam in an attempt to see from their `Pay-As-You-Go` `phone screensa better world outside the living room of death`s `TV` at home. Without `woman`s seed` there can be no human sexual reproduction and brainpower to develop and escape in the equivalent of Heinlein`s `continua vehicle`, but Christianity doesn`t mind as long as the intelligent race accepts its beheading with humility, and learns to toddle off screen.


1 Heinlein, Robert A., Stranger In A Strange Land, G. P. Putnam`s Sons, 1961, p. 429.

2 Foster, Stephen `Old Folks At Home`, 1851.

3,php/Main/FootPopping/ .

4 .

5 Nostradamus, MichelLes Propheties, Century 10, Quatrain 72, 1555.

6Collodi, Carlo The Adventures of Pinocchio, Ch. 17, 1883.

7 Heinlein, Robert A. Time Enough For Love, G. P. Putnam`s Sons, 1973, p. 448.

8 Heinlein, Robert A. To Sail Beyond The Sunset, G. P. Putnam`s Sons, 1987, p. 203.

9 Heinlein, Robert A. To Sail Beyond The Sunset, G. P. Putnam`s Sons, 1987, p. 121.

10 Heinlein, Robert A. `- All You Zombies -`, 11 June, 1958.

11 Heinlein, Robert A. The Puppet Masters, New York, Doubleday, 1951.

12 Heinlein, Robert A. The Number Of The Beast, Chapter XLVIII Rev: XXII. 13, Fawcett, 1980, p. 481.