Vampires Don`t Belong In Heaven If They Aren`t Sexual

Vampires Don`t Belong In Heaven If They Aren`t Sexual

Vampires Don`t Belong In Heaven If They Aren`t Sexual

 

The basic anti-Christian myth is that of the vampire which lives forever by drinking the blood of innocent young virgin girls and isn`t sexually reproductive, whereas God`s exhortation is `Be fruitful and multiply.` (Gen: 1. 28) The vampire is the threat to human reproduction, according to the Bible, where the dragon or draco of Revelation is depicted waiting in vain to devour the child of the woman who will `rule the nations with an iron scepter`. The prototypical Hollywood vampire is Dracula, most notably played by actor, Christopher Lee, and the name chosen by novelist Bram Stoker for his original treatment of the theme of the immortal blood drinker in Dracula (1897) derives from draco or dragon, where the creature represents the antithesis of human sexuality, which is concerned with immortality through the sexual reproduction of human brainpower so that the individual can achieve longevity in medical science.

 

 

 Although Eve is warned of the `perpetual enmity` of the serpent`s seed` that lies waiting for her `seed` in the future, humans had to wait for the birth of the Messiah, Jesus, born from his mother, the Virgin Mary, uncontaminated by male semen, before the role of `woman`s seed` could be understood. In his `Second Coming` the Messiah is again born from a woman without visible sign of a male progenitor, which suggests Jesus` teachings required reinforcing. As a celibate Jesus wasn`t perceived as representing sexuality, but God`s admonition to Eve that her `seed` would have `perpetual enmity` with the `serpent`s seed` suggests `futanarian` women with penis` semen of their own are to be the sexually reproductive human race of the future and without male semen, which is in accordance with Jesus` teachings of Resurrection for `woman`s seed`:

 

`When the dead rise, they will neither marry nor be given in marriage; they will be like the angels in heaven.` (Mk: 12. 25)

 

 Heaven isn`t for men unless they convert and ask for forgiveness; then they can have Redemption, and ultimately rebirth in heaven as `woman`s seed` from the host wombs of the `futanarian` women of the human species. The rest of the `serpent`s seed` will have the perdition of God`s eternal unendurable pain as punishment for their sin of enslaving the host womb of the human species of woman to wage war therefrom as parasitical devourers of the art, civilization and culture she is forced to produces as her boy sons:

 

`With her the kings of the earth committed adultery, and the inhabitants of the earth were intoxicated with the wine of her adulteries.` (Rev: 17. 2)

 

 The wine of her adulteries are the wars that derive from her boy sons, who are the poisons of her cup. Because `futanarian` women have their own penis` `seed`, men as the `serpent`s seed` don`t sexually reproduce her human brains, which means she is born brain damaged from a parasitical union that has been forced upon her by what may originally have been an alien form of virus, which hypothesis is borne out by the appearance of the `killer disease` of HIV/AIDS in the late 20th century as the biblical `blood plague` sent by God to convert men from their sin of rejecting women`s host wombs for mockeries of the sexual act of human reproduction in mixing blood, shit and semen in each others` anuses. As a `biological weapon` HIV/AIDS is an anti-Christian contamination by male semen that keeps women in fearful faithfulness to owners who maintain her in blindness and media censorship so the penis` `seed` of her own species is denied her:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 Hollywood is often called Babylon because `the beast` of homosexuality was ridden by its whores. In ancient Greece enslavement of the host wombs of women in homosexual pederasty to spread the contagion of war by means of its viral boy sons, that is, its poisons, was institutionalized. Men often describe the act of coitus as riding the woman, but that`s a misnomer because the woman rides the penis. The idea of the male penis riding the woman is a homosexual metaphor, where the penis is hers and so `she`, that is, the penis, is `her` being ridden. Women who are `futanarian` with their own penis` semen have been sundered from their own human women`s bodies by homosexual killers, who `ride her`, that is, the penis, as men`s brain damage upon her own contaminated `seed`, which is what Hollywood, Babylon, represents in movies like Troy (2004), for example, that celebrate the `Greek horse`. Concealed within a huge hollow wooden horse left as a `friendship gift` before the walls of Troy, the Greeks emerge once inside and enslave the host wombs of the women to spread their contagion of war and pederasty further. It`s `crapola` where the woman is created as a brain damaged thing by the `serpent`s seed` of men`s semen, so they can say she`s being ridden, because it`s her contaminated penis` semen and she`s their contaminated brain damaged projection in the theatre of their wars against her.

 

 

 Because the glamour of homosexual pederasty and war isn`t sexual, Hollywood Babylon`s promotion of an image of men riding women is actually `the whore` riding `the beast` because men are the `serpent`s seed` giving her brain damage so they can maintain her contamination to prevent her from sexually reproducing with her own brains` power so  she can develop her own technology to escape the Earth in starships of her own devising, for example, that would effectively take her to the planets and stars of God`s heaven. Eve is told by God in Eden she`ll:

 

`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 

 Her `foot` is her `futanarian` human self that`s sundered from her in Hollywood Babylon, for example, where the `stars` of the `small screen` Babylon 5 television series are animal men, and where where the notorious `foot on the floor` rule in bedroom scenes due to the enforcement of the `Hayes production code`, between 1930 and 1967, programed the penis` `seed` of woman out of the picture for homosexual pederasty and its glamourizing of war`s contagions. The `serpent`s seed` didn`t want the `futanarian` foot of the woman to ever leave the Earth and her enslavement to its product, that is, its wars against her in filmed  `perpetual enmity`.

 

 

 Because Hollywood Babylon isn`t about sexual reproduction but war against the human `futanarian` species of woman with her own penis` `seed`, the myth is that there`s no sex in heaven, whereas Jesus` teachings of Resurrection are of `woman`s seed`, which is the penis` semen of woman repressed by men and denied recourse to sexual reproduction of her own brains` power to liberate her from the `serpent`s seed` of men`s enslaving and devouring of her in its ceaseless wars against her human resources upon the planet Earth. The myth of the draco or vampire is of a sexless creature drinking the blood of innocent virgins to remain immortal, which is what homosexual pederasty represents.

 

 

 Anti-sex lobbies are vampires who don`t want the human race of `futanarian` woman to have Resurrection and raise her `foot` from the grave of her Earth through the sexual reproduction that will put her `seed` amongst the planets and stars of God`s heaven by means of her own brainpower and technological innovativeness. On Hollywood Babylon`s `small screen`, television`s Buffy The Vampire Slayer (1997-2003), Sarah Michelle Gellar, has a wooden stake to place in the heart of the vampire so that it dies, because she`s the `woman`s seed` and her own penis` semen is the stake she has in the future, so the wooden stake she places in the heart of the vampire is symbolic of the technological future of the `futanarian` human woman with her own penis` seed` that she will use to kill her draco and escape from its enslaving of her upon the grave of her Earth.

 Because actress Sarah Michelle Gellar is sexually alluring in her role in Buffy The Vampire Slayer, she doesn`t represent the vampire, but the immortal `seed` of God`s human species, `Be fruitful and multiply.` (Gen: 1. 28) The vampire is anti-sexual because men don`t want women to sexually reproduce their own memories and wisdom as an immortal race of technologically long-lived humans with advanced medical science, which is why men` s `biological weapon` of sexual enslavement, that is, the HIV/AIDS` `killer disease` that keeps women in fearful faithfulness to a single `owner`, wasn`t cured by the outset of the 21st century. The important issue is that of human sexuality, that is, women are sexual beings being told what to look for in the mirror of their reality, which is distorted by the propaganda of homosexual pederasty in Hollywood Babylon where women`s host wombs are depicted as the birthplace of wars.

 

 

 Looking at the mirror of their own reflection women are taught they`re ephemeral creatures who can only expect fading beauty and a decrepit old age followed by an innocuous death. Because they don`t look for their own penis` `seed` in the mirror of their lives. The `serpent`s seed` have educated women into accepting the contamination of male semen that brings only brain damage and extinction, rather than longevity through advances in medical science, while it is. God`s will that `woman`s seed` should have Resurrection and heaven. Because the penis` semen of women is `woman`s seed`, sexual reproduction is heaven from God`s point of view, which means that anti-sex lobbies are evil. Not because heterosexual sex is good per se but, because magazines such as Playboy (1953-) and Penthouse (1967-) feature naked women and don`t feature `futanarian` women with their own penis` `seed`, the picture isn`t clear enough for the humans to see themselves in the `funfair` of the serpent`s distorted mirrors.